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69 --- bouwtechniek --- installaties --- elektrotechniek --- lichtinstallaties --- communicatie --- beveiliging --- water --- sanitair --- rioleringen --- zonneboilers --- bouwbedrijf, bouwvakken, bouwwezen

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Wolfgang Tillmans' "truth study centre" became a fixed part of his exhibitions ever since he first showed a version of the multi-part tabletop installation in 2005. Often arising from local circumstances and current issues at the time of their creation, the "truth study centre" works mark an endeavour to create a clear view in ever more confusing times. Tillmans observed the paradigm shift that defines politics today early on. The scope and complexity of this project become apparent for the first time through this book, the second we have published, after "manual" in 2007, dedicated to this set of works. Over 320 pages, printed using a high-resolution technique, Tillmans presents an alternative chronology of the present. Far exceeding his original and main medium of photography, he juxtaposes a variety of contrary opinions, statements and comparisons on recurring table formats. The dimensions of the wooden tables, which he designed himself, are not arbitrary: they are built using standard British door panels, 198 cm long, and with one of four different standard widths. This book gives an overview, through lavish reproductions, of this new form of collage, in which picture, text and object "are only kept in place by their own weight". An essay by Thomas McDonough, Professor for Art History at Birmingham University, New York, places Tillmans' project within the context of twentieth-century collage, from Hannah Höch to Robert Rauschenberg. This artist's book, produced in Tillmans' Berlin atelier, includes a Fresnel magnifying glass, making it possible to zoom in on the contents and read even the smallest of printed texts. The largest installation of "truth study centre" to date will be shown in Berlin's Hamburger Bahnhof, beginning November 28, 2015.

Photographie --- Collage --- Tillmans, Wolfgang --- fotografie --- kunst --- collages --- installaties --- eenentwintigste eeuw --- Tillmans Wolfgang --- 77.071 TILLMANS --- Exhibitions

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This is a compact student compendium comprised of Timber Construction, Concrete Construction, Steel Construction, Masonry! ) Construction and Glass Construction books. Each type of construction has its special characteristics which cannot be compared with those of other building materials. The first building construction designs in the architectural curriculum are planned as masonry or timber buildings. On the basis of these two traditional and elementary building materials, students familiarize themselves with construction details and structural principles, which are also the basis of construction with "modern" materials such as steel, concrete and glass. This text is clearly structured and focused, and explains the characteristics of these important construction materials. The book familiarizes the reader with the most common construction systems, their rules and applications, and enables architectural students to contemplate creative solutions that may also be outside the standardized solutions offered by the construction industry.

69 --- 69.01 --- 72.022 --- Bouwtechniek --- Bouwwezen --- Bouwconstructie --- Constructiesystemen --- Constructie --- Bouwtechniek: gereedschappen, installaties; Bouwuitrusting --- 72.022 Bouwtechniek: gereedschappen; installaties. Bouwuitrusting --- Bouwtechniek: gereedschappen; installaties. Bouwuitrusting --- 69(035) --- Constructie ; van gebouwen ; handboeken --- Bouwwezen. Constructie ; handboeken --- Metselwerk ; constructie ; handboeken --- Betonconstructies --- Staalconstructies --- Houtconstructies --- Glasconstructies --- Béton architectonique --- Béton armé --- Verre --- Maçonnerie

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installations [visual works] --- video art --- sound [acoustics] --- Art --- Tan, Fiona --- kunst --- fotografie --- film --- 7.071 TAN --- installaties --- Indonesië --- Tan Fiona --- identiteit --- eenenwtintigste eeuw --- Nederland --- Exhibitions

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In three recent video installations, Zachary Formwalt focuses on the architecture of OMA's new Shenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P. Berlage. Although our economy is dictated by financial transactions, the activity of trading itself has become increasingly remote, without actual human encounter. The architecture of the two buildings serves as a starting point for a investigation into the limitations of photography to represent global capital and into the interrelationships between financial capitalism and image-making.

Formwalt, Zachary --- Shenzhen --- China --- Exhibitions --- Video art --- kunst --- neoliberalisme --- fotografie --- kapitalisme --- Amsterdam --- 7.071 FORMWALT --- video-installaties --- installaties --- Formwalt Zachary --- kunst en economie --- beursgebouwen --- Berlage Hendrik Petrus --- Koolhaas Rem --- kunst en architectuur --- OMA --- architectuur --- eenentwintigste eeuw --- Verenigde Staten --- Nederlands --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Time-based art