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The contributors to Ecocriticism and Geocriticism survey the overlapping territories of these critical practices, demonstrating through their diversity of interests, as well as their range of topics, texts, periods, genres, methods, and perspectives, just how rich and varied ecocritical and geocritical approaches can be. As diffuse 'schools' of criticism, ecocriticism and geocriticism represent two relatively recent discourses through which literary and cultural studies have placed renewed emphasis on the lived environment, social and natural spaces, spatiotemporality, ecology, history, and geography. These loosely defined practices have also fostered politically engaged inquiries into the ways that humans not only represent, but also organize the spaces and places in which they, their fellow humans, and many other forms of life must dwell. These essays exemplify the ways in which critics may bring environmental and spatial literary studies to bear on each other, enabling readers to looks at both literature and their surroundings differently.
Ecocriticism --- Geocriticism --- Science. --- Ecocriticism in literature. --- Geocriticism. --- Literature and society --- History
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What does the growing interest of literary criticism towards the representation of nature and its ethical implications tell us? In which folds of narrative, poetic or cinematographic discourse do the manifestations of a continuously renewed sensitivity for the contradictions of progress, for the precarious coexistence between human, animal and plant agents lie? And what kind of relationships can there be between the semantics of places and landscapes, expressed in a fictional world, and eco-criticism? Sixteen essays suspended between 'text' analysis and theory of criticism are solicited and collected by Nicola Turi, in an attempt to answer these and other questions affecting the function and orientations of contemporary criticism, its ability to give back the forms of artistic language, and at the same time its recurring temptation to confront, as Calvino's Bradamante would say, with the life behind it that pushes and disarranges all the leaves of the book.
Ecocriticism. --- Fiction --- Nature in literature. --- History and criticism.
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What does the growing interest of literary criticism towards the representation of nature and its ethical implications tell us? In which folds of narrative, poetic or cinematographic discourse do the manifestations of a continuously renewed sensitivity for the contradictions of progress, for the precarious coexistence between human, animal and plant agents lie? And what kind of relationships can there be between the semantics of places and landscapes, expressed in a fictional world, and eco-criticism? Sixteen essays suspended between 'text' analysis and theory of criticism are solicited and collected by Nicola Turi, in an attempt to answer these and other questions affecting the function and orientations of contemporary criticism, its ability to give back the forms of artistic language, and at the same time its recurring temptation to confront, as Calvino's Bradamante would say, with the life behind it that pushes and disarranges all the leaves of the book.
Ecocriticism. --- Fiction --- Nature in literature. --- History and criticism.
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Object Oriented Environs is the lively archive of a critical confluence between the environmental turn so vigorous within early modern studies, and thing theory (object oriented ontology, vibrant materialism, the new materialism and speculative realism). The book unfolds a conversation that attempts to move beyond anthropocentrism and examine nonhumans at every scale, their relations to each other, and the ethics of human enmeshment within an agentic material world. The diverse essays, reflections, images and ephemera collected here offer a laboratory for probing the mystery and potential autonomy of objects, in their alliances and in performance. The book is the trace of an event-space crafted over a day of conversation in two seminars at the Shakespeare Association of America meeting in 2014 in St. Louis and offers its nineteen essays as the end to the work-cycle of the collective we crafted that day. It is a noisy collation, full of bees, bushes, laundry, crutches, lists, poems, plague vectors, planks, chairs, rain, shoes, meat, body parts, books, and assorted humans (living and dead), and also a repertoire of dance steps, ways of configuring the relations between subject and object, actors or actants (human and otherwise). It is also a book that asks readers to ponder their environs, to consider the particularities of their world, of their reading experiences, and to consider what orders of meaning we might be able to derive from attending closely to all the very many things we come into being with. Contributors include: Lizz Angello, Sallie Anglin, Keith M. Botelho, Patricia A. Cahill, Jeffrey Cohen, Drew Daniel, Christine Hoffmann, Neal Klomp, Julia Lupton, Vin Nardizzi, Tara Pedersen, Tripthi Pillai, Karen Raber, Pauline Reid, Emily Rendek, Lindsey Row-Heyveld, Debapriya Sarkar, Rob Wakeman, Jennifer Waldron, Luke Wilson, and Julian Yates.
