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This photographic series by Daniela Comani, is an excursus into perception as it relates to the media. With painstaking precision she probes that ever-present device for the reproduction of moving images, the television set, but in off mode: turned off, TV sets seem dead, they become cold objects ? and yet concomitantly they serve as surfaces for viewers to project their own fantasies and fears on. Even when the picture is extinguished, the TV is still not bereft of content, for the dark screen reflects the room and the people and objects in it.
fotografie --- eenentwintigste eeuw --- Comani Daniela --- 77.071 COMANI --- Comani, Daniela
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Dutch literature --- 741.571 VAN GOETHEM --- België --- Van Goethem Mila --- beeldverhaal --- eenentwintigste eeuw --- kunst --- strips --- tekenkunst
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"Dans le supermarché Batax, on trouve de tout, comme le rêvait le fondateur de cette entreprise familiale qui a réussi. Mais entre pressions au rendement, clients mécontents et syndicats complaisants, la vie derrière la caisse n'est pas facile. A force de tout encaisser, on risque de craquer..." [Source : 4e de couv.].
741.5 --- Frankrijk --- Simon Anne --- beeldverhaal --- eenentwintigste eeuw --- graphic novels --- kunst --- strips --- tekenkunst --- 741.571 SIMON
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Clarke, C. J., --- fotografie --- documentaire fotografie --- Groot-Brittannië --- eenentwintigste eeuw --- Clarke CJ --- 77.071 CLARKE
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fotografie --- landschapsfotografie --- documentaire fotografie --- De Wolf Arnaud --- België --- eenentwintigste eeuw --- 77.071 DE WOLF --- Exhibitions
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"Astres noirs is the debut book for both Katrin Koenning and Sarker Protick, artists who live thousands of miles apart whose peculiar photographic wanderings create a hauntingly beautiful dialogue. This book presents photographs taken on mobile phone cameras, devices used to capture their everyday in an impulsive and almost obsessional way, documenting life from their doorsteps to far afield. Their photographs capture the commonplace such as water stains on asphalt, dust clouds and rays of light, and transform these into mesmerising frames &#x; elusive fragments that evoke an imaginary creature, a milky way, a phosphorescent silhouette&#x; Presented together, their combined voices lead us on a journey into unexplored territory, somewhere between the everyday and paranormal, between night and day. Amongst enveloping darkness, lightness is revealed, dazzling and miraculously caught by discerning eyes."--Publisher's description, from website http://www.dalpine.com/en/book/astres-noirs, viewed on July 28, 2016.
fotografie --- eenentwintigste eeuw --- Protick Sarker --- Koenning, Katrin --- 77.071 PROTICK --- 77.071 KOENNING --- Protick, Sarker
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The debut graphic novel from a dazzling newcomer with a singular, idiosyncratic style. Big Kids is simultaneously Michael DeForge's most straightforward narrative and his most complex work to date. It follows a troubled teenage boy through the transformative years of high school as he redefines his friends, his interests, and his life path. When the boy's uncle, a police officer, gets kicked out of the family's basement apartment and transferred to the countryside, April moves in. She's college student, mysterious and cool, and she quickly takes a shine to the boy. The boy's own interests quickly fade away: he stops engaging in casual sex, taking drugs, and testing the limits of socially acceptable (and legal) behavior. Instead, he hangs out with April and her friends, a bunch of highly evolved big kids who spend their days at the campus swimming pool. And slowly, the boy begins to change, too. Eerie and perfectly paced, DeForge's Big Kids muses on the complicated, and often contradictory, feelings people struggle with during adolescence, the choices we make to fit in, and the ways we survive times of change. Like Ant Colony and First Year Healthy, Big Kids is a testimony to the harshness and beauty of being alive.
741.571 --- Canada --- DeForge Michael --- beeldverhaal --- eenentwintigste eeuw --- graphic novels --- kunst --- strips --- tekenkunst --- American literature
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"Alain Bergala's The cinema hypothesis is a seminal text on the potentials, possibilities, and problems of bringing film to schools and other educational contexts. It is also the passionate confirmation of a love for cinema and an effort to think of education differently. This book stages a dialogue between larger concepts of cinema and a hands-on approach to teaching cinema. Its detailed insights derive from the author's own experiences as a teacher, critic, filmmaker and advisor to the French Minister of Education. Bergala, who also served as chief editor of Cahiers du cinéma, promotes an understanding of film as an autonomous art form that has to be taught accordingly. Confronting young people with cinema can create friction with established norms and serve as a productive rupture for both institution and pupil: perhaps more than any other art form, the cinema enables a lived, intimate experience of otherness"--Back cover.
film --- filmtheorie --- eenentwintigste eeuw --- kunstonderwijs --- filmonderwijs --- pedagogie --- 791.41 --- Didactics of the arts --- Film
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Baskenland, Spanje. Een groen paradijs met woeste stranden aan de Atlantische Oceaan, maar ook een bergachtig gebied van duistere dorpen en motregen dat jarenlang geteisterd werd door de terreur van de ETA. Zich baserend op het autobiografische verhaal van Mark Bellido, maakte Judith Vanistendael een indrukwekkende beeldroman over een snoepverkoper die besluit bodyguard te worden. Maar tijdens het beschermen van de bedreigde politici verdwijnt hij meer en meer in een schaduwbestaan dat hem langzaam fataal dreigt te worden.
741.5 --- België --- Vanistendael Judith --- beeldverhaal --- eenentwintigste eeuw --- graphic novels --- kunst --- strips --- tekenkunst --- Dutch literature --- Spanish literature --- 741.571
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eenentwintigste eeuw --- België --- beeldverhaal --- strips --- stripverhalen --- graphic novels --- 741.5 --- Dutch literature --- 741.571 ZWART --- Zwart, Ward
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