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Elles réunissent Joyce et Casares, Jonke et Emmanuel, réconcilient Schaefer et Ligeti, les Beatles et Eno, rapprochent Léger et Warhol, Atkins et Quino. Elles évoquent l'inertie et la mort chez les uns, la renaissance et la vie chez d'autres ; l'unique chez certains, le multiple chez beaucoup ; le même et le différent ou encore la perte et le repère. Elles se déploient dans les salles de concert, de cinéma ou de musée. Elles investissent les poèmes, les proses ou les cases de bande dessinée. Boucles et répétitions semblent bel et bien prédominer la sphère artistique à l'aube du 21 e siècle. Le présent ouvrage se propose d'interroger les multiples usages et sens de la boucle et de distinguer cette structure des autres formes de répétition dans leur rapport au temps et à l'espace. Né sous les auspices du CIPA (Centre interdisciplinaire de Poétique Appliquée), ce volume prend également en considération, dans une perspective historique, les techniques propres aux différentes formes d'art où boucles et répétitions jouent un rôle prépondérant. L'ouvrage vise par ailleurs à rendre compte des manières distinctes dont boucles et répétitions se modulent, en ayant soin de dépasser l'argument, trop souvent avancé, de la logique « non linéaire » dont elles procéderaient les unes et les autres.

Repetition (Aesthetics) --- Minimal music --- Repetition (Rhetoric) --- Répétition (Esthétique) --- Musique répétitive --- Répétition (Rhétorique) --- Répétition (esthétique) --- Répétition (rhétorique) --- Repetition in music --- Repetition in motion pictures --- Repetition in literature --- Répétition (Esthétique) --- Musique répétitive --- Répétition (Rhétorique) --- Poetics --- Technique --- Music --- Musique répétitive. --- Musique répétitive.

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The present volume presents objective methods to detect and analyse various forms of repetitions. Repetition of textual elements is more than a superficial phenomenon. It may even be considered as constitutive for units and relations in a text: on a primary level when no other way exists to establish a unit – as in a musical composition (a motif can be recognised as such only after at least one repetition) – and on a secondary, artistic level, where repetition is a consequence of the transfer of the equivalence principle from the paradigmatic axis to the syntagmatic one as showed by R. Jakobson. The analysis of repetitive elements and structures in texts with objective mathematical means can serve several practical and theoretical purposes, among them: Characterisation of texts by means of parameters (measures, indicators) as taken from established mathematical statistics or specifically constructed ones in individual cases. Comparison of texts on the basis of their quantitative characteristics and classification of the texts by the results. Research for the laws of text, which control the mechanisms connected to text creation. As a remote aim, the construction of a theory of text consisting of a system of text laws. The final attempt of every possible quantitative text analysis is the construction of a text theory. The book illustrates this on examples of such laws and corresponding empirical tests.

Linguistics -- Methodology. --- Linguistics -- Statistical methods. --- Repetition (Rhetoric). --- Writing -- Mathematical models. --- Writing --- Repetition (Rhetoric) --- Linguistics --- Languages & Literatures --- Philology & Linguistics --- Linguistic science --- Science of language --- Language and languages --- Rhetoric --- Literary style --- Chirography --- Handwriting --- Ciphers --- Penmanship --- Mathematical models --- Statistical methods --- Methodology --- Mathematical models. --- Statistical methods. --- Methodology. --- Linguistics, Statistical --- Statistical linguistics --- Mathematical linguistics --- Statistique linguistique. --- Linguistique --- Méthodologie. --- quantitative linguistics, repetition analysis. --- quantitative text analysis, statistical methodology.

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Current theories of visual change detection emphasize the importance of conscious attention to detect unexpected changes in the visual environment. However, an increasing body of studies shows that the human brain is capable of detecting even small visual changes, especially if such changes violate non-conscious probabilistic expectations based on repeating experiences. In other words, our brain automatically represents statistical regularities of our visual environmental. Since the discovery of the auditory mismatch negativity (MMN) event-related potential (ERP) component, the majority of research in the field has focused on auditory deviance detection. Such automatic change detection mechanisms operate in the visual modality too, as indicated by the visual mismatch negativity (vMMN) brain potential to rare changes. VMMN is typically elicited by stimuli with infrequent (deviant) features embedded in a stream of frequent (standard) stimuli, outside the focus of attention. In this research topic we aim to present vMMN as a prediction error signal. Predictive coding theories account for phenomena such as mismatch negativity and repetition suppression, and place them in a broader context of a general theory of cortical responses. A wide range of vMMN studies has been presented in this Research Topic. Twelve articles address roughly four general sub-themes including attention, language, face processing, and psychiatric disorders. Additionally, four articles focused on particular subjects such as the oblique effect, object formation, and development and time-frequency analysis of vMMN. Furthermore, a review paper presented vMMN in a hierarchical predictive coding framework. Each paper in this Research Topic is a valuable contribution to the field of automatic visual change detection and deepens our understanding of the short term plasticity underlying predictive processes of visual perceptual learning.

Perceptual learning. --- Perceptual Learning --- Bayesian Brain --- predictive coding --- repetition suppression --- refractoriness --- Prediction error --- Attention --- visual mismatch negativity --- stimulus specific adaptation --- vMMN

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Art --- masters theses --- identity --- repetition (process) --- psychology --- quotations [texts] --- Garabedian, Mekhitar --- repetition [process] --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Theses --- Beeldende kunst ; installaties ; 21ste eeuw ; M. Garabedian --- Kunst en maatschappij ; migratie ; oorlog ; diaspora --- Doctoraat in de kunsten --- Artistiek onderzoek --- Garabedian, Mekhitar °1977 (°Aleppo, Syrië) --- Kunst --- citaten [teksten] --- psychologie --- doctoraalscripties --- identiteit --- #breakthecanon --- memory --- reminiscences --- diaspora

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"This is an introduction to the basic vocabulary of architectural design, updated with new information on emerging trends and recent developments. The book is a visual reference that helps both students and professionals understand the vocabulary of architectural design by examining how space and form are ordered in the environment".

72.02 <0...> --- 72.013 --- 72(035) --- Ching, Francis D.K. --- Architectuur ; proportie ; compositie --- Architectuurontwerpen ; handboeken --- Architectuur ; ontwerpen ; basis elementen en principes --- Space (Architecture) --- Architecture and space --- Space and architectural mass --- Space in architecture --- Architecture --- City planning --- 72.02 <0...> Bouwtechniek: methoden en materialen-- --- Bouwtechniek: methoden en materialen-- --- Architectuur ; proportie, symmetrie, harmonie --- Architectuur ; handboeken --- Composition, proportion, etc. --- Anthropométrie --- Répétition --- Rythme --- Symétrie --- Composition architecturale --- Morphologie urbaine --- Traitement d'angle --- Typologie architecturale --- Proportion --- Ordre architectural --- Morphologie architecturale --- Espace architectural --- Echelle --- Dessin d'architecture --- Space (Architecture). --- Design, Drafting, Drawing & Presentation. --- General. --- Ching, Francis D.K --- 72 --- 72.012/013 --- Architectuur --- Architectonisch ontwerp --- Compositie (architectuur) --- Vorm (architectuur) --- Architectuur en design