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This book explores the intersection of creation care and the Christian gospel, emphasizing the role of the church in addressing ecological concerns. Through a series of essays and case studies, it examines the biblical basis for environmental stewardship, the impact of climate change, and the church's mission in sustainable development. The book highlights the urgency of ecological action, especially in the Global South, and calls for a holistic approach to environmental missions. It is intended for church leaders, environmental advocates, and Christians seeking to integrate faith with action in addressing global environmental challenges.
Christian stewardship. --- Environmentalism. --- Christian stewardship --- Environmentalism
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Inscriptions, Greek. --- Vases, Greek --- Inscriptions grecques --- Vases grecs --- Inscriptions. --- Inscriptions --- Pottery --- Vase-painting, Greek --- Céramique --- Peinture de vases grecque --- Marks --- Marques --- Potters --- Inscriptions, Greek --- Greek inscriptions --- Greek language --- Greek philology --- Greek vase-painting --- Ceramic artists --- Jiggermen --- Artists --- Greek vases --- Conferences - Meetings --- Céramique --- Inscription grecque --- --Poterie --- --Grèce ancienne --- --Colloque --- --2012 --- --Lausanne --- --Bâle --- --actes --- --Inscriptions --- --2012, --- Lausanne --- Vases, Greek - Inscriptions --- Poterie --- Grèce ancienne --- Colloque --- Bâle --- --Inscriptions, Greek. --- --Inscription grecque --- Bâle--
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Archéologie --- Histoire --- Archaeology --- Juvenile --- Histoire. --- Archéologie
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Chopin, Frédéric --- Composers --- Piano music --- Piano --- Compositeurs --- Piano, Musique de --- Social networks --- Congresses --- History and criticism --- Analysis, appreciation --- Construction --- Réseaux sociaux --- Congrès --- Histoire et critique --- Analyse et appréciation --- Facture --- Chopin, Frédéric, --- Congresses. --- Conferences - Meetings --- Music --- Réseaux sociaux --- Congrès --- Analyse et appréciation --- Chopin, Frédéric, --- 78.16 Lausanne 2010 --- 78.21.1 Chopin --- 78.27 --- Chopin, Frederic --- Music - 19th century - History and criticism - Congresses. --- Chopin, Frédéric, - 1810-1849 - Congresses. --- Chopin, Frédéric, - 1810-1849
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In 1945 begon Jean Dubuffet zijn gekende collectie art brut zoals hij de kunst van psychiatrische patiënten noemde. In 1971 deed hij heel de collectie cadeau aan de stad Lausanne en in 1976 opende de stad Lausanne het museum waar je heel deze collectie kan bewonderen. N.a.v. de veertigste verjaardag van deze opening werd dit boek uitgegeven waarin je heel het verhaal van die collectie en dat museum kan lezen ... en natuurlijk al die werken kan bekijken. Een mooi staaltje van outsiderkunst.
