Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Reading a wide range of novels from post-war Germany to Israeli, Palestinian and postcolonial writers, The Politics of Jewishness in Contemporary World Literature is a comprehensive exploration of changing cultural perceptions of Jewishness in contemporary writing. Examining how representations of Jewishness in contemporary fiction have wrestled with such topics as the Holocaust, Israeli-Palestinian relations and Jewish diaspora experiences, Isabelle Hesse demonstrates the 'colonial' turn taken by these representations since the founding of the Jewish state. Following the dynamics of this turn, the book demonstrates new ways of questioning received ideas about victimhood and power in contemporary discussions of postcolonialism and world literature.

Jews in literature --- Zionism --- Jews in literature. --- Fiction --- History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Jews in literature. --- French fiction --- Juifs dans la littérature --- Roman français --- History and criticism. --- Histoire et critique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Universal equality is a treasured political concept in France, but recent anxiety over the country's Muslim minority has led to an emphasis on a new form of universalism, one promoting loyalty to the nation at the expense of all ethnic and religious affiliations. This timely book offers a fresh perspective on the debate by showing that French equality has not always demanded an erasure of differences. Through close and contextualized readings of the way that major novelists, philosophers, filmmakers, and political figures have struggled with the question of integrating Jews into French society, Maurice Samuels draws lessons about how the French have often understood the universal in relation to the particular. Samuels demonstrates that Jewish difference has always been essential to the elaboration of French universalism, whether as its foil or as proof of its reach. He traces the development of this discourse through key moments in French history, from debates over granting Jews civil rights during the Revolution, through the Dreyfus Affair and Vichy, and up to the rise of a "new antisemitism" in recent years. By recovering the forgotten history of a more open, pluralistic form of French universalism, Samuels points toward new ways of moving beyond current ethnic and religious dilemmas and argues for a more inclusive view of what constitutes political discourse in France.

Jews --- Antisemitism --- Jews in literature. --- Social conditions. --- France. --- French Revolution. --- Jews. --- Muslims. --- assimilation. --- laïcité. --- minorities. --- pluralism. --- universalism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In the decades following World War II, many American Jews sought to downplay their difference, as a means of assimilating into Middle America. Yet a significant minority, including many prominent Jewish writers and intellectuals, clung to their ethnic difference, using it to register dissent with the status quo and act as spokespeople for non-white America. In this provocative book, Jennifer Glaser examines how racial ventriloquism became a hallmark of Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Rather than simply condemning this racial ventriloquism as a form of cultural appropriation or commending it as an act of empathic imagination, Borrowed Voices offers a nuanced analysis of the technique, judiciously assessing both its limitations and its potential benefits. Glaser considers how the practice of racial ventriloquism has changed over time, examining the books of many well-known writers, including Bernard Malamud, Cynthia Ozick, Philip Roth, Michael Chabon, Saul Bellow, and many others. Bringing Jewish studies into conversation with critical race theory, Glaser also opens up a dialogue between Jewish-American literature and other forms of media, including films, magazines, and graphic novels. Moreover, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about ethnic identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.

Culture in literature. --- Intermarriage in literature. --- Race in literature. --- Identity (Psychology) in literature. --- Jews in literature. --- Jews --- American literature --- Intellectual life. --- History and criticism. --- Jewish authors

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Me{uml}ir Aaron Goldschmidt and the Poetics of Jewish Fiction presents a bold new reading of one of Denmark's greatest writers of the nineteenth century, situating him, first and foremost, as a Jewish artist. Offering an alternative to the nationalistic discourse so prevalent in the scholarship, Gurley examines Goldschmidt's relationship to the Hebrew Bible and later rabbinical traditions, such as the Talmud and the Midrash. At the same time, he shows that Goldschmidt's midrashic style in a secular context predates certain narrative movements within Modern-ism that are usually associated with the twentieth century and especially Czech writer Franz Kafka. Goldschmidt was remarkable in his era, both as a writer who explored his peripheral identity in the mainstream of European culture and as a writer of the first truly Jewish bildungsroman. In this groundbreaking study of Goldschmidt's narrative art, Gurley refashions his position in both the Danish and Jewish literary canons and introduces his extraordinary work to a wider, non-Scandinavian audience.

Danish fiction --- Jewish authors --- Authors --- Danish literature --- History and criticism. --- Goldschmidt, Me{uml}ir, --- Criticism and interpretation. --- Judaism in literature. --- Jews in literature. --- Goldschmidt, Meïr, --- Knowledge and learning.