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Das Gesamtwerk Edith Steins ist ein Ausdruck der Notwendigkeit, sich dem Wesentlichen immer wieder anzunähern und zu versuchen, das Ewige im Endlichen zu erfassen. Dieser Annäherung gehen die Beiträge des vorliegenden Bandes nach, der auf eine Tagung des Thomas-Instituts in Zusammenarbeit mit dem Edith-Stein-Archiv zurückgeht, die anlässlich der Vollendung der Edith Stein Gesamtausgabe veranstaltet wurde: Edith Stein im Spannungsfeld der Tradition; Sein und Seinserkenntnis; Leib, Psyche, Selbst; Spiritualität und Freiheit; Edith Stein im gesellschaftlichen und interreligiösen Diskurs. Der international besetzte Band stellt das Leben und die Bedeutung der Patronin Europas vor. Er zeigt das eindrucksvolle intellektuelle und spirituelle Panorama einer großen Gelehrten auf.
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Clarence S. Stein (1882-1975) was an architect, housing visionary, regionalist, policymaker, and colleague of some of the most influential public figures of the early to mid-twentieth century, including Lewis Mumford and Benton MacKaye. Kristin E. Larsen's biography of Stein comprehensively examines his built and unbuilt projects and his intellectual legacy as a proponent of the "garden city" for a modern age. This examination of Stein's life and legacy focuses on four critical themes: his collaborative ethic in envisioning policy, design, and development solutions; promotion and implementation of "investment housing;" his revolutionary approach to community design, as epitomized in the Radburn Idea; and his advocacy of communitarian regionalism. His cutting-edge projects such as Sunnyside Gardens in New York City; Baldwin Hills Village in Los Angeles; and Radburn, New Jersey, his "town for the motor age," continue to inspire community designers and planners in the United States and around the world.Stein was among the first architects to integrate new design solutions and support facilities into large-scale projects intended primarily to house working-class people, and he was a cofounder of the Regional Planning Association of America. As a planner, designer, and, at times, financier of new housing developments, Stein wrestled with the challenges of creating what today we would term "livable," "walkable," and "green" communities during the ascendency of the automobile. He managed these challenges by partnering private capital with government funding, as well as by collaborating with colleagues in planning, architecture, real estate, and politics.
Garden cities --- City planners --- Architects --- Town planners --- Urbanists --- Planners --- Cities and towns --- Greenbelts --- History. --- Stein, Clarence S. --- Stein, C. S.
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Phenomenology. --- Phenomenological psychology. --- Psychological phenomenology --- Psychology, Phenomenological --- Existential psychology --- Personality --- Phenomenology --- Psychology --- Philosophy, Modern --- Stein, Edith,
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Painting --- Graphic arts --- prints [visual works] --- easel paintings [paintings by form] --- Stein, Hans
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This book offers a bold critical method for reading Gertrude Stein’s work on its own terms by forgoing conventional explanation and adopting Stein’s radical approach to meaning and knowledge. Inspired by the immanence of landscape, both of Provence where she travelled in the 1920s and the spatial relations of landscape painting, Stein presents a new model of meaning whereby making sense is an activity distributed in a text and across successive texts. From love poetry, to plays and portraiture, Linda Voris offers close readings of Stein’s most anthologized and less known writing in a case study of a new method of interpretation. By practicing Stein’s innovative means of making sense, Voris reveals the excitement of her discoveries and the startling implications for knowledge, identity, and intimacy.
Poetry --- American literature --- Literature --- Amerindian literature --- literatuur --- poëzie --- Amerikaanse cultuur --- Stein, Gertrude --- anno 1900-1999 --- United States of America
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modernisme. --- Salons (Parijs). --- Picasso, Pablo. --- Matisse, Henri. --- Poiret, Paul. --- Olivier, Fernande. --- Stein, Gertrude. --- Modigliani, Amedeo. --- Toklas, Alice B. --- Rousseau, Henri. --- 20ste eeuw. --- Parijs. --- Montmartre.
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This book offers a bold critical method for reading Gertrude Stein’s work on its own terms by forgoing conventional explanation and adopting Stein’s radical approach to meaning and knowledge. Inspired by the immanence of landscape, both of Provence where she travelled in the 1920s and the spatial relations of landscape painting, Stein presents a new model of meaning whereby making sense is an activity distributed in a text and across successive texts. From love poetry, to plays and portraiture, Linda Voris offers close readings of Stein’s most anthologized and less known writing in a case study of a new method of interpretation. By practicing Stein’s innovative means of making sense, Voris reveals the excitement of her discoveries and the startling implications for knowledge, identity, and intimacy.
