Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Popular literature --- Popular literature --- Detective and mystery stories --- Science fiction --- Popular literature. --- Research --- History and criticism. --- History and criticism. --- History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Transitions in Middlebrow Writing, 1880-1930 examines the connections evident between the simultaneous emergence of British modernism and middlebrow literary culture from 1880 to the 1930s. The essays describe the connections, interstices and transitions from the highbrow and lowbrow into the middlebrow, and illustrate the mutual influences of modernist and middlebrow authors, critics, publishers and magazines. This period saw major changes in the literary and artistic tastes of the cultural elites, the publishing houses, the magazines and the reading public, and so the authors explore the influence of modernism outside elitist territories, examining middlebrow literature in its relation to these socio-cultural developments in the marketplace. The essays discuss the authors J M Barrie, Arnold Bennett, Joseph Conrad, F M Crawford, Gustave Flaubert, John Galsworthy, A S M Hutchinson, Rudyard Kipling, Edgar Wallace, and H G Wells; the critics Henry-D. Davray, Herman Robbers and Charles Marriott; and the magazines To-Day and the Mercure de France"--

Popular literature --- Literature and society --- History and criticism --- History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

German literature --- Popular literature --- Popular literature --- Pulp literature, German --- Pulp literature, German --- Art and literature --- History and criticism --- History and criticism --- Influence --- History and criticism --- Influence

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Published in 1956, Peyton Place became a bestseller and a literary phenomenon. A lurid and gripping story of murder, incest, female desire, and social injustice, it was consumed as avidly by readers as it was condemned by critics and the clergy. Its author, Grace Metalious, a housewife who grew up in poverty in a New Hampshire mill town and had aspired to be a writer from childhood, loosely based the novel's setting, characters, and incidents on real-life places, people, and events. The novel sold more than 30 million copies in hardcover and paperback, and it was adapted into a hit Hollywood film in 1957 and a popular television series that aired from 1964 to 1969. More than half a century later, the term "Peyton Place" is still in circulation as a code for a community harboring sordid secrets.In Unbuttoning America, Ardis Cameron mines extensive interviews, fan letters, and archival materials including contemporary cartoons and cover images from film posters and foreign editions to tell how the story of a patricide in a small New England village circulated over time and became a cultural phenomenon. She argues that Peyton Place, with its frank discussions of poverty, sexuality, class and ethnic discrimination, and small-town hypocrisy, was more than a tawdry potboiler. Metalious's depiction of how her three central female characters come to terms with their identity as women and sexual beings anticipated second-wave feminism. More broadly, Cameron asserts, the novel was also part of a larger postwar struggle over belonging and recognition. Fictionalizing contemporary realities, Metalious pushed to the surface the hidden talk and secret rebellions of a generation no longer willing to ignore the disparities and domestic constraints of Cold War America.

Sex in literature. --- Books and reading --- Literature and society --- Popular literature --- History --- History and criticism. --- Metalious, Grace.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

What do The Age of Innocence, Breakfast at Tiffany's, and Sex and the City have in common? Strong women ahead of their time! Being part of New York's middle and upper class, Ellen Olenska, Holly Golightly and Carrie Bradshaw & Co. cherish their otherness and strive for personal freedom and gender equality, thereby trying to combine traditional longings and modern beliefs. However, though situated in different decades of the last century, several obstacles are put in their ways because of their independent and self-confident lifestyles which, eventually, cannot all be overcome. From True Womanhood to the "feminine mystique" to the vast array of new gained liberties and life choices at the end of the last millennium, Janina Corda examines the developing images of women and their depiction in the literature and culture of America's 20th century.

American literature --- Popular literature --- Sex role in literature. --- History and criticism. --- Arts --- Women in Art --- Gender Equality --- 20th Century --- American Literature and Culture --- Gender Roles --- Cinema