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Aeschylus. --- Plutarch.
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The Reception of Aeschylus' Plays through Shifting Models and Frontiers addresses the need for an integrated approach to the study and staging of Aeschylus’ plays. It offers an invigorating discussion about the transmission and reception of his plays and explores the interrelated tasks of editing, translating, adapting and remaking them for the page and the stage. The volume seeks to reshape current debates about the place of his tragedies in the curriculum and the repertory in a scholarly manner that is accessible and innovative. Each chapter makes a significant and original contribution to its selected topic, but the collective strength of the volume rests on its simultaneous appeal to readers in theatre studies, classical studies, performance studies, comparative studies, translation studies, adaptation studies, and, naturally, reception studies.
Aeschylus --- Aeschylus. --- Appreciation. --- Criticism and interpretation.
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The goal of this work is to provide a definition of the language and style of satyr plays. All of the fragments identified as belonging to Aeschylus' Dictyulci have been collected and are presented here with commentary and Italian translation.
Aeschylus. --- Aeschylus --- Aischylos --- Eschilo --- Eschyle --- Eschylus --- Criticism and interpretation. --- Manuscripts.
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Greek drama (Tragedy) --- Lost literature --- Tragédie grecque --- Oeuvres perdues (Littérature) --- History and criticism. --- Histoire et critique --- Tragédie grecque --- Oeuvres perdues (Littérature) --- Sophocles --- Aeschylus --- Euripides
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Mimesis in literature --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Aeschylus. --- Thebes (Greece) --- Thēvai (Greece) --- Thívai (Greece) --- Thebes (Greece : Ancient city) --- Thiva (Greece) --- Thēva (Greece) --- Tebe (Greece) --- Theben (Greece) --- Thebes (Greece : Extinct city) --- Θῆβαι (Greece) --- Thēbai (Greece) --- Θήβα (Greece) --- In literature. --- Aeschylus --- Mimesis in literature.
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This book explores the way in which doubling takes place in several novels, films, and dramas, primarily focusing on modern drama and exploring how five Greek myths – Oedipus, Narcissus, Dionysus, Orestes, and Demeter – inform the literature. Taking a psychological/mythical approach, this book explores the inner divisions that lead to boundary loss and the search for the self that may lead to boundaries found. The contention of the book is that the oedipal search for self has been replaced in modern literature by individuals caught up in a narcissistic culture. Katherine H. Burkman explores plays by Aeschylus, Sophocles, Euripides, Henrik Ibsen, Eugene O'Neill, Samuel Beckett, Harold Pinter, David Mamet, Sam Shepard, Marsha Norman, and Will Eno.
Philosophy --- Psychology --- Social psychology --- Sociology of culture --- Personality development --- Didactics of the arts --- Film --- Theatrical science --- Linguistics --- Literature --- History --- filmgeschiedenis --- performances (kunst) --- psychologie --- sociale psychologie --- geletterdheid --- theater --- cultuur --- filosofie --- geschiedenis --- literatuur --- culturele antropologie --- persoonlijkheidsleer --- persoonlijkheidsontwikkeling --- Sophocles --- Narcissus [Mythological character] --- Dionysus [Mythological character] --- Demeter [Mythological character] --- Oedipus [Mythological character] --- Aeschylus --- Ibsen, Henrik --- Euripides --- O'Neill, Eugene --- Eno, Will --- Orestes [Mythologische figuur] --- Beckett, Samuel --- Shepard, Sam --- Pinter, Harold --- Mamet, David --- Norman, Marsha
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