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Italian drama --- Italian drama --- Allegory --- European drama

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In a world that tends to homologate, thus becoming, in every aspect of our lives, grey, flat and uniform, so creating the world of universal similarity (including language), does it still make sense today to talk about vernacular theatre? Tackling such a question implies uncovering the reasons for the disappearance of the many regional theatres that were present in Italy in the nineteenth century. There is no doubt that first the unification of the country in 1861, and then the language policies of fascism in the '30s were the final nails in the coffin for local theatres. It is also true, howe

Italian drama --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History and criticism. --- History

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In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell'arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi's lost L'Arianna, as well as his Il Ritorno d'Ulisse and L'incoronazione di Poppea; Mazzochi and Marazzoli's L'Egisto, ovvero Chi soffre speri; and Cavalli's L'Ormindo and L'Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell'arte theater specifically, the use of dialect and verbal play produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.

Opera --- Commedia dell'arte --- Commedia dell'arte. --- Oper. --- Rezeption. --- History and criticism. --- Influence. --- Characters. --- Italien. --- Characters and characteristics in music. --- Comic literature --- Literature, Comic --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- History and criticism --- Music --- opera's --- muziekgeschiedenis --- improvisatie --- barokmuziek --- anno 1600-1699 --- Musical portraits --- Musical portraiture --- Acting --- Comedy --- Farce --- Italian drama (Comedy) --- Improvisation (Acting) --- Drama --- Dramatic music --- Singspiel --- Characters and characteristics in music --- Influence --- Claudio Monteverdi. --- Francesco Cavalli. --- Virginia Andreini. --- aria. --- commedia dell'arte. --- lament. --- listening. --- opera. --- recitative. --- sound.