Narrow your search

Library

ULiège (3)

KU Leuven (2)

UGent (2)

LUCA School of Arts (1)

Odisee (1)

Thomas More Kempen (1)

Thomas More Mechelen (1)

UCLL (1)

VIVES (1)

VUB (1)


Resource type

book (3)


Language

English (3)


Year
From To Submit

2016 (3)

Listing 1 - 3 of 3
Sort by

Book
Africa39 : new writing from Africa south of the Sahara
Authors: ---
ISBN: 9781408869024 Year: 2016 Publisher: London ; Oxford ; New York ; New Delhi ; Sydney : Bloomsbury,

Loading...
Export citation

Choose an application

Bookmark

Abstract

The Hay Festival brings its 39 Project to Port Harcourt, Nigeria, to identify the most promising writing talents under the age of 40 from Sub-Saharan Africa and its diaspora. From the list of 39 writers chosen by the judges, editor Allfrey has selected stories, extracts from novels, and other writings, many never before published, to create a collection of some of the most varied and exciting new work in world literature.


Book
Losing the Plot : Crime, reality and fiction in postapartheid South African writing
Author:
ISBN: 186814965X 1868149676 9781868149674 9781868149650 9781868149643 1868149641 Year: 2016 Publisher: Johannesburg : Wits University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

In Losing the Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor. If postapartheid literature's founding moment was the 'transition' to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot - the mapping and making of social betterment - appears to have been lost. The compulsion to detect forensically the actual causes of such loss of direction has resulted in the prominence of creative nonfiction. A significant adjunct in the rise of this is the new media, which sets up a 'wounded' space within which a 'cult of commiseration' compulsively and repeatedly plays out the facts of the day on people's screens. This, De Kock argues, is reproduced in much postapartheid writing. And, although fictional forms persist in genres such as crime fiction, with their tendency to overplot, more serious fiction underplots, yielding to the imprint of real conditions to determine the narrative construction.


Book
The novel in Africa and the Caribbean since 1950
Author:
ISBN: 9780199765096 019976509X Year: 2016 Publisher: New York : Oxford University Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Why did the novel take such a long time to emerge in the colonial world? And, what cultural work did it come to perform in societies where subjects were not free and modes of social organization diverged from the European cultural centers where the novel gained its form and audience? Answering these questions and more, Volume 11, The Novel in Africa and the Caribbean since 1950 explores the institutions of cultural production that exerted influence in late colonialism, from missionary schools and metropolitan publishers to universities and small presses. How these structures provoke and respond to the literary trends and social peculiarities of Africa and the Caribbean impacts not only the writing and reading of novels in those regions, but also has a transformative effect on the novel as a global phenomenon.Together, the volume's 32 contributing experts tell a story about the close relationship between the novel and the project of decolonization, and explore the multiple ways in which novels enable readers to imagine communities beyond their own and thus made this form of literature a compelling catalyst for cultural transformation. The authors show that, even as the novel grows in Africa and the Caribbean as a mark of the elites' mastery of European form, it becomes the essential instrument for critiquing colonialism and for articulating the new horizons of cultural nationalism. Within this historical context, the volume examines works by authors such as Chinua Achebe, Nadine Gordimer, George Lamming, Jamaica Kincaid, V.S. Naipaul, Zoe Wicomb, J. M. Coetzee, and many others.

Listing 1 - 3 of 3
Sort by