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"Kay Boyle knew everybody. In a long life (1902-1992) spent in motion between the United States and Europe she was the friend of Robert McAlmon (whose Being Geniuses Together she supplemented), with Harry and Caresse Crosby (founders of The Black Sun Press), Peggy Guggenheim and Max Ernst (with whom she fled World War II France), Marianne Moore, William Carlos Williams, Janet Flanner, Katherine Anne Porter, and a host of other powers and talents. Twice recipient of the O. Henry award for the best short story of the year (in 1935 for "The White Horses of Vienna" and 1941 for "Defeat"), Boyle was also an early contributor to Harriet Monroe's Poetry and published novels in every decade between the 1930s and 1990s. She published more than forty books, including fourteen novels, eleven collections of short fiction, eight volumes of poetry, children's books, memoirs, and translations. Throughout her life Boyle wrote letters. Boyle was a foreign correspondent for The New Yorker from 1946 until 1953, when she and her Austrian husband were caught by McCarthy's red scare. Her famous correspondents include William Carlos Williams, Ezra Pound, Richard Wright, Djuna Barnes, Alfred Stieglitz, Katherine Anne Porter, Howard Nemerov, Jessica Mitford, and Louise Erdrich. Kay Boyle: A Twentieth-Century Life in Letters gathers hundreds of her letters to tell in her own words the excitement, frustrations, intrigues, dangers, and satisfactions of the intersecting careers of Boyle and her friends. Candid and canny, Boyle wrote with freedom and wit, haste, ire, and affection. Her letters reveal as nothing else can her involvement with writing and writers"--

LITERARY COLLECTIONS / Letters. --- BIOGRAPHY & AUTOBIOGRAPHY / Literary. --- BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs. --- Authors, American --- Women authors, American --- American women authors --- Boyle, Kay,

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"'I am learning the alchemy of grief--how it must be carefully measured and doled out, inflicted--but I have not yet mastered this art,' writes Judith Ortiz Cofer in The Cruel Country. This richly textured, deeply moving, lyrical memoir centers on Cofer's return to her native Puerto Rico after her mother has been diagnosed with late-stage lung cancer. Cofer's work has always drawn strength from her life's contradictions and dualities, such as the necessities and demands of both English and Spanish, her travels between and within various mainland and island subcultures, and the challenges of being a Latina living in the U.S. South. Interlaced with these far-from-common tensions are dualities we all share: our lives as both sacred and profane, our negotiation of both child and adult roles, our desires to be the person who belongs and also the person who is different. What we discover in The Cruel Country is how much Cofer has heretofore held back in her vivid and compelling writing. This journey to her mother's deathbed has released her to tell the truth within the truth. She arrives at her mother's bedside as a daughter overcome by grief, but she navigates this cruel country as a writer--an acute observer of detail, a relentless and insistent questioner"-- "The Cruel Country is a memoir centered around the author's journey to Puerto Rico after her mother had been diagnosed with late stage lung cancer. The story takes us through Cofer's journey as she sits by the her mother's hospital bed during the last moments of her life, through the grieving process and Catholic funereal rites that follow her mother's death and her return to her life in the U.S. Cofer's writerly talents richly inform this narrative meditation on her family's life in Puerto Rico and the States, her frantic research on cancer, considerations of Catholicism, family, and culture , and much more. The book at the same time is very much a study of cultural differences and the balance that the author must find as a Puerto-Rican American, not wholly part of her mother's culture. We see this come to a head as she communicates with doctors, participates in funeral arrangements and sacraments, and recollects her Anglo husband John's father's death. This very personal story about the author's life will resonate with Cofer's legions of fans including students and those interested in memoir, ethnic and cultural crossings, spirituality, loss, grief, and reconciliation"--

Cofer, Judith Ortiz, --- Family. --- Travel --- Puerto Rico --- Social life and customs. --- Ortiz Cofer, Judith, --- Mothers and daughters --- Mothers --- Grief. --- Puerto Ricans --- Transnationalism --- Authors, American --- BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs. --- FAMILY & RELATIONSHIPS / Death, Grief, Bereavement. --- SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies. --- BIOGRAPHY & AUTOBIOGRAPHY / Women. --- Death. --- Ethnic identity. --- Psychological aspects. --- Trans-nationalism --- Transnational migration --- International relations --- Boricuas --- Ethnology --- Mourning --- Sorrow --- Bereavement --- Emotions --- Loss (Psychology) --- Moms --- Parents --- Women --- Housewives --- Motherhood --- Pregnant women --- Daughters and mothers --- Daughters --- Girls --- Mother and child