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Ever since the nineteen-nineties, curatorial discourse has revolved around the figure of the professional curator. Consequently, curatorial politics is usually considered the direct result of a curator's deliberate acts and intentions. Now, however, new institutional models and modes of exhibition practice together with key shifts in funding and collecting strategies have revealed aspects of curatorial politics over which the exhibition-maker has little or no control. The present volume presents a series of essays by noted art theorists and cultural scientists that go beyond the perspective of the individual curator to reveal these previously unexplored levels of curatorial politics.
politics --- Politics --- Museology --- exhibition curators --- kunst en politiek
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The network IMAGINE 2020 Art and Climate Change proposes, among other things, to raise awareness about the question of climate change through dialogue with art. And they know as the texts here testify there is still a lot to be done. Human creativity, recognised as Art or as pure practice of imagination in daily life, contrary to nature, still has many more resources than those used.
Art --- kunst en politiek --- milieubedreiging --- milieu --- klimaat --- klimaatverandering
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A form of political writing often called advice literature shared by Christian and Muslim lands, during the Middle Ages, mirrors for princes attempted to elevate statecraft (*dawla*) to the same level as faith/religion (*din*). These guides for future rulers – Machiavelli’s The Prince being a widely-known if later example – addressed the delicate balance between seclusion and society, spirit and state, echoes of which we continue to find in the US, Europe and the Middle East several centuries later. Today, we suffer from the very opposite dilemma: there's no shortage of political commentary but a notable lack of intelligent, eloquent discourse on the role of faith and the immaterial as a valuable agent in society or public life. *Mirrors for Princes* brings together the writing of pre-eminent scholars and essayists using the genre of medieval advice literature as a starting point from which to discuss fate, fortune and governance, difference as generosity, mammary politics, grooming and voicover translations. The illustrated essays are accompanied by an interview with Slavs and Tatars.
Art --- essays --- kunst en politiek --- #breakthecanon --- Slavs and Tatars
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Political philosophy. Social philosophy --- Aesthetics of art --- aesthetics --- National Socialism --- kunst en politiek --- Heinrich, Klaus
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Art --- photographs --- installations [visual works] --- psychology --- wars --- dictatorships --- politics --- video art --- kunst en politiek --- trauma (kunst) --- social criticism --- Jermolaewa, Anna
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Art --- art [discipline] --- urban development --- gentrification --- community art --- public spaces --- kunstsociologie --- kunst en politiek --- San Francisco [California]
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angels [spirits] --- devils [spirits] --- kunst en politiek --- book review --- val van de opstandige engelen --- Bruegel, Pieter [Elder]
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politics --- kunstsociologie --- dictatorships --- public art --- Art --- National Socialism --- censorship --- Politics --- politiek --- communism --- monuments --- kunst --- anno 1900-1999 --- anno 2000-2099 --- kunst en politiek
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sculpting --- installations [visual works] --- community art --- motion pictures [visual works] --- photography [process] --- Art --- Ai Weiwei --- Exhibitions --- MAD-faculty 15 --- hedendaagse kunstenaars --- conceptuele kunst --- Weiwei, Ai --- kunst en politiek
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Future publics' includes contributions by artists, theorists, and activists who reflect on the emergence of radically new publics, whose origins in moments of social crisis and political uncertainty inspire them to question existing forms of collective organization, decision-making structures, and protocols for the construction of social value and cultural meaning. These future publics recognize that the institutions of political and cultural life cannot continue as usual, following the collapse of late capital's certitudes. Utopian yet pragmatic, insurgent yet self-critical, these publics resist being normalized into the official, conscriptive definitions of citizenship and instead contribute actively to the formation of new solidarities, cutting across conventional lines of class, region, ethnicity, and ideological affiliation. In the cultural field, future publics demonstrate a capacity for engagement that exceeds the passive observation of the 'viewer' or 'consumer'. While developing a genealogy for future publics, the contributors to this volume also assemble a vocabulary that points towards artistic practices and emergent groups staged outside the rigid institutions of public culture: they address, among other phenomena, rebel citizenry, cultural users, stateless states, and devolutionary platforms. The reader explores how the imaginative and intellectual labor of such formations has proposed new speculative forms of belonging and collaboration beyond the ones envisaged within the paradigm of 'contemporary art'.
kunst --- kunsttheorie --- kunst en politiek --- 7.01 --- receptie-esthetica --- eenentwintigste eeuw --- activisme --- Art --- art [fine art] --- citizen participation --- community art --- philosophy of art --- globalization --- art [discipline] --- kunstsociologie
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