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This book is a study of Theocritus' narrating techniques, intertextual practices, and the relationship between them. By a close, careful description and analysis of these features as particularly deployed in Idylls 6, 11, 13, 24, and 15, J. Andrew Foster provides detailed readings of these specific poems, demons crating how each poem's narrative structure and its intratextual and intertextual affiliations interact to characterize the voices and audiences expressed and imagined by the discourse. Within these poems Theocritus especially orchestrates polyphonic voices speaking to diverse fictional, ideal, and actual audiences and so authorizes a range of responses to speech-in-text. His densely allusive poems exhibit an iterative aspect and resistance to closure that particularly encourage his readers to help compose larger meta-narratives in which such resolution can be achieved or the particular episode can be better understood. The interplay between the referential systems inscribed within these poems and their rhetorical structure exemplifies how Theocritus encourages his poetry to be incorporated into a wider literary discourse by which that wider literary landscape is transformed. Within these experiments in narration and reception, Theocritus exhibits an intense engagement with the literary past and his critical present whose receptions and authority are continually problematized. These readings will serve as a springboard into the wider ongoing study of the problems of poetic voice, authority, and literary innovation within Theocritus' poetry in particular and Hellenistic poetry in general.
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The Iliad and the Odyssey are the cornerstones of Western literature. Over the years they have inspired artists, writers, philosophers, musicians, playwrights, and film-makers. Barbara Graziosi introduces Homer's key works and discusses the main literary, historical, and archaeological issues at the heart of Homeric studies.
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Since the mid-twentieth century, apocalyptic thought has been championed as a central category for understanding the New Testament writings and the letters of Paul above all. But "apocalyptic" has meant different things to different scholars. Even the assertion of an "apocalyptic Paul" has been contested: does it mean the invasive power of God that breaks with the present age (Ernst Käsemann), or the broader scope of revealed heavenly mysteries, including the working out of a "many-staged plan of salvation" (N. T. Wright), or something else altogether? Paul and the Apocalyptic Imagination brings together eminent Pauline scholars from diverse perspectives, along with experts of Second Temple Judaism, Hellenistic philosophy, patristics, and modern theology, to explore the contours of the current debate. Contributors discuss the history of what apocalypticism, and an "apocalyptic Paul," have meant at different times and for different interpreters; examine different aspects of Paul's thought and practice to test the usefulness of the category; and show how different implicit understandings of apocalypticism shape different contemporary presentations of Paul's significance.--Unknown source.
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Barthes, Roland --- Criticism and interpretation --- Criticism and interpretation.
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Plutarch --- Plutarch. --- Criticism and interpretation. --- Criticism and interpretation
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Eco, Umberto --- Criticism and interpretation --- Criticism and interpretation.
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