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This book examines the where, when, and what of daily, weekly, and annual corporate worship in Geneva, revealing in rich detail the liturgical rhythm shaped by Calvin's theology. It includes sermons, sacraments, marriage, household devotions, ministry to the sick and dying. Shedding new light on Calvin's pulpit, it uncovers when, where, what he preached, and dates sermons. It clarifies the development of Psalm singing, the Sunday afternoon liturgy; it explains how the liturgical year was transformed and the special Calvinist day of prayer and sense of providential time developed. Extensive research in baptismal and marriage records shows how practice was reshaped because (like the Lord's Supper) these must be celebrated in a preaching service. Daily sermons in every pulpit required both educated ministers and significant planning. The program of ministerial rotation Calvin created adds dimensions to his doctrine of the church and demonstrates afresh his organizational skills--Publisher.

Christian church history --- anno 1500-1599 --- Geneva --- Protestant churches --- Pastoral theology --- Calvinism --- Eglises protestantes --- Pastorale --- Calvinisme --- Doctrines --- History --- Histoire --- Geneva (Switzerland) --- Genève (Suisse) --- Church history --- Histoire religieuse --- Calvin, Jean, --- Theology. --- Genève (Suisse) --- Theology --- Church history. --- Calvinism - Switzerland - Geneva --- Calvinism - Switzerland - Geneva - History - 16th century - Sources --- Calvin, Jean, - 1509-1564 --- Calvin, Jean, - 1509-1564 - Theology --- History.

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Between 2014 and 2016, the artist Wendy Morris started off on different walks along the west coast of Europe, following the path of a family of Huguenots during the repression after the Edicts of Nantes at the end of the 17th century. Throughout her walks, Morris drew new maps and routes of the places visited by the Huguenot refugees, who just as today passed through Calais and Dunkerque in France, moving on to Blankenberge, Zeebrugge and then Vlissingen as their final destination in the Netherlands. Then and now again, these ports and places were known as escape routes towards a better future. It is their experiences that Morris tries to elucidate via carefully selected texts fragments, recited psalms and testimonies that are juxtaposed with official publications and regulations dictated by the Catholic Church against these Huguenots. The artist also mapped her own route while simultaneously making notes and collecting samples of grass, trees, seeds, plants, and the like, which may have been used by the refugees to heal the daily injuries caused by the long trip.

Morris, Wendy --- kunst --- eenentwintigste eeuw --- 7.071 MORRIS --- 791.45 MORRIS --- Morris Wendy --- planten --- botanica --- Frankrijk --- emigratie --- migratie --- silva rerum --- wandelingen --- wandelen --- calvinisme --- protestantisme --- kunst en religie --- Zuid-Afrika --- film --- video --- videokunst --- Exhibitions --- Art --- histories [literature genre] --- texts [documents] --- narrative art --- 7.07 --- Morris, Wendy °1960 (°Namibië) --- Vrouwelijke kunstenaars --- Tentoonstellingscatalogi ; Brussel ; Argos --- Dagboeknotities --- Thema's in de kunst ; het wandelen door het landschap ; walkscapes --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Kunst en religie --- Thema's in de kunst ; bloemen en planten --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- histories [literary works]