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polychromy --- Architecture --- interior views --- binnenhuisinrichting --- Corbusier, Le --- Couleur en architecture --- Papier peint --- Le Corbusier, --- Critique et interprétation --- Corbusier, le --- Couleur en architecture. --- Papier peint. --- Le Corbusier --- Critique et interprétation. --- Critique et interprétation. --- kleurenleer
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While Le Corbusier's urban projects are generally considered confrontational in their relationship to the traditional urban fabric, his proposal for the Venice hospital project remained an exercise in preserving the medieval fabric of the city of Venice through a systemic replication of its urban tissue. This book offers a detailed study of Le Corbusier's Venice hospital project as a plausible built entity. In addition, it analyses it in the light of its supposed affinity with the medieval urban configuration of the city of Venice. No formal attempt to date has been made to critically analyse the hospital project's design considerations in comparison to the medieval urban configuration of the city of Venice. Using a range of methodologies including those from architectural theory and history, using archival resources, on-site analysis, and interviews with important resource persons, this book is an interpretation of the conceptual basis for Le Corbusier understanding of the structural formulation of the city of Venice as mentioned in The Radiant City (1935). In doing so, it deciphers the diagrammatic analysis of the city structure found in this work into a set of coherent design modules that were applied in the hospital project and that could become a point of further investigation. Architects and other architecturally interested laypeople with an interest in Venice will find the book a valuable addition to their knowledge. For architectural historians the book makes an important link between modernism and the historically grown Venice.
Public buildings --- architecture [discipline] --- hospitals [buildings for health facility] --- ziekenhuizen --- architectuur --- Corbusier, le --- Venice --- Hospital buildings --- Modular coordination (Architecture) --- Hôpitaux --- Coordination modulaire (construction) --- History. --- Conception et construction --- Histoire. --- Le Corbusier, --- Le Corbusier --- Criticism and interpretation. --- Critique et interprétation. --- Venice (Italy) --- Venise (Italie) --- Buildings, structures, etc. --- Constructions. --- Hôpitaux --- Critique et interprétation
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The space we live in, reduced to a minimum, has been fascinating us for generations. The writer Thoreau lived in a self-built hut in the forest from 1845-1847. In 1952, Le Corbusier built a hut at the Côte d'Azur for himself and his wife. Inspired by this, Urs Peter Flückiger, together with his students, built an ecologically and economically sustainable cabin in the Texan prairie. All three projects share the idea of minimal space and its relationship with the surrounding nature. In text, drawings, and photographs, this book analyses the three projects and shows parallels and similarities. Inspired by Tolstoy's story How Much Land Does A Man Need?, the author asks: "How much house does a man need?", thereby providing a pointed contribution to the current discussion on the requirement for housing.
728.84 --- 72:574 --- Woningbouw ; analyse van 3 kleine houten chalets --- Thoreau, Henry David ; hut bij Walden Pond, Concord (Massachusetts) in de Verenigde Staten ; 1845-1847 --- Le Corbusier ; Le Cabanon bij Roquebrune-Cap-Martin in Frankrijk ; 1951-1952 --- Architectuurstudenten ; Texas ; duurzame chalet ; 2008-2010 --- Woningbouw ; landhuizen, villa's, kleine huizen --- Architectuur en ecologie
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