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"Première énergie du processus vital, le souffle s'est imposé pour inaugurer cette nouvelle collection Mélotonia". Entre immatérialité et matérialité, il s'incarne dans la musique à différents niveaux - fonctionnel, formel, esthétique, symbolique... La dimension anthropologique du souffle innerve l'ensemble de l'ouvrage, plus particulièrement le préambule du philosophe Bernard Sève et la synthèse de Jacques Viret sur le souffle et la voix. Du rôle subtil du qi dans la flûte chinoise (François Picard) à la gigantesque respiration de l'orgue (Odile Jutten), le souffle instrumental revêt, au-delà de ses fonctionnalités physiologiques, une dimension métaphorique que Céline Chabot-Canet décèle également dans la chanson enregistrée. Ce premier volume oscille donc entre ancrage anthropologique, analyse musicologique (Denis Le Touzé, sur le Prélude à l'Après-midi d'un faune, Makis Solomos, sur la musique contemporaine) et propos de compositeurs (l'interlude de Bertrand Merlier et le témoignage autobiographique de Michel Chion)."--P. [4] of cover.
Music --- Respiration. --- Singing --- Wind instruments --- Musique --- Respiration --- Philosophy and aesthetics. --- Breath control. --- Philosophie et esthétique --- Muziek --- Fysiologische aspecten
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Friedrich von Huene (1928- ) is arguably the most important manufacturer of historical woodwinds in the 20th century. Since he began making recorders in 1958, von Huene has exerted a strong influence on the craft of building woodwind instruments and on the study of instrument-making, as he has helped to shape the emerging field of Early Music performance practice. Recipient of lifetime achievement awards from the American Musical Instrumental Society, the National Flute Association, and Early Music America, he has remained at the forefront of research and design of historical copies of recorders, flutes, and oboes. In a compelling narrative that combines biography, cultural history, and technical organological enquiry, Geoffrey Burgess explores von Huene's impact on the craft of historical instrument-making and the role organology has played in the emergence of the Early Music movement in the post-war era.
Musical instruments --- Woodwind instruments --- Woodwind instrument makers --- Instruments, Musical --- Organology (Music) --- Instrumental music --- Double-reed instruments (Woodwinds) --- Double-reed woodwind instruments --- Double reeds (Woodwind instruments) --- Reed instruments (Woodwinds) --- Reeds (Woodwind instruments) --- Single-reed instruments (Woodwinds) --- Single-reed woodwind instruments --- Single reeds (Woodwind instruments) --- Wood-wind instruments --- Woodwinds --- Wind instruments --- Wind instrument makers --- Construction --- History --- History and criticism --- von Huene, Friedrich --- 518 --- Organologie --- 78.45.6.1 von Huene --- 78.45.1 --- Huene, Friedrich von, --- Von Huene, Friedrich,
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