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American literature --- American literature. --- English literature --- English literature. --- War in literature. --- History and criticism --- 1900-1999.
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Le Pen Pinter Prize a été remis en 2015 à James Fenton, après Carol Ann Duffy en 2012, Tom Stoppard en 2013 et Salman Rushdie en 2014. Voici le début de l’hommage de Julian Barnes prononcé à cette occasion : « Un poète, librettiste, traducteur, essayiste, journaliste, un poète, correspondant de guerre, chroniqueur politique, correspondant à l’étranger, un poète, voyageur, expatrié, théoricien du “Journalisme crépusculaire” (pour lequel les informateurs sont plus fiables à la nuit tombée), critique d’art et de théâtre, professeur de poésie à Oxford, historien de l’Académie Royale, expert en jardins, un poète, un ami de près de quarante ans - ouf, jusqu’ici pas romancier - mais un poète, un poète, un poète… » En 1978 Nelson Goodman, reformulant la question de la nature de l’art, se demandait : « Quand est l’art ? » L’oeuvre poétique de James Fenton semble poser la question « quand est la poésie ? » : entre témoignage et esthétisme, cette poésie se confronte aux réalités politiques et sociétales de la deuxième moitié du xxe siècle. Elle retrace les bouleversements historiques et les conflits intimes, les doutes et les élans amoureux. Voici les premières traductions françaises de ce grand poète anglais contemporain, présentées en version bilingue et accompagnées d’une étude portant sur l’écriture de James Fenton et sur le contexte historique
War in literature. --- Fenton, James, --- Criticism and interpretation. --- poésie --- jardin --- James Fenton --- poésie anglaise
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This book is the first omnibus history of the literature of the American Civil War, the deadliest conflict in US history. A History of American Civil War Literature examines the way in which the war has been remembered and rewritten over time in prose, poems, and other narratives. This history incorporates new directions in Civil War historiography and cultural studies while giving equal attention to writings from both northern and southern states. It redresses the traditional neglect of southern literary cultures by moving between the North and the South, thus finding a balance between Union and Confederate texts. Written by leading scholars in the field, this book works to redefine the boundaries of American Civil War literature while posing a fundamental question: why does this 150-year-old conflict continue to capture the American imagination?
War and literature --- American literature --- War in literature --- American Literature --- English --- Languages & Literatures --- Literature and war --- Literature --- History --- History and criticism --- United States --- Literature and the war. --- War in literature. --- History. --- History and criticism.
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Die Autorin untersucht intertextuelle Anspielungen auf die Epen Homers in den Argonautika des hellenistischen Dichters Apollonios Rhodios: Der Sachbereich ,Kampf und Krieg' ist für Homer vor allem innerhalb der Ilias typisch und stellt ein wesentliches Kriterium für die Charakterisierung der Heldenfiguren dar. Die Argonautika enthalten kaum Schlachtszenen, adaptieren aber homerisches Vokabular aus dem kriegerischen Kontext in großem Umfang. Die Autorin analysiert anhand vergleichender Wortuntersuchungen Apollonios' Imitations- und Variationstechnik für diesen Bereich. Sie zeigt im Detail, wie das Vokabular aus konventioneller Verwendung gelöst und in neue Kontexte sowie auf andere narrative Ebenen verschoben wird, und interpretiert die Ergebnisse im Hinblick auf das Heldenbild der Argonautika.
War in literature. --- Greek language, Hellenistic (300 B.C.-600 A.D.) --- Figures of speech. --- Apollonius, --- Homer --- Language.
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Because all wars in the twenty-first century are potentially global wars, the centenary of the first global war is the occasion for reflection. This volume offers an unprecedented account of the lives, stories, letters, games, schools, institutions (such as the Boy Scouts and YMCA), and toys of children in Europe, North America, and the Global South during the First World War and surrounding years. By engaging with developments in Children's Literature, War Studies, and Education, and mining newly available archival resources (including letters written by children), the contributors to this volume demonstrate how perceptions of childhood changed in the period. Children who had been constructed as Romantic innocents playing safely in secure gardens were transformed into socially responsible children actively committing themselves to the war effort. In order to foreground cross-cultural connections across what had been perceived as 'enemy' lines, perspectives on German, American, British, Australian, and Canadian children's literature and culture are situated so that they work in conversation with each other. The multidisciplinary, multinational range of contributors to this volume make it distinctive and a particularly valuable contribution to emerging studies on the impact of war on the lives of children.
Children's literature --- World War, 1914-1918 --- War in literature --- History and criticism --- Literature and the war
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Discourse analysis --- Discourse analysis, Literary --- Polemics --- Polemics in literature --- Politics and war --- War --- War in literature --- War (Philosophy) --- Political aspects --- Religious aspects
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War in literature. --- American literature --- War and literature --- Literature and war --- Literature --- History and criticism. --- History. --- United States --- History --- Literature and the war.
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"This book examines shadow imagery in postwar literature, television, film, photography, and popular culture"--
HISTORY / United States / 20th Century. --- Popular culture --- Cold War --- Politics and culture --- Cold War in motion pictures. --- Cold War in literature. --- Metaphor in literature. --- American literature --- Motion pictures --- History --- Influence. --- Social aspects --- History and criticism. --- United States --- Civilization
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Suddenly, the Sight of War is a genealogy of Hebrew poetry written in pre-state Israel between the beginning of World War II and the War of Independence in 1948. In it, renowned literary scholar Hannan Hever sheds light on how the views and poetic practices of poets changed as they became aware of the extreme violence in Europe toward the Jews. In dealing with the difficult topics of the Shoah, Natan Alterman's 1944 publication of The Poems of the Ten Plagues proved pivotal. His work inspired the next generation of poets like Haim Guri, as well as detractors like Amir Gilboa. Suddenly, the Sight of War also explores the relations between the poetry of the struggle for national independence and the genre of war-reportage, uniquely prevalent at the time. Hever concludes his genealogy with a focus on the feminine reaction to the War of Independence showing how women writers such as Lea Goldberg and Yocheved Bat-Miryam subverted war poetry at the end of the 1940s. Through the work of these remarkable poets, we learn how a culture transcended seemingly unspeakable violence.
Israeli poetry --- Violence in literature. --- Nationalism in literature. --- Symbolism in literature. --- War in literature. --- Signs and symbols in literature --- Symbolism in folk literature --- Hebrew poetry, Modern --- Israeli poetry (Hebrew) --- Israeli literature --- History and criticism.
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