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Edward Said and the Question of Subjectivity explores the notion of subjectivity implicated in and articulated by Said in his writings. Analyzing several of his major works, Pannian argues that there is a shift in Said's intellectual trajectory that takes place after the composition of Orientalism. In so doing, Said forthrightly attempts to retrieve a theoretical and political humanism, as Pannian identifies, despite the difficult and sanguinary aspects of its past. He elaborates upon Said's understanding that only after recognising the structures of violence and coming to discern strategies of interpellation, may the individual subject effectively resist them. Pannian also explores Said's ideas on exilic subjectivity, the role of intellectuals, acts of memory, critical secularism, affiliation and solidarity before dwelling on his interface with Marxist thinkers such as Antonio Gramsci, Theodor Adorno, and Raymond Williams. This engagement marks Said's own subject formation, and shapes his self-reflexive mode of knowledge production.

Comparative literature --- Literature --- oriëntalisme --- literatuur

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Cet ouvrage retrace les enjeux institutionnels, commerciaux et culturels entre l'Inde et la France durant la période comprise entre 1750 et 1800, notamment l'évolution des pratiques coloniales, la rivalité commerciale franco-anglaise, le développement de l'orientalisme et l'élaboration d'une doctrine et d'une pratique impériales. ©Electre 2016

Orientalism --- French --- Orientalisme --- Français --- History --- Histoire --- France --- India --- Inde --- Relations

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schilderkunst. --- orientalisme. --- portretten. --- naakt. --- natuur. --- Belvedere (Wenen). --- 19de eeuw. --- 20ste eeuw.

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"Postcolonial Counterpoint is a critical study of Orientalism and the state of Francophone and postcolonial studies, examined through the lens of the historical and cross-cultural relations between France and North Africa. Thoroughly questioning the inability of Western academia to shake free of universalism and essentialism and come to grips with the Orientalism within postcolonial discourse, Farid Laroussi offers a cultural tour d'horizon which considers André Gide's writing on Algeria, literature by French authors of Maghrebi descent, and the conversation surrounding secularism and the headscarf in France. A provocative investigation of the place of Muslims and Islam in Francophone culture, Postcolonial Counterpoint asks how we must proceed if postcolonial studies is to make a difference in reconciling history, identity, citizenship, and Islam in the West."--

French literature --- Orientalism in literature. --- Postcolonialism in literature. --- Orientalism --- Muslims --- Islam --- Littérature française --- Orientalisme dans la littérature --- Postcolonialisme dans la littérature --- Orientalisme --- Musulmans --- History and criticism. --- North African authors --- History and criticism --- Histoire et critique --- Auteurs maghrébins --- Gide, André, --- France --- Africa, North --- Afrique du Nord --- Relations --- Littérature française --- Orientalisme dans la littérature --- Postcolonialisme dans la littérature --- Auteurs maghrébins --- Gide, André,

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Drawing --- Painting --- drawings [visual works] --- Romantic [modern European styles] --- easel paintings [paintings by form] --- Gleyre, Charles --- anno 1800-1899 --- romantiek --- orientalisme --- melancholie --- Gleyre, Marc Charles Gabriel --- Puvis de Chavannes, Pierre-Cécile --- Sisley, Alfred --- Renoir, Auguste --- Bazille, Frédéric --- Böcklin, Arnold --- romantiek. --- orientalisme. --- melancholie. --- Gleyre, Marc Charles Gabriel. --- Puvis de Chavannes, Pierre-Cécile. --- Sisley, Alfred. --- Renoir, Pierre-Auguste. --- Bazille, Frédéric. --- Böcklin, Arnold. --- Renoir, Pierre-Auguste