Listing 1 - 9 of 9 |
Sort by
|
Choose an application
William Desmond sees religion, art, philosophy, and politics as essential and distinctive modes of human practice, manifestations of an intimate universality that illuminates individual and social being. They are also surprisingly permeable phenomena, and by observing their relations, Desmond captures notes of a clandestine conversation that transforms ontology.
Choose an application
Cosmopolitanism --- Globalization --- Group identity --- Whole and parts (Philosophy) --- Cosmopolitisme --- Mondialisation --- Identité collective --- Tout et parties (Philosophie)
Choose an application
Tenu en 1983-1984, le séminaire intitulé L'Un, qui porte sur Descartes, Platon et Kant, est le premier du point de vue chronologique. Il inaugure le cycle de cinq années où Alain Badiou revisite toute l'histoire de la philosophie, de Parménide à Heidegger. Cette excursion passionnante aboutira à la rédaction de L'être et l'événement, dont l'Un est le concept majeur, avec la thèse radicale que, d'une certaine façon, le Sujet a toujours été l'objet de la philosophie.
Ontology --- Whole and parts (Philosophy) --- Kant, Immanuel, --- Descartes, René, --- Plato --- Kant, Immanuel, - 1724-1804 --- Descartes, René, - 1596-1650
Choose an application
Cet ouvrage est une nouvelle lecture de « Totalité et infini », ouvrage-phare d'Emmanuel Levinas. Le texte est exploré, confronté à d'autres pensées, contextualisé dans la tradition juive du philosophe, ouvert au questionnement des autres traditions religieuses Responsabilité de l'humain envers autrui, envers la création; dialogue entre les religions et la philosophie; dérives politiques : tous ces enjeux contemporains prennent sens à la lumière de « Totalité et Infini ». C'est l'enseignement novateur de ce livre.
Philosophy and religion --- Infinite --- Whole and parts (Philosophy) --- Lévinas, Emmanuel, --- Philosophie et religion --- Levinas, Emmanuel --- Critique et interprétation --- Lévinas, Emmanuel, - 1906-1995
Choose an application
Entreprendre de définir ± ce qu?est un monde répond au besoin d?éclaircir un concept plurivoque, qui renvoie tout autant à la clôture de notre sphère personnelle, à l?Univers, ou au mouvement planétaire d?ouverture des échanges et des idées qu?est la ± mondialisation . Faut-il admettre comme légitimes tous les emplois du concept de ± monde ? on parle en biologie du ± monde végétal , en sociologie du ± monde ouvrier , en théorie littéraire du ± monde de Balzac ? ou reconnaître au contraire un degré privilégié de réalité pour lequel il y a authentiquement ± monde ? Faut-il par ailleurs accepter la prétention du concept de ± monde à l?unicité de son objet? En choisissant de nous interroger sur ± ce qu?est un monde , nous mettons explicitement à l?épreuve l?idée que le monde est par définition singulier.
Globalization --- Philosophy --- World politics --- Universe --- Monde (philosophie) --- Cosmology --- Plurality of worlds. --- Metaphysics. --- Whole and parts (Philosophy). --- Cosmologie --- Pluralité des mondes --- Métaphysique --- Tout et parties (Philosophie) --- Philosophy. --- Philosophie --- Pluralité des mondes --- Métaphysique
Choose an application
In His Voice considers the idea of the neuter in Maurice Blanchot's work, and seeks to work out through an exercise of literary impersonation, or ventriloquism, how and why Blanchot relied on this form. Neither active nor passive, the neuter expresses a kind of third voice beyond the command of the author, one that speaks paradoxically of what lies outside of speaking but nonetheless exerts an irrepressible influence on thought. The neuter is exilic, messianic, and fragmentary. Since it cannot be directly accounted for, Blanchot uses a number of indirect approaches—notably, myth—to announce the key elements of his view. Orpheus, Odysseus, and principally Narcissus figure his conception and elaborate the operation of giving voice. Through a distillation of Blanchot's narrative and critical texts—focusing on the late works, The Step Not Beyond, and The Writing of the Disaster—and through an emphasis on performance, In His Voice enacts the event of writing in search of how author's inscriptive reality appears in the world.
