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Em Rusciano's book is a humorous and candid memoir that delves into her life experiences, from her early days of performing and her stint on Australian Idol to her career in stand-up comedy and radio. Known for her outspoken and self-deprecating style, Rusciano shares personal anecdotes that reveal her struggles with anxiety, societal expectations, and personal growth. She reflects on her journey of self-discovery, embracing her identity as a 'try hard' and reclaiming it as a positive trait. The book is aimed at fans of Rusciano's comedic work and those who appreciate a raw, honest exploration of personal challenges and triumphs. Through her storytelling, Rusciano invites readers into a 'safe space' where they can find humor and comfort in shared human experiences.
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Bad clowns--those malicious misfits of the midway who terrorize, haunt, and threaten us--have long been a cultural icon. This book describes the history of bad clowns, why clowns go bad, and why many people fear them. Going beyond familiar clowns such as the Joker, Krusty, John Wayne Gacy, and Stephen King's Pennywise, it also features bizarre, lesser-known stories of weird clown antics including Bozo obscenity, Ronald McDonald haters, killer clowns, phantom-clown abductors, evil-clown panics, sex clowns, carnival clowns, troll clowns, and much more. Bad Clowns blends humor, investigation, and scholarship to reveal what is behind the clown's dark smile. This book describes the history of bad clowns, why clowns go bad, and why many people fear them.
Clowns --- Circus performers --- Entertainers --- Fools and jesters --- Comedians --- History. --- Clowns.
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2017 Freedley Award Finalist, Theatre Library Association 2016 Best Circus Book of the Year, Stuart Thayer Prize, Circus Historical Society The 1960s American hippie-clown boom fostered many creative impulses, including neo-vaudeville and Ringling's Clown College. However, the origin of that impulse, clowning with a circus, has largely gone unexamined. David Carlyon, through an autoethnographic examination of his own experiences in clowning, offers a close reading of the education of a professional circus clown, woven through an eye-opening, sometimes funny, occasionally poignant look at circus life. Layering critical reflections of personal experience with connections to wider scholarship, Carlyon focuses on the work of clowning while interrogating what clowns actually do, rather than using them as stand-ins for conceptual ideas or as sentimental figures.
Science (General). --- Fine Arts - General --- Art, Architecture & Applied Arts --- Clowns --- Circus performers --- Training of --- Carlyon, David. --- Performers, Circus --- Circus workers --- Entertainers --- Fools and jesters --- Comedians --- Performing arts. --- Ethnography. --- Theater-History. --- United States-History. --- Arts. --- Performing Arts. --- Theatre History. --- US History. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Show business --- Arts --- Performance art --- Theater—History. --- United States—History. --- Arts, Primitive --- Theater. --- Ethnology. --- Theater --- United States --- Theatre and Performance Arts. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History.
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'This is a fantastically exciting book, one which both forensically interrogates the cultural significance of Brand as a comedian but which also places him at the heart of a much bigger intellectual narrative about comic celebrity and its increasing impact on contemporary British politics.' -Sam Friedman, London School of Economics and author of Comedy and Distinction: The Cultural Currency of a 'Good' Sense of Humour 'How can a celebrity of global stature ‘transform public debate, become an established symbol of activist politics, and then seem to vanish almost without trace’? Arthurs and Little’s remarkable new book tackles this question with transdisciplinary lucidity, unpacking the many meanings of Russell Brand, situating the maverick trickster in broader context, and in the process offering a vibrant and vital resource for all those who want to understand celebrity, contemporary politics and the connections between them.' Jo Littler, City University, London and author of Against Meritocracy: Culture, Power and Myths of Mobility. Russell Brand's capacity to reinvent himself is remarkable. This book traces his career through comedy, to TV presenting; radio to Hollywood films. It identifies how his eclectic experience in entertainment both helped and hindered his high-profile move into political activism. It contains sections on the Sachsgate scandal, his controversial interview with Jeremy Paxman and his interview with aspiring Prime Minister Ed Miliband. Underpinning the book are interviews with leading activists and politicians and sophisticated readings of Brand's performances. It builds on the scholarly work of David Marshall, John Street, Oliver Driessens, Nahuel Ribke and others in the area of celebrity politics to develop an original analytic approach that blends the field theory of Pierre Bourdieu with the assemblage theory of Gilles Deleuze and Felix Guattari. This book is essential reading for anyone with an interest in the complex interaction between comedy, celebrity and politics. Jane Arthurs is Professor in Television at Middlesex University. Ben Little is Lecturer in Media and Cultural Politics at the University of East Anglia. .
Television personalities --- Comedians --- Brand, Russell, --- Motion picture acting. --- Political communication. --- Performing arts. --- Democracy. --- Culture-Study and teaching. --- Comedy. --- Screen Performance. --- Political Communication. --- Performing Arts. --- Cultural Theory. --- Comedy Studies. --- Comic literature --- Literature, Comic --- Drama --- Wit and humor --- Self-government --- Political science --- Equality --- Representative government and representation --- Republics --- Show business --- Arts --- Performance art --- Political communication --- Film acting --- Moving-picture acting --- Acting --- Culture—Study and teaching. --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales
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This book reveals how Fields became a character comedian while performing in Broadway’s most illustrious revue, the Ziegfeld Follies. As the first biography to use the recently opened Fields Papers at the Motion Picture Academy, the book explores how Fields years as a Follies entertainer portraying a beleaguered husband and a captivating conman became a landmark turning point in his career, leading to his fame as a masterful film comedian. The book also untangles a web of mysteries about Fields’s turbulent private life, from the heartrending stories about the tragic relationship with his calculating wife who refused to divorce him, to his estranged son controlled by his mother, to the seven-year extra-marital affair with a chorus girl that led to the birth of an unwanted child. This electrifying saga illuminates a complex dual personality, whirling from tenderness to brusqueness, who endured so much anguish in order to bring the gift of laughter to millions. Although vilified by Ziegfeld and assailed by demons, Fields survived the cutthroat rigors of Broadway show biz to become a legendary American iconoclast and cultural icon.
Comedians --- Motion picture actors and actresses --- Fields, W. C. --- Dukinfield, William Claude, --- Dukenfield, William Claude, --- Fields, William Claude, --- Fields, William C. --- Bogle, Charles, --- Criblecoblis, Otis, --- Jeeves, Mahatma Kane, --- Theater-History. --- Motion pictures-History. --- United States-Study and teaching. --- Motion pictures-United States. --- Theatre History. --- Film History. --- American Culture. --- American Cinema and TV. --- Theater—History. --- Motion pictures—History. --- United States—Study and teaching. --- Motion pictures—United States. --- Ziegfeld Theatre (New York, N.Y.) --- New York (State) --- United States. --- Fields, W. C., --- AB --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi͡avks Shtattn --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērik --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- Spojené obce severoamerick --- Spojené staty americk --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheirice --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi͡ednani Derz͡havy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- ZSA --- New York (City) --- ABŞ --- Amerikanʹ Veĭtʹsėndi͡avks Shtattnė --- É.-U. --- ÉU --- Saharat ʻAmērikā --- Spojené obce severoamerické --- Spojené staty americké --- Stáit Aontaithe Mheiriceá --- Wááshindoon Bikéyah Ałhidadiidzooígíí
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