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Les réflexions sur les mémoires et les lieux de mémoire sont l'enchaînement d'un double mouvement de l'histoire contemporaine : d'une part, il s'agit de faire vivre et revivre les événements historiques et sociohistoriques à travers la pluralité des mémoires. Dans cette perspective, la littérature se présente comme le lieu par excellence de la mise en écriture et de la confrontation des différentes mémoires. D'autre part, nous assistons à une sorte de sécurisation de la mémoire à travers les commémorations et l'édification des lieux censés incarner une ou plusieurs mémoires. Le présent ouvrage rassemble 12 contributions sur des questions aussi diverses que les lieux de mémoire, la mémoire individuelle et collective, la mémoire communicative et culturelle, la mémoire croisée et l'écriture de la mémoire. Les contributions qui couvrent les champs francophone, lusophone et germanophone reflètent l'intérêt inter- et transdisciplinaire de ce questionnement : elles cherchent à rendre compte de l'expérience des écrivains contemporains à travers une écriture de l'histoire, de la violence et du quotidien.
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This book uses theories of memory derived from cognitive science to offer new ways of understanding how literary works remember other literary works. Using terms derived from psychology - implicit and explicit memory, interference and forgetting - Raphael Lyne shows how works by Renaissance writers such as Wyatt, Shakespeare, Jonson, and Milton interact with their sources. The poems and plays in question are themselves sources of insight into the workings of memory, sharing and anticipating some scientific categories in the process of their thinking. Lyne proposes a way forward for cognitive approaches to literature, in which both experiments and texts are valued as contributors to interdisciplinary questions. His book will interest researchers and upper-level students of renaissance literature and drama, Shakespeare studies, memory studies, and classical reception.
English literature --- Collective memory and literature --- Memory in literature. --- Intertextuality. --- Cognition in literature. --- Historical criticism (Literature) --- Civilization, Classical --- Criticism --- Literature and history --- Semiotics --- Influence (Literary, artistic, etc.) --- Memory as a theme in literature --- Literature and collective memory --- Literature --- History and criticism. --- Classical influences.
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Human rights --- Disappeared persons --- Victims of state-sponsored terrorism --- Collective memory and literature --- Collective memory --- Dictatorship --- Desaparecidos --- Missing persons --- State-sponsored terrorism victims --- Victims of state terrorism --- Victims of terrorism --- Literature and collective memory --- Literature --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- Absolutism --- Autocracy --- Tyranny --- Authoritarianism --- Despotism --- Totalitarianism --- History --- Argentina
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Cultural memory involves a community's shared memories, the selection of which is based on current political and social needs. A past that is significant to a national group is re-imagined by generating new meanings that replace earlier certainties and fixed symbols or myths. This creates literary syncretisms with moments of undecidability. The analysis in this book draws on Renate Lachmann's theory of intertextuality to show how novels that blur boundaries without standing in for history are prone to intervene in cultural memory.A brief overview of Aboriginal politics between the 1920s and the 1990s in relation to several novels provides historical and political background to the links between, and problems associated with, cultural memory, testimony, trauma, and Stolen Generations narratives, which are discussed in relation to Sally Morgan's My Place and Doris Pilkington's Rabbit-Proof Fence. There follows an analysis of novels that respond to the history of contact between Aboriginal and settler Australians, including Kate Grenville's historical novels The Secret River, The Lieutenant, and Sarah Thornhill as examples of a traditional approach. David Malouf's Remembering Babylon charts how language and naming defined our early national narrative that excluded Aboriginal people.
Collective memory and literature --- Aboriginal Australians in literature. --- Australian fiction --- History and criticism. --- Australian literature --- Australian aborigines in literature --- Literature and collective memory --- Literature --- 1900 - 2099 --- Australia. --- Ahitereiria --- Aostralia --- Ástralía --- ʻAukekulelia --- Austraalia --- Austraalia Ühendus --- Australian Government --- Australie --- Australien --- Australiese Gemenebes --- Aŭstralii͡ --- Australija --- Austrālijas Savienība --- Australijos Sandrauga --- Aŭstralio --- Australské společenstv --- Ausztrál Államszövetség --- Ausztrália --- Avstralii͡ --- Avstraliĭski sŭi͡uz --- Avstraliĭskiĭ Soi͡uz --- Avstraliĭskii͡at sŭi͡uz --- Avstralija --- Awstralia --- Awstralja --- Awstralya --- Aystralia --- Commonwealth of Australia --- Cymanwlad Awstralia --- Državna zaednica Avstralija --- Government of Australia --- Ḳehiliyat Osṭralyah --- Koinopoliteia tēs Aystralias --- Komanwel Australia --- Komonveltot na Avstralija --- Komonwelt sa Awstralya --- Komunaĵo de Aŭstralio --- Komunejo de Aŭstralio --- Kūmunwālth al-Usturāl --- Mancomunidad de Australia --- Mancomunitat d'Austràlia --- Negara Persemakmuran Australia --- New Holland --- Nova Hollandia --- Osṭralyah --- Ōsutoraria --- Persemakmuran Australia --- Samveldið Ástralía --- Usṭralyah --- Usturāliy --- Whakaminenga o Ahitereiria
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