Nothing (Philosophy) --- Perspective (Philosophy) --- Whole and parts (Philosophy) --- Nothingness (Philosophy) --- Nihilism (Philosophy) --- Ontology --- Philosophy --- Ganzheit (Philosophy) --- Mereology --- Totality (Philosophy) --- Unity (Philosophy) --- Wholeness --- Categories (Philosophy) --- Blanchot, Maurice. --- モーリス・ブランショ --- Бланшо, Морис, --- Blansho, Moris, --- Blanshoy, Moris,
Choose an application
"What do blue things have in common? Or electrons? Or planets? Distinct things appear to share properties; but what are properties and what is the best philosophical account of them? A Critical Introduction to Properties introduces different ontological accounts of properties, exploring how their formulation is shaped by the explanatory demands placed upon them. This accessible introduction begins with a discussion of universals, tropes, sets and resemblance classes, the major objections to them and their responses, providing readers with a firm grasp on the competing ontological accounts of what (if anything) grounds similarity and difference. It then explores issues concerning the formulation and justification of property theories such as: how many properties are there? Should we accept a sparse ontology of properties, or an abundant one? Can we make a distinction between intrinsic and extrinsic properties? Do properties have their causal roles necessarily? What is the relationship between properties and other metaphysical phenomena such as causality, laws and modality? These questions get to the heart of why a coherent theory of properties is so important to metaphysics, and to philosophy more generally. By concluding with the question of the ontological status of properties, the reader is introduced to some Carnapian and contemporary themes about the content and methodology of metaphysics. For students looking for an accessible resource and a more comprehensive understanding of contemporary metaphysics, A Critical Introduction to Properties is a valuable starting point."--Bloomsbury Publishing.
Whole and parts (Philosophy) --- Ganzheit (Philosophy) --- Mereology --- Totality (Philosophy) --- Unity (Philosophy) --- Wholeness --- Categories (Philosophy) --- Tropes (Philosophy) --- Universals (Philosophy) --- Universals (Logic) --- Knowledge, Theory of --- Logic --- Philosophy --- Scholasticism --- Abstract particulars (Philosophy) --- Particular properties (Philosophy) --- Particulars, Abstract (Philosophy) --- Properties, Particular (Philosophy) --- Ontology
Choose an application
Providing meaningful theoretical and practical substance to open up the importance of Slow knowledge to the contemporary design discourse; design as in thinking out new systems in diverse contexts and communities.
Knowledge, Theory of. --- Holism. --- 7.01 --- kunsttheorie ; ontwerpproces --- Epistemology --- Theory of knowledge --- Wholism --- Kunst ; theorie, filosofie, esthetica --- Philosophy --- Psychology --- Evolution --- Whole and parts (Philosophy) --- Théorie de la communication --- Théorie de la connaissance --- Design --- Processus de création --- Knowledge, Theory of --- Holism --- Design thinking --- Sociology of culture
Choose an application
Metaphysics --- Theory of knowledge --- Causation. --- Universals (Philosophy) --- Realism. --- Knowledge, Theory of. --- Causation --- Knowledge, Theory of --- Realism --- Universals (Logic) --- Logic --- Philosophy --- Scholasticism --- Whole and parts (Philosophy) --- Empiricism --- Conceptualism --- Dualism --- Idealism --- Materialism --- Nominalism --- Positivism --- Rationalism --- Epistemology --- Psychology --- Causality --- Cause and effect --- Effect and cause --- Final cause --- Beginning --- God --- Necessity (Philosophy) --- Teleology
Listing 1 - 9 of 9 |
Sort by
|