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The Toronto Years is the first of three volumes relating the history of McMaster University. It is not simply an institutional chronicle, which lists names for the record; it is a dramatic and colourful story that shows how the university grew out of earlier Baptist educational endeavours and describes its eventful first forty years, spent on the Bloor Street Campus in Toronto. McMaster University was established in 1887 as a trust of the Baptist constituency, which helped to ensure vital and ongoing financial support, but which also embroiled the school in the often bitter theological debates sweeping through the churches. In the 1920s, the struggle between modernism and fundamentalism threatened the university's very existence. Fluctuating enrolment, wartime stresses, and education continually forced confrontations over the question of federation with the provincial university in Toronto. Charles Johnston describes the achievements of a small group of courageous and skilful administrators amid the conflicting currents of educational and religious development in Canada during a period when universities were the targets of traditional criticisms of urban values. This volume will be of interest to anyone concerned with the cultural and intellectual growth of the nation.

McMaster University --- Toronto Baptist College --- Toronto (Ont.). --- Hamilton (Ont.). --- Université McMaster --- History. --- Woodstock College (Ont.) --- EDUCATION / Organizations & Institutions.

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"When Toronto's New City Hall opened in 1965, it was an iconic modernist symbol for what was still a sedate and conservative city. Its futuristic design by Finnish architect Viljo Revell, composed of two curved towers flanking a clam-shaped council chamber, remains as strange and distinctive today as it did fifty years ago. In Civic Symbol, Christopher Armstrong chronicles the complex and controversial development of this urban landmark from the initial international competition to the many debates that surrounded its construction and furnishing. Armstrong catalogs the many twists and turns along the path from idea to reality for the extraordinary building that Frank Lloyd Wright claimed future generations would say "marks the spot where Toronto fell." Lavishly illustrated with contemporary photographs, plans, and drawings, Civic Symbol is the essential history of this iconic Canadian building."--

City halls --- Public architecture --- Architecture, Public --- Civic architecture --- Architecture --- Town halls --- Municipal buildings --- History. --- Toronto City Hall (Toronto, Ont.) --- Toronto (Ont.) --- City of Toronto (Ont.) --- Corporation of the City of Toronto (Ont.) --- Duolunduo (Ont.) --- Horad Taronta (Ont.) --- Taronta (Ont.) --- Tô-lùn-tô (Ont.) --- Töront (Ont.) --- Torontas (Ont.) --- Torontu (Ont.) --- Torontum (Ont.) --- Tūrantū (Ont.) --- Tūrintū (Ont.) --- Tūruntū (Ont.) --- Τορόντο (Ont.) --- Таронта (Ont.) --- Торонто (Ont.) --- Горад Таронта (Ont.) --- טאראנטא (Ont.) --- טורונטו (Ont.) --- تورنتو (Ont.) --- トロント (Ont.) --- 多伦多 (Ont.) --- 토론토 (Ont.) --- York (Upper Canada) --- Metropolitan Toronto (Ont.) --- Buildings, structures, etc.

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House museums act as both sources and suppliers of history. Functioning first as private residences, they are then preserved as commemorative monuments and become living history museums offering theme-based tours led by period-costumed interpreters so that visitors might experience "what it felt like to live back then." In Family Ties, Andrea Terry considers the appeal and relevance of domesticated representations of Victorian material culture in a contemporary multicultural context. Through three case studies, Terry examines Victorian homes that have been repurposed as living history museums that host speculative performances of the past. The credibility of Dundurn Castle in Hamilton, William Lyon Mackenzie House in Toronto, and the Sir George-Étienne Cartier National Historic Site of Canada in Montreal, Terry argues, relies on the belief that architectural monuments and the objects they contain are evidence of the time, culture, nation, or people that produced them. Family Ties connects residential artifacts to performance by examining the Victorian Christmas programs offered annually at each site to demonstrate the complex nuances of living history. Through a detailed exploration of the relationship between heritage, living history, and memory, Family Ties illuminates the effects of institutional interpretations of the past that privilege nationalist myths.

Historic house museums --- Historic buildings --- Dwellings --- Material culture --- Culture --- Folklore --- Technology --- Domiciles --- Homes --- Houses --- One-family houses --- Residences --- Residential buildings --- Single-family homes --- Buildings --- Architecture, Domestic --- House-raising parties --- Household ecology --- Housing --- Historic houses, etc. --- Historical buildings --- Architecture --- Monuments --- Historic sites --- House museums --- Museum homes --- Historical museums --- History --- Dundurn Castle (Hamilton, Ont.) --- Mackenzie House (Toronto, Ont.) --- Sir George-Étienne Cartier National Historic Site (Montréal, Québec) --- Canada --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kanada (Dominion) --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey --- Καναδάς --- Канада --- קאנאדע --- קנדה --- كندا --- کانادا --- カナダ --- 加拿大 --- 캐나다 --- Lower Canada --- Upper Canada --- Cartier Houses National Historic Site (Montréal, Québec) --- Lieu historique national de Sir-George-Étienne-Cartier (Montréal, Québec) --- Sir George-Étienne Cartier National Historic Park (Montréal, Québec) --- Social life and customs --- Kaineḍā