Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Jusqu'ici, les synthèses consacrées à la photographie de portrait s'étaient avant tout intéressé, légitimement, aux photographes américains. Aucune étude n'avait encore été réalisée sur la photographie de portrait européenne, alors que la liste de photographes portraitistes ayant débuté dans les années 1990 est plus qu'impressionnante. Au cours de cette décennie, on a en effet assisté à une nouvelle floraison du genre dans la photographie, où la chute du communisme et le renforcement de l'Union européenne ont entraîné un regain d'attention pour l'identité nationale et une série de valeurs historiques et culturelles partagées. Cet ouvrage illustre sur des dizaines de pleines pages l'oeuvre de Rineke Dijkstra, Juergen Teller, Thomas Ruff, Nikos Markou, Anders Petersen, Clare Strand, Stephan Vanfleteren, Hellen van Meene, Anton Corbijn et bien d'autres. Elle accompagne l'exposition Faces now. Portraits photographiques européens depuis 1990, qui aura lieu dans les musées suivants: Bozar, Bruxelles, 6 février au 17 mai 2015, Nederlands Fotomuseum, Rotterdam, 30 mai au 30 août 2015 et Thessaloniki Museum of Photography, 11 septembre 2015 au 28 février 2016.

Photographe --- Photographie d'art --- Barney, Tina --- Clegg, Michael --- Guttmann, Martin --- Corbijn, Anton --- Delahaye, Luc --- Dijkstra, Rineke --- Mikhailov, Boris --- Ruff, Thomas --- Streuli, Beat --- Struth, Thomas --- Teller, Juergen --- Van Meene, Hellen --- Versluis, Ari --- Uyttenbroek, Ellie --- Ruff, Thomas, --- Ruff, Thomas, 1958 --- -Streuli, Beat

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Das Museum im Kulturspeicher Würzburg, mit der Sammlung Peter C.Ruppert eines der Zentren für Konkrete Kunst in Deutschland, hat bereits 2005 den Begriff der 'Konkreten Fotografie' in den Blickpunkt der Forschung gerückt. Zehn Jahre später wagt die Ausstellung Licht- bild und Datenbild – Spuren Konkreter Fotografie ein Update und fragt anhand von Werken vor allem der letzten zehn Jahre erneut nach einer Definition Konkreter Fotografie vor dem Hintergrund des digitalen Wandels. Der Katalog zur Ausstellung zeigt mit einem Ausschnitt aus der Sammlung Peter C.Ruppert einige Klassiker der Konkreten Fotografie; von hier aus verfolgt er die Spuren einer ungegenständlichen, selbstreflexiven Fotografie in der heutigen Kunst. Dabei reagieren einige Fotokünstler auf die Digitalisierung ihres Mediums mit einer Rückwendung zum Apparat und zum Experiment mit Fotopapier und lichtempfindlichem Material, andere nutzen die neuen technischen Möglichkeiten für eine vollständig von der Außenwelt unabhängige Bilderzeugung mittels des Computers. Auf beiden Gebieten sind dem Experiment keine Grenzen gesetzt – die Lust an der Bilderzeugung ohne Abbild als ein Wesensmerkmal des 'Konkreten' bleibt bestehen und äußert sich in aufregend vielschichtiger Weise.

Künstler: Théodore Bally, Kilian Breier, Nina Brauhauser, Marco Breuer, Richard Caldicott, Michel Campeau, Pierre Cordier, Akos Czigány, Inge Dick, Christian Doeller, Philipp Dorl, Christiane Feser, Johannes Franzen, Adam Fuss, Hein Gravenhorst, Franco Grignani, Heinz Hajek-Halke, Raphael Hefti, Heinrich Heidersberger, Stefan Heyne, Karl Martin Holzhäuser, Horáková + Maurer, Roger Humbert, Gottfried Jäger, Peter Keetman, Anton Kehrer, Ola Kolehmainen, Pit Kroke, Jacinthe Lessard-L, René Mächler, Andreas Müller-Pohle, Jaromír Novotný, Jerzy Olek, Michael Reisch, Christiane Richter, Thomas Ruff, Jörg Sasse, Otto Steinert, Claus Stolz, Wolfgang Tillmans, James Welling, Luigi Veronesi

