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Music --- Auditory perception --- Musique --- Perception auditive --- Physiological aspects --- Aspect physiologique --- Dupront, Alphonse --- Muzikale waarneming --- Psychologische aspecten
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S'appuyant principalement sur A. Badiou, J. Rancière et B. Stiegler, l'auteur, qui enseigne l'esthétique à l'Université de Valparaiso, interroge l'expérimentation sonore dans sa dimension esthétique, technique et sensorielle. L'étude porte à la fois sur la perception du son et sur les instruments qui l'enregistrent et le diffusent. ©Electre 2015
Auditory perception --- Avant-garde (Music) --- Sound --- Perception auditive --- Musique expérimentale --- Son
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How can we engineer systems capable of "cocktail party" listening?Human listeners are able to perceptually segregate one sound source from an acoustic mixture, such as a single voice from a mixture of other voices and music at a busy cocktail party. How can we engineer "machine listening" systems that achieve this perceptual feat?Albert Bregman's book Auditory Scene Analysis, published in 1990, drew an analogy between the perception of auditory scenes and visual scenes, and described a coherent framework for understanding the perceptual organization of sound. His account has stimulated much interest in computational studies of hearing. Such studies are motivated in part by the demand for practical sound separation systems, which have many applications including noise-robust automatic speech recognition, hearing prostheses, and automatic music transcription. This emerging field has become known as computational auditory scene analysis (CASA).Computational Auditory Scene Analysis: Principles, Algorithms, and Applications provides a comprehensive and coherent account of the state of the art in CASA, in terms of the underlying principles, the algorithms and system architectures that are employed, and the potential applications of this exciting new technology. With a Foreword by Bregman, its chapters are written by leading researchers and cover a wide range of topics including:. Estimation of multiple fundamental frequencies. Feature-based and model-based approaches to CASA. Sound separation based on spatial location. Processing for reverberant environments. Segregation of speech and musical signals. Automatic speech recognition in noisy environments. Neural and perceptual modeling of auditory organizationThe text is written at a level that will be accessible to graduate students and researchers from related science and engineering disciplines. The extensive bibliography accompanying each chapter will also make this book a valuable reference source. A web site accompanying the text (www.casabook.org) features software tools and sound demonstrations.
Auditory perception --- Auditory perception. --- Computational auditory scene analysis. --- Computer simulation. --- Computational auditory scene analysis --- Human Anatomy & Physiology --- Health & Biological Sciences --- Neuroscience --- Computer simulation --- Perception auditive --- Analyse de scènes auditives computationnelle --- Analyse de scènes auditives computationnelle --- Perception auditive. --- Simulation par ordinateur.
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La notion de « paysage sonore », inventée par le compositeur canadien R. Murray Schafer à la fin des années 1960, a connu un succès immédiat et constant, au risque d'une perte de sens. Cet ouvrage propose d'en explorer les usages actuels en sciences sociales afin d'aboutir à une définition commune à tous ceux pour qui le son est un objet d'étude en histoire ancienne. Nourrie d'une approche résolument transdisciplinaire, la première partie du volume interroge l'utilisation méthodologique de la notion de paysage sonore par divers champs disciplinaires (anthropologie, ethnomusicologie, philologie et histoire urbaine), tandis que la seconde partie se concentre plus particulièrement sur les paysages sonores de l'Antiquité. Comment et à partir de quelles sources réfléchir sur les sonorités des cultures mésopotamienne, égyptienne, grecque et romaine ? Il s'agit du premier volume issu du programme de recherche « Paysages sonores et espaces urbains de la Méditerranée ancienne » conduit par l'École française d'Athènes, l'École française de Rome et l'Institut français d'archéologie orientale.
Villes --- Effets sonores --- Sons --- Sound (Philosophy) --- Auditory perception --- Senses and sensation --- Hearing --- Listening --- Auditory scene analysis --- Aural history --- Musical perception --- Antiquities --- Civilization, Ancient --- Antiquities. --- Auditory perception. --- Auditory scene analysis. --- Aural history. --- Civilization, Ancient. --- Hearing. --- Listening. --- Musical perception. --- Senses and sensation. --- History --- Soundscapes (Music) --- Paysages sonores (Musique) --- Perception auditive --- Ouie --- Perception de la musique --- Civilisation ancienne --- History and criticism --- Congresses. --- Congresses --- Histoire et critique --- Congrès --- Histoire --- Actes de congrès --- Congrès
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