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Painting --- political art --- kunst en politiek --- Vlaamse school --- Clerck, de, Hendrik --- Albert & Isabella [Archdukes]

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Art --- amusement parks --- sculpture [visual works] --- politics --- parody --- audiences --- kunst en politiek --- social criticism

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The Routledge Handbook of Graffiti and Street Art integrates and reviews current scholarship in the field of graffiti and street art. Thirty-seven original contributions are organized around four sections: History, Types, and Writers/Artists of Graffiti and Street Art; Theoretical Explanations of Graffiti and Street Art/Causes of Graffiti and Street Art; Regional/Municipal Variations/Differences of Graffiti and Street Art; and, Effects of Graffiti and Street Art. Chapters are written by experts from different countries throughout the world and their expertise spans the fields of American Studies, Art Theory, Criminology, Criminal justice, Ethnography, Photography, Political Science, Psychology, Sociology, and Visual Communication. The Handbook will be of interest to researchers, instructors, advanced students, libraries, and art gallery and museum curators. This book is also accessible to practitioners and policy makers in the fields of criminal justice, law enforcement, art history, museum studies, tourism studies, and urban studies as well as members of the news media. The Handbook includes 70 images, a glossary, a chronology, and the electronic edition will be widely hyperlinked.　

politics --- art history --- public spaces --- street art --- Art --- graffiti --- kunst en politiek --- kunst in de openbare ruimte --- graffiti [casual notations] --- Graffiti --- Street art

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Art --- installations [visual works] --- language [general communication] --- art criticism --- Conceptual --- Art & Language --- Concept-art. --- Art et Language. --- Geschichte 1969-1977. --- kunst en politiek --- social criticism

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Erik van Lieshout first became known in the early 2000s for his visceral videos in which he often plays a central role, shown in environments of his own making: installations whose rough, bricolaged forms belie their sophistication. Whilst his immediate subject matter is often directly influenced by the political and social context of the Netherlands, van Lieshout's work provocatively raises issues that are relevant across Europe and beyond: immigration and integration, class and gentrification. Despite these weighty topics, his work can be outrageously funny, using satire to reveal the failings of our society. With equally brutal honesty, he explores his own failings, both as a human being and as an artist. In recent works, he particularly questions art's direct social impact and its potential to do good.

kunst --- kunst en politiek --- video-installaties --- fotografie --- film --- 7.071 VAN LIESHOUT --- Van Lieshout Erik --- installaties --- twintigste eeuw --- Nederland --- eenentwintigste eeuw --- Exhibitions --- Van Lieshout, Erik --- Video art --- Netherlands --- 7.07 --- Videokunst ; installaties ; film --- Film stills --- Kunst en politiek --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- van Lieshout, Erik °1968 (°Deurne, Nederland) --- Art vidéo