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In this comprehensive study of the Tenjukoku Shūchō Mandara, Chari Pradel provides a new interpretation of this assemblage of embroidered textile fragments associated with Prince Shotoku (574-622). By analyzing the scant visual evidence in the context of East Asian visual art of the period, the author recreates the subject represented on the seventh century artifact and demonstrates that it was not Buddhist (as previously believed), but associated with the funerary iconography of China that arrived in Japan with immigrants from the Korean peninsula. In addition, by closely investigating the context for the compilation of each of the documents associated with the artifact, Pradel illuminates the history of the embroidery and its changing significance and perception over the centuries.
Embroidery --- Textile fabrics --- Textile design --- Art, Japanese --- History --- Chinese influences --- Shōtoku Taishi, --- Chūgūji (Ikaruga-chō, Nara-ken, Japan) --- Tenjukoku shūchō mandara.
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This fascinating publication showcases the Saint Louis Art Museum's collection of Japanese military prints and related materials-one of the largest collections of such works in the world. The 1,400 objects in the collection are mostly color woodblock prints, but the holdings also include paintings, lithographs, photographs, stereographs, books, magazines, maps, game boards, textiles, ceramics, toys, sketchbooks, and commemorative materials. This extraordinary body of visual works chronicles Japan's rise as a modern nation from the beginning of the Meiji Restoration in 1868 through the aftermath of Pearl Harbor in 1942, with a focus on the Sino-Japanese and Russo-Japanese wars. "Conflicts of Interest" will bring to light an important aspect of Japan's visual culture and the narratives it circulated for its citizens, allies, and enemies on the world stage.
Art, Japanese --- Art --- Sino-Japanese War, 1894-1895 --- Russo-Japanese War, 1904-1905 --- Art and war --- War and society --- Private collections --- Lowenhaupt, Charles --- Lowenhaupt, Rosalyn --- Art collections --- St. Louis Art Museum --- Japan --- Civilization --- Exhibitions
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Het is dit jaar exact 150 jaar geleden dat Japan en België een eerste verdrag met elkaar sloten. Ons land vormde lange tijd een belangrijke economische inspiratiebron voor Japan - en vice versa. En ook op artistiek vlak is er altijd al wederzijdse beïnvloeding geweest. Belgische kunstenaars gingen helemaal op in het Japonisme, terwijl in Japan schrijvers als Maurice Maeterlinck en Emile Verhaeren gretig werden gelezen. Na het dieptepunt van Wereldoorlog II - waarin alle betrekkingen verbroken werden - herstelde de relatie zich, om uit te groeien tot een hecht bondgenootschap. Dit boek brengt die 150 jaar gedetailleerd in kaart en focust op culturele hoogtepunten.
J4813.21 --- J4810.70 --- Japan: International politics and law -- international relations, policy and security -- Europe -- Belgium --- Japan: International politics and law -- international relations, policy and security -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- 378.4 <493 KUL> --- 027.71 <493 LEUVEN> --- 378.4 <493 KUL> Universiteiten: Katholieke Universiteit Leuven--KUL --- Universiteiten: Katholieke Universiteit Leuven--KUL --- 027.71 <493 LEUVEN> Universiteitsbibliotheken--België--LEUVEN --- Universiteitsbibliotheken--België--LEUVEN --- diplomacy --- inspiration --- International relations. Foreign policy --- histories [literature genre] --- History of civilization --- anno 1800-1999 --- anno 2000-2099 --- Belgium --- Japan --- Japon --- Belgique --- Relations --- Histoire --- Japan: International politics and law -- international relations, policy and security -- Europe -- Belgium. --- Japan: International politics and law -- international relations, policy and security -- Kindai (1850s- ), bakumatsu, Meiji, Taishō. --- Foreign relations --- Relations extérieures --- Relations extérieures --- Art, Belgian --- Art, Japanese --- Japanese influences --- Belgian influences --- Art, Belgian - Japanese influences --- Art, Japanese - Belgian influences --- Belgium - Foreign relations - Japan --- Japan - Foreign relations - Belgium --- histories [literary works]
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Early Japanese popular culture, in the form of the coloured woodcuts of artists like Hokusai and Kuniyoshi, achieved world fame after Japan's opening. The pop culture of today, from manga to anime, has also conquered the globe. Now the sheets and books of woodcuts by the most famous renowned ukiyo-e artists confront the visual mass media in the comics and cartoons of modern Japan. The high-quality Japanese woodcuts and graphic novels from the 17th to the 19th centuries are products of an urban popular culture in pre-modern Japan, in which clothing, stage stars, myths, monsters, sexuality and commerce were the governing factors. The publication shows the enchanting imagery of both historical and contemporary pop culture in Japan, which today focuses on manga and anime. Short texts spotlight the art of the woodcut in the Edo period, such as the famous shunga sheets, together with selected excerpts from manga, including those by Jiro Taniguchi and Inio Asano as well as the current developments in the manga phenomenon in the Japan of the 21st century. Exhibition: Museum für Kunst und Gewerbe Hamburg, Germany (10.06.-11.09.2016). "Following the opening of Japan, its early popular culture with colour woodcuts by the likes of Hokusai and Kuniyoshi has achieved worldwide fame. And with manga and anime, Japan's contemporary pop culture has also conquered the world. Woodcuts and woodblock printed books by famous ukiyo-e artists meet up with mass media comics and animated films from modern Japan"--
Ukiyoe --- Comic books, strips, etc --- Art, Japanese --- Popular culture --- 76 <520> --- J4143 --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Grafische kunsten. Grafiek. Prentkunst--Japan --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Exhibitions --- Manhua (Comic books) --- Manhwa (Comic books)
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