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Musical analysis --- Analyse musicale --- Muziekanalyses --- Muziektheorie --- 21e eeuw
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Musicology --- Music --- Musicology. --- Historiography --- Historiography. --- Music publishing --- Scholarly publishing --- Musical analysis. --- Manuscripts
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Music --- Musical analysis --- Music theory --- Musique --- Analyse musicale --- Théorie musicale --- History and criticism --- Histoire et critique --- Théorie musicale
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Schenkerian analysis. --- Musical analysis --- Schenker, Théorie de --- Analyse musicale --- Schenker, Heinrich, --- Criticism and interpretation --- Schenker, Théorie de --- Criticism and interpretation.
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Point d'entrée de cet ouvrage, les 420 exemples sonores fournis sur le DVD-Rom placent le lecteur dans une situation d'écoute attentive, à partir de laquelle il va découvrir au fil des chapitres comment analyser la structure acoustique des sons et évaluer leurs qualités musicales. L'analyse s'appuie sur l'usage du sonagramme, représentation visuelle qui révèle la structure spectrale et temporelle des sons, et se lit à la manière d'une partition musicale, sans nécessiter de connaissances avancées en acoustique. Mais l'analyse spectrotemporelle ne suffit pas pour rendre compte des qualités d'un son dont l'écoute diffère d'une personne à l'autre. L'auteur fournit ainsi une synthèse des données récentes sur le système auditif, la reconnaissance des formes et la catégorisation cognitive qui permettent ensuite d'aborder l'étude des qualités musicales des sons - intensité, hauteur, timbre -, les problèmes posés par l'accordage des sons instrumentaux et la grande diversité des écoutes de la voix humaine. Contenu du DVD-Rom d'accompagnement Des "livrets-sons" au format ePub 3 (un par chapitre) pour écouter les sons sur son Smartphone ou sa tablette. Le livre complet au format PDF avec les 420 sons aux formats MP3 et WAV.
Music --- Musical analysis --- Musique --- Analyse musicale --- Acoustics and physics --- Acoustique et physique --- Ecoute musicale (pratique) --- Acoustique --- Hearing --- Écoute musicale (pratique) --- Acoustique. --- Écoute musicale (pratique) --- Muziektheorie --- Akoestiek --- 20e eeuw
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Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by ""the subject"" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film
Musical analysis. --- Music --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music theory --- Music appreciation --- Musical aesthetics --- Aesthetics --- Music psychology --- Philosophy and aesthetics. --- Psychological aspects. --- Analysis, appreciation --- Analytical guides --- Instruction and study --- Philosophy --- Psychology --- Lacan, Jacques, --- Lacan, Jacques --- Philosophy.
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Bach to Brahms presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays are divided into three groups, two of which focus primarily on the interaction of elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure. The third group of essays focusses on the 'motive' from different perspectives. The result is a volume of integrated studies on the music of the common-practice period, a body of music that remains at the core of modern concert and classroom repertoire. Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Recent publications include Advanced Schenkerian Analysis, and Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition (co-authored with Ryan McClelland). Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian. He is the author of Prolongation of Seventh Chords in Tonal Music (Edwin Mellen Press, 2008) and published in leading journals on music theory and on Israeli music.
Musical analysis. --- Music --- Analyse musicale --- Musique --- History and criticism. --- Histoire et critique --- 1700 - 1899 --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music theory --- Music appreciation --- Analysis, appreciation --- Analytical guides --- Instruction and study --- Muziekanalyses --- Barok --- Classicisme --- Romantiek --- Muzieksystemen --- Muziekgeschiedenis --- Analysis. --- Bach. --- Beethoven. --- Brahms. --- Chopin. --- Classical Composers. --- Common-Practice Period. --- Concert Repertoire. --- Essays. --- Handel. --- Haydn. --- Mozart. --- Music. --- Musical Design. --- Musicology. --- Schubert. --- Structure. --- Tonal Repertoire.
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"Cet ouvrage réunit un ensemble de textes rédigés durant les trente dernières années, et, pour la plupart, déjà publiés ici et là, dans des revues et des ouvrages collectifs dont certains sont aujourd'hui difficiles d'accès."--Page 9
Composition (Music) --- Music --- Composition (Musique) --- Musique --- History and criticism. --- Histoire et critique --- Webern, Anton, --- Debussy, Claude, --- Boulez, Pierre, --- Criticism and interpretation. --- Critique et interprétation --- Debussy, Claude --- Critique et interprétation. --- Musical analysis --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music theory --- Music appreciation --- Analysis, appreciation --- Analytical guides --- Instruction and study
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Bach, Johann Sebastian, --- Criticism and interpretation --- Bible in music. --- Influence (Literary, artistic, etc.) --- Criticism and interpretation. --- Manuscripts. --- Bible. --- Kunst der Fuge (Bach, Johann Sebastian) --- Influence. --- Musical analysis --- Symbolism in music --- Music --- History and criticism --- History and criticism. --- Fugue --- Bach, Johann Sebastian, - 1685-1750 - Criticism and interpretation - Periodicals. --- Bach, Johann Sebastian, - 1685-1750
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Music and technology. --- Music appreciation. --- Music --- Philosophy and aesthetics. --- Technology and music --- Hermeneutics (Music) --- Musical aesthetics --- Analytical guides (Music) --- Appreciation of music --- Musical appreciation --- Aesthetics --- Philosophy --- Analysis, appreciation --- Analytical guides --- Appreciation --- Music theory --- Technology --- Musical analysis --- Instruction and study --- Music appreciation --- Music and technology --- Philosophy and aesthetics
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