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A new realist ontology based on the concept of fields of senseRead and download the series editor preface by Graham Harman, the preface and the introduction to Fields of Sense for free now (pdf)Graham Harman interviews Markus Gabriel about Fields of SenseRead the interview now on the Edinburgh University Press blogDownload the pdfIt is still a widespread assumption that metaphysics and ontology deal with roughly the same questions. They are supposed to be concerned with the fundamental nature of reality and to give an account of the meaning of ‘existence’ or ‘being’ in line with the broadest possible metaphysical assumptions. Against this, Markus Gabriel proposes a radical form of ontological pluralism that divorces ontology from metaphysics, understood as the most fundamental theory of absolutely everything (the world). He argues that the concept of existence is incompatible with the existence of the world and therefore proposes his innovative no-world-view.In the context of recent debates surrounding new realism and speculative realism, Gabriel also develops the outlines of a realist epistemological pluralism. His idea here is that there are different forms of knowledge that correspond to the plurality of fields of sense that must be acknowledged in order to avoid the trap of metaphysics."

Ontology --- Realism --- Senses and sensation

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This book is about the senses and their media in the Middle Ages: a book about what it meant to sense and perceive something. The book highlights the integrated and unified nature of medieval senses and media. It discusses the inter- and multi-mediality of cultic and cultural artefacts as well as the sensorial and inter-sensorial dimensions of a wide array of cultural concepts and practices within medieval religion, art, archaeology, architecture, literature, music, food, social life, ritual, devotion, cognition, and memory. These domains of sensory and media history are dealt with, not as isolated anthology articles in only loose connection with one another, but as co-ordinate and comparative chapters of a coherent book each covering a principal branch of the cultural history of the medieval senses. Across a number of academic disciplines, specialists address the interdisciplinary and compound character of visus (sight), auditus (hearing), tactus (touch), olfactus (smell) and gustus (taste), showing that there was far more to the senses and to sense experience than these five classical Aristotelian categories might suggest. A plentiful variety of sensory modes interacted, crossed, and permeated each other in mutually entangled and braided ways. The saturated sensorium nurtured the sacred and secular practices of mediation, representation, and consumption; the embodied and mental concepts of sanctity, memory, and imagery; the physical and spiritual spaces of environment, cult, and burial; the material and visual culture of sacraments, sensation, and incarnation.

Civilization, Medieval. --- Senses and sensation. --- Perception.

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"Ritual, Performance and the Senses is a unique and timely collection at the heart of which is an experiment in anthropological theory. It explores the possibility of developing a new anthropology of ritual by combining theoretical insights from three distinct domains of anthropological inquiry: cognitive/neuroanthropology, performance studies and the anthropology of the senses. These three areas of study are often considered, and indeed operate institutionally, as distinct academic sub-fields, and yet they share substantive objects of study, with their focus on experience, the body and the relationships between percept, concept and action. Bringing together scholars from each of these disciplines to consider the potential for drawing insights from each area to help to theorize ritual, this collection sheds new light on one of anthropology's most enduring research objects: by understanding ritual we understand processes at the very centre of human social life - of humanity itself. This will be invaluable reading for students and scholars of anthropology, cognitive science, performance studies and religious studies."--

Rites and ceremonies. --- Ritual. --- Neuroanthropology. --- Senses and sensation. --- Anthropology --- Methodology.

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Through a series of rigorous encounters with key critical figures, this monograph argues that modern thought is, in a double sense, the thought of pain. This book investigates the idea that modern European philosophy after Kant offers less the conceptual equipment to tackle pain in explanatory terms, than an experience of thought that participates in the forms of pain and suffering about which it speaks. Perhaps surprisingly, the question of pain establishes a ground from which to examine key debates in twentieth-century European philosophy, most recently between forms of post-structuralist and ethical thinking imagined to be in crisis and the resurgence of discourses of political emancipation arising from traditions of thought associated with Marxism. Key features: * Offers a systematic account of the modern European tradition's relationship to the question of pain and suffering *Suggests new readings of 'ethics' and 'evil' *Evaluates the politics of contemporary critical theory *Sets new agendas for reading post-Kantian philosophy

Philosophy, European --- Pain --- Aches --- Emotions --- Pleasure --- Senses and sensation --- Symptoms --- Analgesia --- Suffering --- European philosophy --- Philosophy.

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Surgical Management of Pain, Second Edition, is a completely updated state-of-the-art reference on neurosurgical pain management. This new edition is in full color and includes the following sections: Anatomic and Physiologic Foundations for Nociceptive and Neuropathic Pain, Pain Medicine, Pain Diagnoses, Surgical Procedures for Pain, and New Directions for Pain Surgery. The chapters in the book focus on procedures that are currently performed by neurosurgeons to relieve pain. Key Features: Emphasizes best evidence treatment options free online access to videos demonstrating surgical technique

Pain --- Pain management --- Pain medicine --- Aches --- Emotions --- Pleasure --- Senses and sensation --- Symptoms --- Analgesia --- Suffering --- Surgery. --- Treatment.