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In this intriguing book, John Barnes takes us on a journey through aspects of numbers much as he took us on a geometrical journey in Gems of Geometry. Similarly originating from a series of lectures for adult students at Reading and Oxford University, this book touches a variety of amusing and fascinating topics regarding numbers and their uses both ancient and modern. The author intrigues and challenges his audience with both fundamental number topics such as prime numbers and cryptography, and themes of daily needs and pleasures such as counting one's assets, keeping track of time, and enjoying music. Puzzles and exercises at the end of each lecture offer additional inspiration, and numerous illustrations accompany the reader. Furthermore, a number of appendices provides in-depth insights into diverse topics such as Pascal’s triangle, the Rubik cube, Mersenne’s curious keyboards, and many others. A theme running through is the thought of what is our favourite number. Written in an engaging and witty style and requiring only basic school mathematical knowledge, this book will appeal to both young and mature readers fascinated by the curiosities of numbers.
Number theory --- Algebra --- Mathematics --- Applied physical engineering --- Music --- algebra --- toegepaste wiskunde --- economie --- muziek --- wiskunde --- getallenleer --- Number theory. --- Algebra. --- Mathematics. --- Applied mathematics. --- Engineering mathematics. --- Number Theory. --- Mathematics in Music. --- Applications of Mathematics.
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This textbook is a first introduction to mathematics for music theorists, covering basic topics such as sets and functions, universal properties, numbers and recursion, graphs, groups, rings, matrices and modules, continuity, calculus, and gestures. It approaches these abstract themes in a new way: Every concept or theorem is motivated and illustrated by examples from music theory (such as harmony, counterpoint, tuning), composition (e.g., classical combinatorics, dodecaphonic composition), and gestural performance. The book includes many illustrations, and exercises with solutions.
Computer science. --- Music. --- Computer science --- Artificial intelligence. --- Application software. --- Mathematics. --- Computer Science. --- Computer Appl. in Arts and Humanities. --- Mathematics in Music. --- Mathematics of Computing. --- Artificial Intelligence (incl. Robotics). --- Math --- Application computer programs --- Application computer software --- Applications software --- Apps (Computer software) --- AI (Artificial intelligence) --- Artificial thinking --- Electronic brains --- Intellectronics --- Intelligence, Artificial --- Intelligent machines --- Machine intelligence --- Thinking, Artificial --- Computer mathematics --- Discrete mathematics --- Electronic data processing --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Informatics --- Mathematics --- Science --- Computer software --- Bionics --- Cognitive science --- Digital computer simulation --- Logic machines --- Machine theory --- Self-organizing systems --- Simulation methods --- Fifth generation computers --- Neural computers --- Information systems. --- Artificial Intelligence. --- Computer science—Mathematics. --- Music
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This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.
Computer science. --- Music. --- Computer science --- Artificial intelligence. --- Application software. --- Mathematics. --- Computer Science. --- Computer Appl. in Arts and Humanities. --- Mathematics in Music. --- Mathematics of Computing. --- Artificial Intelligence (incl. Robotics). --- Math --- Application computer programs --- Application computer software --- Applications software --- Apps (Computer software) --- AI (Artificial intelligence) --- Artificial thinking --- Electronic brains --- Intellectronics --- Intelligence, Artificial --- Intelligent machines --- Machine intelligence --- Thinking, Artificial --- Computer mathematics --- Discrete mathematics --- Electronic data processing --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Informatics --- Mathematics --- Music --- Music $ --- Communication in art --- Psychological aspects --- Semiotics --- Data processing --- Science --- Computer software --- Bionics --- Cognitive science --- Digital computer simulation --- Logic machines --- Machine theory --- Self-organizing systems --- Simulation methods --- Fifth generation computers --- Neural computers --- Information systems. --- Artificial Intelligence. --- Computer science—Mathematics. --- Philosophy and aesthetics.
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This book explains the state of the art in the use of the discrete Fourier transform (DFT) of musical structures such as rhythms or scales. In particular the author explains the DFT of pitch-class distributions, homometry and the phase retrieval problem, nil Fourier coefficients and tilings, saliency, extrapolation to the continuous Fourier transform and continuous spaces, and the meaning of the phases of Fourier coefficients. This is the first textbook dedicated to this subject, and with supporting examples and exercises this is suitable for researchers and advanced undergraduate and graduate students of music, computer science and engineering. The author has made online supplementary material available, and the book is also suitable for practitioners who want to learn about techniques for understanding musical notions and who want to gain musical insights into mathematical problems.
Computer science. --- Music. --- Computer science --- User interfaces (Computer systems). --- Application software. --- Mathematics. --- Computer Science. --- Computer Appl. in Arts and Humanities. --- Mathematics in Music. --- Mathematics of Computing. --- User Interfaces and Human Computer Interaction. --- Signal, Image and Speech Processing. --- Math --- Application computer programs --- Application computer software --- Applications software --- Apps (Computer software) --- Interfaces, User (Computer systems) --- Computer mathematics --- Discrete mathematics --- Electronic data processing --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Informatics --- Mathematics --- Science --- Computer software --- Human-machine systems --- Human-computer interaction --- Information systems. --- Music --- Computer science—Mathematics. --- Signal processing. --- Image processing. --- Speech processing systems. --- Computational linguistics --- Electronic systems --- Information theory --- Modulation theory --- Oral communication --- Speech --- Telecommunication --- Singing voice synthesizers --- Pictorial data processing --- Picture processing --- Processing, Image --- Imaging systems --- Optical data processing --- Processing, Signal --- Information measurement --- Signal theory (Telecommunication)
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