-----------


The Museum im Kulturspeicher Würzburg is one of the foremost centres for concrete art in Germany due to its "Collection Peter C. Ruppert". Already in 2005, it has helped to shift academic attention to the term of "concrete photography". Ten years later, the exhibition "Light Image and Data Image - Traces of Concrete Photography" ventures to update the earlier findings, endeavouring once again to come up with a definition of concrete photography in the light of the digital revolution by displaying works mainly created within the last decade.

Beginning with the "classics" of concrete photography of the Collection Peter C. Ruppert, the exhibition follows the "traces" of non-representational, self-referential photography in contemporary art. Some artists react to the digitalisation of their medium with a return to the "apparatus" and by experimenting with photosensitive materials. Others make use of the new technical possibilities by generating images within their computers, completely independent from the outside world. Both reactions present inifinite opportunities for experiments - the major feature of the "concrete", a passion to create images without representing objects, persists and is expressed in various many-faceted, exciting ways. The Museum im Kulturspeicher Würzburg with its Peter C. Ruppert Collection is one of the centers for Concrete Art in Germany. Back in 2005, the museum proposed the concept of "Concrete Photography" as a productive new field of research. Ten years later, the exhibition Lichtbild und Datenbild – Spuren Konkreter Fotografie ventures to update this investigation, inquiring primarily on the basis of works from the last ten years into how Concrete Photography can be redefined in our digital age. The exhibition catalog shows a few classics of Concrete Photography from the Ruppert Collection and then proceeds to track the traces of nonrepresentational, self-reflexive photography in contemporary art. Some photo artists are responding to the digitization of their medium with a return to the apparatus and to experimentation with photo paper and photosensitive material, while others make use of the new technical possibilities to generate images on the computer that are fully autonomous from the outside world. In both approaches, the experimentation seemingly knows no bounds. The relish in generating images that are more than an imitation of nature thus remains the essential characteristic of the "Concrete" attitude, expressed in myriad exciting ways. 

Artists: Théodore Bally, Kilian Breier, Nina Brauhauser, Marco Breuer, Richard Caldicott, Michel Campeau, Pierre Cordier, Akos Czigány, Inge Dick, Christian Doeller, Philipp Dorl, Christiane Feser, Johannes Franzen, Adam Fuss, Hein Gravenhorst, Franco Grignani, Heinz Hajek-Halke, Raphael Hefti, Heinrich Heidersberger, Stefan Heyne, Karl Martin Holzhäuser, Horáková + Maurer, Roger Humbert, Gottfried Jäger, Peter Keetman, Anton Kehrer, Ola Kolehmainen, Pit Kroke, Jacinthe Lessard-L, René Mächler, Andreas Müller-Pohle, Jaromír Novotný, Jerzy Olek, Michael Reisch, Christiane Richter, Thomas Ruff, Jörg Sasse, Otto Steinert, Claus Stolz, Wolfgang Tillmans, James Welling, Luigi Veronesi