Art --- art [fine art] --- outsider art --- Brutalist --- Dubuffet, Jean --- Collection de l'art brut [Lausanne] --- Art brut --- Dubuffet, Jean, --- Collection de l’art brut (Lausanne, Switzerland) --- Kunst. --- Tentoonstellingscatalogus. --- brutalisme. --- kunst. --- outsiderkunst. --- Collection de l'art brut [Lausanne]. --- art [discipline]
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Graphic arts --- graphic design --- art education --- typography --- University of Art and Design Lausanne --- anno 2010-2019 --- Grafische vormgeving --- Grafische scholen --- Grafische opleidingen --- Grafisch onderwijs
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Painting --- monochrome --- easel paintings [paintings by form] --- Manzoni, Piero
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L'intersectionalité est devenue en quelques années un concept central aussi bien en sciences sociales qu'au sein des luttes sociales en particulier féministes. Forgée pour penser l'imbrication des rapports de domination l'intersectionnalité constitue aujourd'hui un champ d'études et d'expérimenta rions théoriques foisonnant. Pour la première fois en France des universitaires abordent ses multiples dimensions épistémologigues. théoriques. poli tiques et les recherches récentes qu'elle a permis d'ouvrir dans des espaces aussi différents que la France, l'Amérique latine ou l'Europe de l'Est. Que peut nous offrir cette notion pour penser le genre la théorie féministe et les mobilisations sociales ? Comment contribuer à pro mouvoir un usage de l'intersectionnalité qui renforce son potentiel critique et insurgé", plutôt que figé sur des identités ? Cet ouvrage témoigne à partir d'exemples de la force d'un tel outil lorsqu'il s'agit d'éclairer des processus sociaux et politiques complexes. En offrant un regard à la fois rétrospectif et contemporain sur les enjeux politiques de la production d'un savoir intersectionnel, il veut aussi montrer que l'intersection naine n'est pas seulement un agencement de critique théorique indispensable mais aussi une plate forme à partir de laquelle construire des sujets poli tiques collectifs nécessaires au projet d'émancipation féministe et de la société
Sex discrimination against women --- Women's rights --- Feminist theory --- Male domination (Social structure) --- Discrimination multiple --- Domination --- Études sur le genre --- Féminisme. --- Mouvements sociaux --- Féminisme --- Interdisciplinary approach to knowledge --- Feminism --- Feminism. --- Feminist theory. --- Interdisciplinary approach to knowledge. --- Sex discrimination against women. --- Women's rights. --- Droits des femmes. --- Discrimination sexuelle. --- Methodology --- Methodology. --- Sex discrimination against women - Congresses --- Women's rights - Congresses --- Feminist theory - Congresses --- Male domination (Social structure) - Congresses --- Féminisme. --- Théorie féministe --- Interdisciplinarité --- Féminisme --- Discrimination à l'égard des femmes --- Femmes --- Domination masculine (Structure sociale) --- Cross-cultural studies --- Méthodologie --- Études transculturelles --- Droits
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Through the use of various media, Annaïk Lou Pitteloud, who grew up in Lausanne and now lives in Brussels, directs the viewer’s gaze, the observer, to invisible elements that belong to the construction of the image, to institutional space or to the actual creative activity. Simple and direct, Pitteloud’s works pose critical questions about social problems and reveal the sometimes frozen mechanisms of the art world and the codes of perception, mediation and presentation of art.With the modular work documentation “Folder”, Annaïk Lou Pitteloud presents for the first time a comprehensive publication on her artistic work to date. The publication is preceded by the two sub-publications “Folder” and “Dossier”. As catalogues for the solo exhibitions at the Kunstmuseum St. Gallen and the Musée cantonal des Beaux-Arts in Lausanne, they contain different compilations of the artist’s works that are related to the respective exhibitions and thus illustrate the basic idea of the present modular documentation of works. Files on all the artist’s works are created according to a strict grid. Separated by type of content, titles, descriptions of works, notes, documentary images and texts are compiled. Reproductions of drawings and reprints of printed matter used in the exhibitions complete the collection.This archive forms the basis for the monographic publications, in that a suitable selection of works can be compiled and published according to the occasion of the publication. The individual sheets, which are held together by pad binding, have three punched holes and suggest that the contents can also later be disassembled, rearranged or supplemented and filed in a folder. Authors: Maziar Afrassiabi, Madeleine Amsler, Pavel Büchler, Barnaby Drabble, Bethan Huws, Marie-Eve Knoerle, Federica Martini, Hans Rudolf Reust, Nicole Schweizer, Steve Van den Bosch, Nadia Veronese. Designers: Arve Båtevik, Georg Rutishauser
Art --- art [fine art] --- Conceptual --- Pitteloud, Annaïk Lou --- Installations (Art) --- kunst --- museologie --- musea --- archivering --- archieven --- institutional critique --- institutionele kritiek --- 7.071 PITTELOUD --- eenentwintigste eeuw --- Pitteloud Annaïk Lou --- Zwitserland --- installaties --- Installation art --- Art, Modern --- Environment (Art) --- Pitteloud, Annaïk Lou, --- art [discipline] --- social criticism
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