Literature. --- Literature, Modern --- Poetry. --- America --- Twentieth-Century Literature. --- Poetry and Poetics. --- North American Literature. --- 20th century. --- Literatures. --- Stein, Gertrude, --- Criticism and interpretation. --- Landscapes in literature. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philosophy --- Staĭn, Gertruda, --- Stein, Gertruda, --- Philology --- Authors --- Authorship --- Literature, Modern-20th century. --- America-Literatures. --- Literature, Modern—20th century. --- America—Literatures.
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Eisenreich, Uta --- Langdon, James --- Stein, Gertrude --- Performance art --- Duitsland --- performances --- theater --- eenentwintigste eeuw --- Eisenreich Uta --- Langdon James --- kunst en literatuur --- Stein Gertrude --- literatuur --- artists' books --- kunstenaarsboeken --- kunst --- 7.071 EISENREICH --- Exhibitions --- 7.039 --- Kunstgeschiedenis ; 2000 - 2050 --- 7.013 --- 7.05 --- Beeldende kunst ; 21ste eeuw ; U. Eisenreich ; J. Langdon --- Kunst ; verhouding, vorm, ritme --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden
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Painting, French --- Painting, Russian --- Shchukin, Sergei Ivanovich, 1854-1936 --- Art collections --- Gosudarstvennyi Ermitazh (Russia) --- Gosudarstvennyi muzei izobrazitel'nykh iskusstv imeni A.S. Pushkina --- Chtchoukine, Serguei Ivanovitch (1854-1936) -- Collections d'art --- --Chtchoukine, Serguei Ivanovitch (1854-1936) -- Collections d'art --- --Painting, French --- Peinture française --- Peinture russe --- Exhibitions. --- Expositions --- verzameling Chtchoukine --- reisimpressies --- kunstkritiek --- State Hermitage Museum (Sint-Petersburg) --- State Pushkin Museum of Fine Arts (Moskou) --- modernisme --- avant-garde --- Chtchoukine, Sergueï --- Gauguin, Paul --- Matisse, Henri --- Stein, Gertrude --- Stein, Leo --- 19de eeuw --- 20ste eeuw --- Rusland --- Frankrijk --- Peinture française --- Gosudarstvennyĭ muzeĭ izobrazitelʹnykh iskusstv imeni A.S. Pushkina. --- --State Hermitage Museum (Sint-Petersburg) --- Chtchoukine, Serguei Ivanovitch --- Collections d'art --- Ŝukin, Sergej Ivanovič --- Collections d'art. --- Gosudarstvennyĭ Ėrmitazh (Russia) --- verzameling Chtchoukine. --- reisimpressies. --- kunstkritiek. --- State Hermitage Museum (Sint-Petersburg). --- State Pushkin Museum of Fine Arts (Moskou). --- modernisme. --- avant-garde. --- Chtchoukine, Sergueï. --- Gauguin, Paul. --- Matisse, Henri. --- Stein, Gertrude. --- Stein, Leo. --- 19de eeuw. --- 20ste eeuw. --- Rusland. --- Frankrijk.
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This volume explores the work and thought of Edith Stein (1891–1942). It discusses in detail, and from new perspectives, the traditional areas of her thinking, including her ideas about women/feminism, theology, and metaphysics. In addition, it introduces readers to new and/or understudied areas of her thought, including her views on history, and her social and political philosophy. The guiding thread that connects all the essays in this book is the emphasis on new approaches and novel applications of her philosophy. The contributions both extend the interdisciplinary implications of Stein’s thinking for our contemporary world and apply her insights to questions of theatre, public history and biographical representation, education, politics, autism, theological debates, feminism, sexuality studies and literature. The volume brings together for the first time leading scholars in five language-groups, including English, German, Italian, French and Spanish-speaking authors, thereby reflecting an international and cosmopolitan approach to Stein studies.
Philosophy. --- Religion. --- Phenomenology. --- Sociology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Religious Studies, general. --- Gender Studies. --- Women --- Political activity. --- Social conditions. --- Stein, Edith, --- Women in politics --- Teresia Benedicta a Cruce, --- Benedicta of the Cross, --- Teresa Benedicta of the Cross, --- Teresia Benedicta vom Kreuz, --- Benedicta vom Kreuz, --- Benedicta, --- Stein, Edyta, --- Teresa Benedykta od Krzyża, --- Teresa Benedetta della Croce, --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social theory --- Social sciences --- Philosophy, Modern --- Religion, Primitive --- Atheism --- God --- Irreligion --- Religions --- Theology --- Mental philosophy --- Humanities --- Psychological aspects --- Feminism --- Phenomenology .
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