fotografie --- kunst --- Concrete kunst --- abstractie --- abstracte fotografie --- twintigste eeuw --- eenentwintigste eeuw --- Bally Théodore --- Brauhauser Nina --- Breier Kilian --- Breuer Marco --- Caldicott Richard --- Campeau Michel --- Cordier Pierre --- Czigany Akos --- Dick Inge --- Doeller Christian --- Dorl Philipp --- Feser Christiane --- Franzen Johannes --- Fuss Adam --- Gravenhorst Hein --- Grignani Franco --- Hajek-Halke Heinz --- Hefti Raphael --- Heidersberger Heinrich --- Heyne Stefan --- Holzhäuser Karl Martin --- Horakova + Maurer --- Humbert Roger --- Jäger Gottfried --- Keetman Peter --- Kehrer Anton --- Kolehmainen Ola --- Kroke Pit --- Lessard-L Jacinthe --- Mächler René --- Müller-Pohle Andreas --- Novotny Jaromir --- Olek Jerzy --- Reisch Michael --- Richter Christiane --- Ruff Thomas --- Sasse Jörg --- Steinert Otto --- Stolz Claus --- Tillmans Wolfgang --- Veronesi Luigi --- Welling James --- 77.038/039 --- Exhibitions --- Photography --- artistieke fotografie --- Concrete art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- sculpture [visual works] --- installations [visual works] --- multimedia works --- painting [image-making] --- photography [process] --- video art --- patrons [philanthropists] --- promoting [management function] --- Höfer, Candida --- Jorn, Asger --- Fast, Omer --- Andre, Carl --- LeWitt, Sol --- Baselitz, Georg --- Michaux, Henri --- Ataman, Kutlug --- Rainer, Arnulf --- Hockney, David --- Leonard, Zoe --- Fritsch, Karl --- Schwontkowski, Norbert --- Bartana, Yael --- Warhol, Andy --- Eggleston, William --- Oldenburg, Claes --- Blais, Jean-Charles --- Abts, Tomma --- Tuymans, Luc --- Johns, Jasper --- Albers, Josef --- Bächli, Silvia --- Baltz, Lewis --- Bishop, James --- Clark, Larry --- Claydon, Steven --- Colani, Luigi --- Czech, Natalie --- Davringhausen, Heinrich Maria --- Segal, George --- Manders, Mark --- Gaenssler, Katharina --- Morris, Robert --- Bourgeois, Louise --- Léger, Fernand --- Guyton, Wade --- Johne, Sven --- Kassner, Franka --- Kellndorfer, Veronika --- Smithson, Robert --- Polke, Sigmar --- Beuys, Joseph --- Wesselmann, Tom --- Olesen, Henrik --- Pfeiffer, Paul --- Sottsass, Ettore --- Klee, Paul --- Schmidt, Michael --- Schulz-Dornburg, Ursula --- Selg, Markus --- Sonntag, Kathrin --- Taylor, Al --- Richter, Gerhard --- Żmijewski, Artur --- Guston, Philippe --- Kline, Franz --- Elmgreen & Dragset --- Heizer, Michael --- Serra, Richard --- Kadan, Nikita --- Rowe, Michael --- Peter Fischli & David Weiss --- Teresa Hubbard / Alexander Birchler --- Auer, Florian --- Engels, Ludger --- Kandinsky, Wassily --- Braque, Georges --- Claerbout, David --- Hadid, Zaha --- Viola, Bill --- Freud, Lucian --- Schütte, Thomas --- Bacon, Francis --- Ryman, Robert --- Rauch, Neo --- Chillida, Eduardo --- Twombly, Cy --- Marden, Brice --- Wearing, Gillian --- Judd, Donald --- Tillmans, Wolfgang --- Dijkstra, Rineke --- Artschwager, Richard --- Flavin, Dan --- Gursky, Andreas --- Hirschhorn, Thomas --- Kelly, Ellsworth --- Kounellis, Jannis --- Merz, Gerhard --- Nauman, Bruce --- Rist, Pipilotti --- Sala, Anri --- Winters, Terry --- Araki, Nobuyoshi --- Monk, Jonathan --- Alÿs, Francis --- Doig, Peter --- Becher, Bernd und Hilla --- Förg, Günther --- Grimonprez, Johan --- Hill, Gary --- Laib, Wolfgang --- Le Va, Barry --- Melhus, Bjorn --- Nicolai, Olaf --- Ruff, Thomas --- Sandback, Frederick Laue --- Schönebeck, Eugen --- Struth, Thomas --- Ondàk, Roman --- Scheibitz, Thomas --- Kantor, Tadeusz --- Metzel, Olaf --- Mikhailov, Boris --- Kooning, de, Willem --- Knoebel, Imi --- PIN --- Staatliche Graphische Sammlung München --- Pinakothek der Moderne [Munchen] --- Architekturmuseum der TU München --- Bayerische Staatsgemäldesammlungen [Munich] --- Die Neue Sammlung: the Design Museum [Munich] --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019