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The American artist Alexander Calder (1898-1976) and Swiss artists Peter Fischli (1952- ) and David Weiss (1946-2012) have sought and found quintessential ways of rendering a moment of fragile balance in art--a temporary state at once precarious and propitious. With Calder's groundbreaking invention of the mobile in the early nineteen thirties, and Fischli/Weiss's collaborative creative work from 1979 onwards, these artists each lent the theme of fragile balance an iconic form of a very different kind. At first glance, both positions could hardly be more different; later, however, they proved to be two sides of the same coin, the result of different perspectives on the same theme at different times. The elaborately designed, richly illustrated catalogue with accompanying essays provides extensive insight into both oeuvres. Exhibition: Fondation Beyeler, Riehen/Basel, Switzerland (29.05-04.09.2016).
installations [visual works] --- mobiles --- video art --- sculpture [visual works] --- motion --- Art --- circuses [performances] --- Weiss, David --- Calder, Alexander --- Fischli, Peter --- Mobiles (Sculpture) --- Proportion (Art) --- Artistic collaboration --- Calder, Alexander, --- Fischli, Peter, --- Weiss, David, --- Fischli & Weiss --- Mobiles (Sculpture) - Exhibitions --- Proportion (Art) - Exhibitions --- Artistic collaboration - Switzerland - Exhibitions --- Calder, Alexander, - 1898-1976 - Exhibitions --- Fischli, Peter, - 1952- - Exhibitions --- Weiss, David, - 1946-2012 - Exhibitions --- Calder, Alexander, 1898-1976 --- Weiss, David 1946-2012 --- Calder, Alexander, - 1898-1976 --- Fischli, Peter, - 1952 --- -Weiss, David, - 1946-2012
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Throughout the course of their collaboration, Peter Fischli and David Weiss celebrated the sheer triviality of everyday existence, observing the world with bemused detachment. As this book shows, their often humorous work offers a sustained reflection on the intertwined strands of leisure, productivity and playful absurdity that shape our lives. With its deliberately mundane subject matter and quotidian source material, their work explores the poetics of banality in a wide range of mediums, including photography, videos, slide projections, films, books, sculptures and multimedia installations. This retrospective volume features an in-depth, illustrated survey of the artists' long history of collaboration, from the early Sausage Series (1979)-staged vignettes created in miniature using deli meats and various household items-to their last work, the large-scale public installation Rock on Top of Another Rock (2010-13), augmented by archival images, notes on process and interview excerpts culled from the artists' Zurich-based archives. A series of probing essays on their practice and thematic concerns rounds out this definitive account of Fischli and Weiss's vital contribution to contemporary art. Exhibition: Solomon R. Guggenheim Museum, New York, USA (05.02-20.04.2016).
polyurethane --- installations [visual works] --- motion pictures [visual works] --- sculpture [visual work] --- photographs --- language [general communication] --- video art --- Art --- clay --- Weiss, David --- Fischli, Peter --- 7.07 --- 778.5.07 --- 73.07 --- 77.092.07 --- Beeldende kunst ; (multimedia)installaties ; 1979-2015 ; Fischli & Weiss --- Fischli, Peter en David Weiss --- Trefwoord --- Fischli, Peter °1952 (°Zurich, Zwitserland) --- Weiss, David °1946 (°Zurich, Zwitserland) --- Tentoonstellingscatalogi ; New York ; Guggenheim Museum --- videokunst --- fotografie --- film --- conceptuele kunst --- beeldhouwkunst --- assemblages --- 705.8 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Beeldhouwkunst ; beeldhouwers A - Z --- Fotografen A - Z --- kunstgeschiedenis, 20e eeuw --- Fischli & Weiss --- Exhibitions --- sculpture [visual works] --- Fischli and Weiss --- Peter Fischli & David Weiss --- Fischli/Weiss --- Weiss, David 1946-2012
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This collection of essays does not aim to illustrate a prefabricated theory of art, but rather follows the impulses given by artworks themselves. Philosopher and art critic Boris Groys writes about significant works and artists over the last century that have pushed his thinking in new directions. His compelling arguments do not try to replace the singular content or message of an artwork. Instead, his writings are inspired by art as a mind-changing practice?as if contemporary artists, completely secularized, can still produce a kind of conversion within the spectator. Particular Cases is an original exploration of pivotal concerns related to the development of contemporary art?originality and repetition, the valuation of artworks, materiality and production, historical and personal archives, and the language of power.
