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In this valuable study, Cecile Sandten examines a selection of transnational Shakespearean adaptations in the genres of prose, poetry and drama that have emerged within and from a postcolonial context. Scrutinising Shakespeare's appeal as a cultural phenomenon and a mainstay of the British literary canon, Sandten insightfully surveys how rewrites from Africa, the Caribbean, India and Canada engage and transform Shakespeare's plays to tackle issues of race and ethnicity, class and caste, colonial history, gender and language in their respective culturally-specific contexts. As counter-narratives that seek to redress and re-configure historical and contemporary power structures and imbalances, these adaptations rework and re-inscribe the dominant narratives of western modernity, especially with respect to the binaries of colonised/coloniser, margin/centre, servant/master, them/us.Broadly dividing these rewrites into four interlinked categories or strategic modes of Shakespearean adaptations – the "affirmation rewrite", the "writing back rewrite", the "individual rewrite" and the "mutilation rewrite", – this critical study focuses on the second and third approaches to convincingly illustrate how postcolonial writers have gradually transitioned from a "writing back" method of literary redress to a more transnational and syncretic form of literary adaptation. In this respect, Sandten perceptively elucidates how the process, and not merely product, of literary adaptation is less a one-way than a two-way exchange and of intercultural dialogue, syncretism and transformation.Offering a critically nuanced take on the issue of Shakespeare as a "global" playwright, this study of transcultural adaptations of the bard's plays in postcolonial literatures will be indispensible to students and scholars of Elizabethan and postcolonial literatures alike.
Littérature anglophone --- Histoire et critique. --- Shakespeare, William --- Adaptations --- Appréciation
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Postcolonial life narratives" draws together two dynamic fields of contemporary literature and criticism, postcolonialism and life narrative, to create a new assemblage: postcolonial life narrative. Focusing in particular on testimonial narrative, from slave narrative in the late eighteenth century to contemporary Anglophone life narrative from Africa, Australia, the Caribbean, Palestine, North America, and India, this study follows texts on the move through adaptation, appropriation, and remediation. For postcolonial subjects life narrative offers extraordinary opportunities to present accounts of social injustice and oppression, of violence and social suffering. Testimonial narrative can reach across cultures to produce intimate attachments between those who testify and those who bear witness to legacies of apartheid, slavery, rape warfare, genocide, and dispossession. Thresholds of testimony are subject to change and for some, for example refugees and asylum seekers, opportunities to engage a witnessing public and inspire campaigns for social justice on their behalf are curtailed-these are the 'ends of testimony'. The production, circulation, and reception of testimonial life narrative connects directly to the most fundamental questions of who counts as human, what rights follow from this, and what makes for grievable life. Postcolonial life narrative is a dynamic field of literature and criticism, and this book presents a series of proximate readings that outline its distinctive imaginative geographies.
Postcolonialism in literature --- English literature --- Personal narratives --- Postcolonialisme dans la littérature --- Littérature anglaise --- Récits personnels --- Themes, motives --- Thèmes, motifs --- Littérature postcoloniale --- Littérature anglophone --- Autobiographie --- Histoire et critique --- Commonwealth literature (English) --- Autobiography --- Postcolonialism in literature. --- History and criticism. --- Postcolonialisme dans la littérature --- Littérature anglaise --- Récits personnels --- Thèmes, motifs --- Histoire et critique.
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