Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The First Crusade was arguably one of the most significant events of the Middle Ages. It was the only event to generate its own epic cycle, the Old French Crusade Cycle. The central trilogy at the heart of the Cycle describes the Crusade from its beginnings to the climactic battle of Ascalon, comprising the Chanson d'Antioche, the Chanson des Chétifs and the Chanson de Jérusalem. This translation of the Chétifs and the Jérusalem accompanies and completes the translation of the Antioche and makes the trilogy available to English readers in its entirety for the first time. The value of the trilogy lies above all in the insight it gives us to medieval perceptions of the Crusade. The events are portrayed as part of a divine plan where even outcasts and captives can achieve salvation through Crusade. This in turn underlies the value of the Cycle as a recruiting and propaganda tool. The trilogy gives a window onto the chivalric preoccupations of thirteenth-century France, exploring concerns about status, heroism and defeat. It portrays the material realities of the era in vivid detail: the minutiae of combat, smoke-filled halls, feasts, prisons and more. And the two newly translated poems are highly entertaining as well, featuring a lubricious Saracen lady not in the first flush of youth, a dragon inhabited by a devil, marauding monkeys, miracles and much more. The historian will find little new about the Crusade itself, but abundant material on how it was perceived, portrayed and performed. The translation is accompanied by an introduction examining the origins of the two poems and their wider place in the cycle. It is supported by extensive footnotes, a comprehensive index of names and places and translations of the main variants.

Old French literature --- anno 1100-1199 --- Jerusalem --- Crusades --- Epic poetry, French --- Chansons de geste --- Crusades in literature --- Epic poetry --- French poetry --- Legends --- Heldensage --- History and criticism --- Chanson des chétifs. --- Chanson de Jérusalem. --- Jérusalem (Chanson de geste) --- Conquête de Jérusalem --- Chanson des chétifs

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Les XIIe et XIIIe siècles sont une période charnière pour la cristallisation des images de l’Autre. Pour la première fois, un ouvrage se propose d’observer et d’expliquer sous quelles formes cette image – ramenée ici à la figure emblématique du monarque de Byzance, du souverain des Grecs – s’est développée à cette époque et s’est répandue en France et en Allemagne dans le plus notable des milieux de réception : celui de l’aristocratie princière et féodale. La démarche choisie est novatrice, car transversale : centrée sur l’onomastique et la toponymie, elle s’affranchit de la catégorisation des « genres » littéraires qui distingue habituellement les œuvres de l’historiographie et celles du divertissement assumé. L’image construite du maître des Grecs ou du seigneur de Constantinople est ainsi restituée sous de multiples formes au gré des sources d’histoire et de littérature nées au temps des croisades.

French literature --- German literature --- Crusades in literature --- Greeks in literature --- Emperors in literature --- History and criticism --- Byzantine Empire --- In literature --- Croisades --- Dans la littérature. --- Empire byzantin --- Europe --- Relations --- Historiographie. --- French literature - To 1500 - History and criticism --- German literature - Middle High German, 1050-1500 - History and criticism --- Byzantine Empire - In literature