Listing 1 - 10 of 18 | << page >> |
Sort by
|
Choose an application
In the “Curiosity” issue of Aperture magazine, Sarah Bay Gachot writes that Robert Cumming’s interest in photography spawned from his interest in perception: “Cumming wanted the viewer to get to know, personally, the process of perception—perhaps to ward off the onset of visual inertia. The pictures unfold slowly over time; the more you look, the more you see.” The Difficulties of Nonsense features Cumming’s conceptual black-and-white and color photographs from the 1970s, revealing his fascination with illusion and trickery. From his base in Los Angeles, Cumming made functional-looking constructions, rendered useless and created primarily to be photographed with his 8-by-10 camera. Playing with props, proportions, unusual angles, light, and mirrors, the images invite viewers to look in—and then to second-guess what they see. As the first publication to survey this significant series, The Difficulties of Nonsense serves as a touchstone for contemporary artists and for those interested in artwork that came out of Los Angeles in the 1970s. With an essay by Sarah Bay Gachot and an interview by David Campany, this monograph pays homage to a time when Cumming, and many in the photographic community, worked to playfully push the boundaries of photography and narrative.
fotografie --- kunst --- conceptuele kunst --- conceptuele fotografie --- concept art --- Verenigde Staten --- twintigste eeuw --- 77.071 CUMMING --- Photography --- Cumming, Robert
Choose an application
Using clear, readable prose, conceptual artist and poet Kenneth Goldsmith's manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context. Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that "wasted" time differently. Unlike old media, the internet demands active engagement--and it's actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called "Wasting Time on the Internet," he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith's ideas struck a nerve, because they are brilliantly subversive--and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we're "wasting time," we're actually creating a culture of collaboration. We''re reading and writing more--and quite differently. And we're turning concepts of authority and authenticity upside--down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable--like the internet itself--Wasting Time on the Internet is the manifesto you didn't know you needed -- Provided by publisher.
Internet --- Social aspects. --- internet --- cultuurfilosofie --- conceptuele kunst --- kunst en technologie --- 791.5 --- 130.2 --- 7.01 --- 7.071 GOLDSMITH --- Goldsmith Kenneth --- kunst --- concept art --- Internet.
Choose an application
Art --- installations [visual works] --- language [general communication] --- art criticism --- Conceptual --- Art & Language --- Concept-art. --- Art et Language. --- Geschichte 1969-1977. --- kunst en politiek --- social criticism
Choose an application
Surveys the life and work of the man widely known as 'the godfather of conceptual art.' Accompanying the eponymous exhibition at the Stedelijk Museum Amsterdam, it is the first comprehensive attempt to chart Siegelaub's activities as a curator, publisher, bibliographer, and collector across different realms, from conceptual art and mass media to politics and textiles.
kunst --- 7.038 --- kunstmarkt --- galeries --- artists' books --- kunstenaarsboeken --- Verenigde Staten --- Siegelaub Seth --- twintigste eeuw --- conceptuele kunst --- concept art --- Exhibitions --- Siegelaub, Seth --- Art publishing. --- Art publishing --- Conceptual art. --- Siegelaub, Seth, --- Concept-art. --- Conceptual art --- Conceptual --- Art --- Art dealers --- Marchands d'oeuvres d'art --- Art conceptuel --- Exhibitions. --- Expositions --- Edition --- Siegelaub, Seth - 1941-2013
Choose an application
Buren, Daniel --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.071 BUREN --- kunst en architectuur --- concept art --- conceptuele kunst --- Buren Daniel --- Frankrijk --- Exhibitions --- artists' films --- installations [visual works] --- sculpture [visual works] --- Palais des Beaux-Arts (Brussels)
Choose an application
The Museum of Modern Art announces 'Marcel Broodthaers: A Retrospective', the artist's first museum retrospective in New York. Bringing together some 200 works in multiple mediums, the exhibition explores the artist's critical if under-recognized place in the history of 20th-century art. Marcel Broodthaers is organized by MoMA and the Museo Nacional Centro de Arte Reina Sofía (MNCARS) in Madrid, in close consultation with the artist's Estate in Brussels. It is organized by Christophe Cherix, The Robert Lehman Chief Curator of Drawings and Prints at MoMA, and Manuel Borja-Villel, Director of MNCARS, with Francesca Wilmott, Curatorial Assistant, MoMA. The exhibition will travel to MNCARS in October 2016 and the Kunstsammlung Nordrhein-Westfalen (KNW), Düsseldorf, in early 2017. Marcel Broodthaers's (Belgian, 1924–1976) extraordinary output across mediums placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Setting a precedent for what we call installation art today, his work has had a profound influence on a broad range of contemporary artists, and he remains vitally relevant to cultural discourse at large. Throughout his career, from early objects variously made of mussels, eggshells, and books of his own poetry; to his most ambitious project, the 'Musée d'Art Moderne. Département des Aigles'; and the retrospective 'Décors', made at the end of his life, Broodthaers occupied a unique position, often operating as both innovator and commentator. The exhibition will consider the artist with these lasting contributions in mind.
