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Ce livre explore le champ constitué par l'«image double» sur une période qui va de l'Antiquité à nos jours. L'expression désigne des catégories variées : image composite, image cachée, image naturelle, image potentielle, anamorphose, etc. À travers une centaine d'exemples, le livre envisage la manière dont les artistes ont exploité, selon les situations historiques et culturelles, les possibilités formelles et sémantiques des images doubles.

Sémiotique --- Perception --- Illustration --- Sémiotique visuelle --- Perception des images --- Illustrations, images, etc. --- Perception visuelle

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This volume takes a contemporary and novel look at how people see the world around them. We generally believe we see our surroundings and everything in it with complete accuracy. However, as the contributions to this volume argue, this assumption is wrong: people's view of their world is cloudy at best. Social Psychology of Visual Perception is a thorough examination of the nature and determinants of visual perception, which integrates work on social psychology and vision. It is the first broad-based volume to integrate specific sub-areas into the study of vision, including

Social psychology. --- Visual perception. --- Motivation (Psychology) --- Cognitive neuroscience. --- Cognitive neuropsychology --- Cognitive science --- Neuropsychology --- Action, Psychology of --- Drive (Psychology) --- Psychology of action --- Psychology --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Mass psychology --- Psychology, Social --- Human ecology --- Social groups --- Sociology --- Psychological aspects --- Visual perception --- -Social psychology --- psychologie, sociaal --- 159.9 --- Social aspects --- Psychologie --- Experimentele psychologie --- Social aspects. --- Perceptie en psychofysica. --- Perception visuelle --- Psychologie sociale --- Aspect social --- Perception visuelle. --- Perception sociale --- Recognition (psychologie) --- Social perception --- Recognition (Psychology) --- Aspect physiologique. --- Physiological aspects.

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The meaning of tearing and splitting as a life-, love- and wisdom-generating event (for example, the tearing of the temple curtain) is profoundly rooted in the visual and literary 'bodies' of ancient and Christian thought. The primordial cosmogonic split is always sudden, is always sharp (like a knife), appears as a flash (sudden and all encompassing) and is experienced through the whole bodily sensorium (in shivering, bliss, sigh, wind, breath). The split is the epiphany of radical change, revolution and the transition beyond. The Greek deity Kairos embodies this mystery. The reach of Kairos can be detected in the theory of rhetoric (Sophists vs. Aristotle (385-322 BC)), in humanistic politics, in postmodern theology and in contemporary time-management. Iconographical studies have treated Kairos's 'Nachleben' in Byzantine and Latin visual traditions where the god is conflated with Fortuna and Occasio. This essay addresses the impact of Kairos and its iconographic 'Nachleben' from a literary and historical perspective, and further considers Kairos as a new art historical paradigm. Indeed, Kairos can offer us alternative hermeneutics to reconceive the image as chronotopos, as epiphany and as intercession.

Kairos (Greek deity) --- Caerus (Greek deity) --- Gods, Greek --- Occasio (Roman deity) --- 246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Philosophy and psychology of culture --- Iconography --- Epical, mythological and fictitious figures --- Analyse de l'image --- Beeldinterpretatie --- Iconologie --- Illustrations, images, etc.--Interprétation --- Images--Analyse --- Images--Interprétation --- Interpretation of pictures --- Interprétation de l'image --- Kairos (Grieks woord) --- Kairos (Mot grec) --- Kairos (The Greek word) --- Perception visuelle dans la l'art --- Picture interpretation --- Sémiologie de l'image --- Sémiologie visuelle --- Sémiotique de l'image --- Visual perception in art --- Visuele waarneming in kunst --- Hermeneutics --- History --- Art --- 7.046 --- Thema's in de kunst ; tijd ; het geschikte moment --- Iconografie ; epische, mythologische, religieuze voorstellingen