kunst --- Wall Jeff --- Warhol Andy --- Shanzhuan Wu --- Thorsdottir Inga Svala --- Stilinovic Mladen --- Schütte Thomas --- Sala Anri --- Manzoni Piero --- Kandinsky Wassily --- IRWIN --- Horn Rebecca --- Honert Martin --- Weiss David --- Fischli Peter --- Duchamp Marcel --- Chernysheva Olga --- Chan Paul --- Bartana Yael --- Alÿs Francis --- Althamer Pawel --- 7.039 --- 7.036 --- 7.01 --- twintigste eeuw --- eenentwintigste eeuw --- kunsttheorie --- Art --- essays --- art criticism --- Horn, Rebecca --- Stilinovic, Mladen --- Chan, Paul --- Bartana, Yael --- Warhol, Andy --- Duchamp, Marcel --- Thorsdottir, Inga Svala --- Wu Shanzhuan --- Chernysheva, Olga --- Manzoni, Piero --- Kandinsky, Vasili Vassileevich --- Wall, Jeff --- Schütte, Thomas --- Fischli, Peter --- Honert, Martin --- Sala, Anri --- Weiss, David --- Alÿs, Francis --- Althamer, Paweł --- IRWIN [Ljubljana] --- Kandinsky, Wassily
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Art --- art [discipline] --- Ossenbeeck, van, Jan --- Reyers, Zeger --- Driessens & Verstappen --- Feigl, Zoro --- Halmans, Frank --- Ortega, Damián --- Rios, Miguel Angel --- Bakel, van, Gerrit --- Gudmundsson, Kristján --- Bakel, van, Michiel --- Bekirovic, Semâ --- Coolen, Jan --- Lohbeck, Evelien --- Luijendijk, Martin --- Samsen, Nitipak --- Tholens, Hildegard --- Herscher, Joseph --- Fischli, Peter --- Signer, Roman --- Taylor-Wood, Sam --- Weiss, David --- Abeles, Kim --- HeyHeyDeHaas [Eindhoven]
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Sculpture --- sculpture [visual works] --- Brancusi, Constantin --- Arp, Hans --- Vo, Danh --- Tinguely, Jean --- Andre, Carl --- Baselitz, Georg --- Warhol, Andy --- Oldenburg, Claes --- Absalon --- Fischer, Urs --- Sosnowska, Monika --- Picasso, Pablo --- Kippenberger, Martin --- Büchel, Christoph --- Bill, Max --- Segal, George --- Pistoletto, Michelangelo --- Bourgeois, Louise --- Gonzales-Torres, Felix --- Smithson, Robert --- Beuys, Joseph --- Long, Richard --- Tuazon, Oscar --- Roth, Dieter --- Koons, Jeff --- West, Franz --- Thek, Paul --- Manzoni, Piero --- Serra, Richard --- Ray, Charles --- Merz, Mario --- Kelley, Mike --- Moore, Henry --- Smith, David --- Chillida, Eduardo --- Cattelan, Maurizio --- Hanson, Duane --- Judd, Donald --- Barney, Matthew --- Chamberlain, John --- Fischli, Peter --- Gilbert and George --- Hesse, Eva --- Hirst, Damien --- Kelly, Ellsworth --- Lucas, Sarah --- Nauman, Bruce --- Signer, Roman --- Tiravanija, Rirkrit --- Weiss, David --- Gober, Robert --- Fritsch, Katharina --- Orozco, Gabriel --- Genzken, Isa --- Maria, de, Walter --- Whiteread, Rachel --- Giacometti, Alberto --- Calder, Alexander --- Matta-Clark, Gordon --- Kaprow, Allan
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