Broodthaers, Marcel --- Art, Belgian --- Broodthaers, Marcel, --- kunst --- twintigste eeuw --- 7.071 BROODTHAERS --- pop art --- concept art --- conceptuele kunst --- België --- Broodthaers Marcel --- Exhibitions --- Broodthaers, Marcel. --- artists [visual artists] --- fine arts --- beeldende kunst --- Environnements (Sculpture) --- Installations (Art) --- Art belge --- Exhibitions. --- Expositions --- Poésie --- Ready made --- Magritte, René --- Belgique --- kunst 20e eeuw --- MAD-faculty 16 --- Art, Belgian - 20th century - Exhibitions --- Broodthaers, Marcel, - 1924-1976 --- Broodthaers, Marcel - Exhibitions
Choose an application
chalk drawings --- Lodewijks, Bart --- Conceptual art --- 741.07 --- Krijttekeningen ; Genk ; 2012-2014 ; B. Lodewijks --- Krijtlijnen --- Tekeningen ; krijt ; buiten en binnen --- Krijttekingen ; 21ste eeuw --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Tekenkunst ; tekenkunstenaars A - Z --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art
Choose an application
M HKA --- 069 --- 725.82 --- 72.017 --- 727.7 --- kunst --- concept art --- conceptuele kunst --- 7.071 GOOSSENS --- 7.071 HENDRICKX --- Museum voor Hedendaagse Kunst Antwerpen --- MUHKA --- Goossens Wim --- Hendrickx Arnaud --- Venlet Richard --- kunst en architectuur --- museologie --- Tentoonstellingen (architectuur) --- Tentoonstellingsarchitectuur --- Musea --- Scenografie (architectuur) --- Ruimte (architectuur) --- Kunstmusea (architectuur) --- Musea (architectuur) --- Museumarchitectuur --- Exhibitions
Choose an application
This book was published after Shannon Ebner's exhibition 'A Public Character', held at the Institute of Contemporary Art, Miami. Ebner's work is an extended mediation of language that often takes the form of photography. Certain aspects, especially seen in the ongoing series 'Black Box Collision A', represent her efforts to reflect upon our experience of language at the intersection of landscape and architecture, looking to the social world as a realistic, concrete location of poetics found and made; observed and constructed. Also included are the works 'A Hudson Yard', 'A Self', and 'A Singular', as well as the title work 'A Public Character'.
graphic arts --- photographers --- letters [signs] --- art [fine art] --- sculpture [visual works] --- photography [process] --- video art --- Art --- Ebner, Shannon --- kunst --- fotografie --- 7.071 EBNER --- 77.071 EBNER --- Ebner Shannon --- video-installaties --- woord en beeld --- concept art --- conceptuele kunst --- videokunst --- video --- Exhibitions --- Art. --- Ebner, Shannon. --- Exhibitions. --- Art - Exhibitions --- Ebner, Shannon - Exhibitions --- art [discipline]
Choose an application
exhibiting --- art market --- art theory --- museology --- photography [process] --- Art --- Duchamp, Marcel --- kunst --- twintigste eeuw --- Duchamp Marcel --- 7.071 DUCHAMP --- kunsttheorie --- 7.01 --- 069 --- tentoonstellingen --- museologie --- conceptuele kunst --- concept art --- surrealisme --- dadaïsme --- Artists --- Art and society --- Moderne --- Kunst --- Gesellschaft --- Learning and scholarship --- Professional relationships --- History --- Duchamp, Marcel, --- Criticism and interpretation. --- Knowledge and learning. --- 1900-1999 --- Duchamp, Marcel 1887-1968 --- Criticism and interpretation --- Knowledge and learning --- 20th century --- Criticism, interpretation, etc --- Moderne. --- Kunst. --- Gesellschaft. --- Art and society. --- Learning and scholarship. --- Professional relationships. --- 1900-1999.
Listing 1 - 10 of 18 | << page >> |
Sort by
|