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The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to artists. Bringing together key artists in film, video, and digital media, the anthology of Experimental Film and Video revisits the divergent philosophical and critical discourses of the 1970's and repositions these debates relative to contemporary practice. Forty artists have contributed images, and 25

Video art. --- Experimental films --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- History and criticism. --- PERFORMING ARTS --- Experimental films. --- Film & Video --- History & Criticism. --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Time-based art

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In three recent video installations, Zachary Formwalt focuses on the architecture of OMA's new Shenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P. Berlage. Although our economy is dictated by financial transactions, the activity of trading itself has become increasingly remote, without actual human encounter. The architecture of the two buildings serves as a starting point for a investigation into the limitations of photography to represent global capital and into the interrelationships between financial capitalism and image-making.

Formwalt, Zachary --- Shenzhen --- China --- Exhibitions --- Video art --- kunst --- neoliberalisme --- fotografie --- kapitalisme --- Amsterdam --- 7.071 FORMWALT --- video-installaties --- installaties --- Formwalt Zachary --- kunst en economie --- beursgebouwen --- Berlage Hendrik Petrus --- Koolhaas Rem --- kunst en architectuur --- OMA --- architectuur --- eenentwintigste eeuw --- Verenigde Staten --- Nederlands --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Time-based art

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Bill Viola began producing video works in the early 1970s and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. Viola has explored the possibilities of electronic, visual, and sound practices throughout his career and is today one of the most celebrated proponents of video art. This is the first monograph to chart Viola’s career in full, covering his education in New York, his earliest major films, his retrospective at the Whitney Museum in 1997, and his recent installations in Venice, New York, Tokyo, London, and Berlin. Renowned curator and specialist in video art John Hanhardt outlines the key visual, literary, and spiritual influences in Viola’s work and his changing approach to the medium of film as its technology advances. Woven into the discussion are illustrations of Viola’s most significant works, including Information (1973), The Passing (1991), The Greeting (1995), Going Forth by Day (2002), and Martyrs, the 2014 film commissioned for St Paul’s Cathedral in London, as well as reproductions of Viola’s sketches and notebooks that bring his working process to life. 400+ illustrations

mysticism --- installations [visual works] --- love --- video art --- births --- Art --- psychology --- Viola, Bill --- Video art. --- Installations (Art) --- 778.5.07 --- Viola, Bill °1951 (°New York, Verenigde Staten) --- Videokunst ; installaties ; environments ; 1980-2015 ; Bill Viola --- Elektronische media --- Virtual reality --- Installation art --- Art, Modern --- Environment (Art) --- Electronic art --- Experimental television --- Performance art --- Television --- Experimental films --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Viola, Bill, --- Criticism and interpretation. --- love [emotion] --- MAD-faculty 15 --- hedendaagse kunstenaars --- Video art --- Art vidéo --- Time-based art --- dood --- lichaam (van de mens)

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"Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle Jennings--a video artist herself--reveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, 'pictures of nothing, ' but rather amorphous, ungovernable spaces that encourage contemplation and innovation. Featuring renowned artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater and Jennifer West, alongside emerging artists, this volume offers fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art"--Provided by publisher.

hedendaagse kunst --- installations [visual works] --- motion pictures [visual works] --- interactive art --- multimediakunst --- video art --- sound [acoustics] --- Art --- abstraction --- computer art [visual works] --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Video art. --- Art, Abstract. --- 778.5.01 --- Videokunst ; video-installaties ; 21ste eeuw ; theorie --- Beeldende kunst en bewegend beeld --- Abstracte kunst en film --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Electronic art --- Experimental television --- Performance art --- Television --- Experimental films --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Video art --- Art, Abstract --- Time-based art --- 21st century. --- abstract art. --- abstract video. --- abstraction. --- art criticism. --- art critics. --- art historians. --- art history. --- art installations. --- art students. --- art studies. --- art theory. --- art writers. --- art. --- artists. --- contemporary art. --- curators. --- emerging artists. --- essay collection. --- experimental art. --- experimental film. --- historical perspective. --- media studies. --- modern art. --- moving images. --- net art. --- new media. --- nonfiction essays. --- photographers. --- video artists. --- visual art. --- visual music.