Object (Philosophy) --- Materialism --- Early Modern studies --- ecocriticism --- object-oriented ontology --- Shakespeare Studies --- History. --- Early Modern studies --- ecocriticism --- object-oriented ontology --- Shakespeare Studies
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Ecocriticism has emerged as one of the most fascinating and rapidly growing fields of recent literary and cultural studies. From its regional origins in late-twentieth-century Anglo-American academia, it has become a worldwide phenomenon, which involves a decidedly transdisciplinary and transnational paradigm that promises to return a new sense of relevance to research and teaching in the humanities. A distinctive feature of the present handbook in comparison with other survey volumes is the combination of ecocriticism with cultural ecology, reflecting an emphasis on the cultural transformation of ecological processes and on the crucial role of literature, art, and other forms of cultural creativity for the evolution of societies towards sustainable futures. In state-of-the-art contributions by leading international scholars in the field, this handbook maps some of the most important developments in contemporary ecocritical thought. It introduces key theoretical concepts, issues, and directions of ecocriticism and cultural ecology and demonstrates their relevance for the analysis of texts and other cultural phenomena.
Ecocriticism --- Ecology in literature --- Literature - General --- Languages & Literatures --- Ecological literary criticism --- Environmental literary criticism --- Criticism
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Environmental crisis is more than a passing phase; it is the modern condition. Thus environmental issues remain controversial and topical, and ecocriticism is one of the most vibrant fields of literary and cultural study today. From its origins in the study of nature writing and Romantic literature, it has extended into every period, region and genre of cultural analysis. Teaching Ecocriticism and Green Cultural Studies captures the diversity and excitement of green reading, including contributions on digital media, film, climate change and digital media. It reflects on the relationship of 'slow reading' to the haste and commercialism of the modern academy, and provides practical guidance for dealing with the specific difficulties that face teachers in the field: the problem of global scale; interdisciplinary links with ecology; and the debilitating attitudes of some students: corrosive irony, scepticism or apathy. It is an invaluable toolkit for teachers in the environmental humanities.
Ecocriticism --- Ecological literary criticism --- Environmental literary criticism --- Criticism --- Study and teaching --- Study and teaching.
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This collection of ecocritical essays focuses on the work of Ishimure Michiko, Japan's foremost writer on the environment and culture. It discusses Ishimure's writing in the context of the latest issues in ecocritical theory, with particular reference to environmental problems in Minamata and Fukushima, and argues for an expanded, more-than-Western understanding of literature, theory, and environmental responsibility.
Ecocriticism. --- Ecological literary criticism --- Environmental literary criticism --- Criticism --- Ishimure, Michiko, --- Michiko, Ishimure, --- 石牟礼道子, --- Criticism and interpretation.
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Approaching King Lear from an eco-materialist perspective, Posthuman Lear examines how the shift in Shakespeare's tragedy from court to stormy heath activates a different sense of language as tool-being -- from that of participating in the flourish of aristocratic prodigality and circumstance, to that of survival and pondering one's interdependence with a denuded world. Dionne frames the thematic arc of Shakespeare's tragedy about the fall of a king as a tableaux of our post-sustainable condition. For Dionne, Lear's progress on the heath works as a parable of flat ontology.At the center of Dionne's analysis of rhetoric and prodigality in the tragedy is the argument that adages and proverbs, working as embodied forms of speech, offer insight into a nonhuman, fragmentary mode of consciousness. The Renaissance fascination with memory and proverbs provides an opportunity to reflect on the human as an instance of such enmeshed being where the habit of articulating memorized patterns of speech works on a somatic level. Dionne theorizes how mnemonic memory functions as a potentially empowering mode of consciousness inherited by our evolutionary history as a species, revealing how our minds work as imprinted machines to recall past prohibitions and useful affective scripts to aid in our interaction with the environment. The proverb is that linguistic inscription that defines the equivalent of human-animal imprinting, where the past is etched upon collective memory within 'adagential' being that lives on through the generations as autonomic cues for survival.Dionne's reimagining of this tragedy is important in the way it places Shakespeare's central existential questions -- the meaning of familial love, commitments to friends, our place in a secular world -- in a new relation to the main question of surviving within fixed environmental limits. Along the way, Dionne reflects on the larger theoretical implications of recycling the old historicism of early modern culture to speak to an eco-materialism, and why the modernist textual aesthetics of the self-distancing text seems inadequate when considering the uncertainty and trauma that underscores life in a post-sustainable culture. Dionne's final appeal is to "repurpose" our fatalism in the face of ecological disaster.
Ecocriticism. --- Shakespeare, William, --- History and criticism. --- posthumanism --- William Shakespeare --- literary criticism --- anthropocene
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