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2015 (4)

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Book
The Routledge companion to Commedia dell'Arte
Authors: ---
ISBN: 9780415745062 0415745063 9781315750842 1315750848 9781138224995 132232784X 1138224995 1317613376 9781317613350 9781317613367 1317613368 9781317613374 Year: 2015 Publisher: Abingdon, Oxon ; New York, N.Y. : Routledge,

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Abstract

From Commedia dell'Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr Punch.The Routledge Companion to Commedia dell'Arte is a wide-ranging volume written by over 50 experts, that traces the history, characteristics, and development of this fascinating yet elusive theatre form. In synthesizing the elements of Comm


Book
"Reise in die Tiefe der Zeit und des Traums" : (Re-)Lektüren des ostmitteleuropäischen Raumes aus österreichischer, deutscher, polnischer und ukrainischer Sicht
Authors: ---
ISBN: 9788377029749 837702974X Year: 2015 Publisher: Lublin : Wydawnictwo KUL,


Book
On Dionysius the Areopagite
Authors: ---
ISBN: 9780674058354 9780674743793 0674058356 0674743792 Year: 2015 Volume: 66-67 Publisher: Cambridge, Massachusetts: Harvard university press,


Book
Joannes Burmeister : Auluaria and other inversions of Plautus
Authors: ---
ISBN: 9789462700086 9462700087 9461661797 9789461661791 Year: 2015 Volume: *9 Publisher: Leuven, Belgium : Leuven University Press,

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First critical edition of Burmeister's newly discovered Aulularia. Joannes Burmeister of Lüneburg (1576-1638) was among the greatest Neo-Latin poets of the German Baroque. His masterpieces, now mostly lost, are Christian 'inversions' of the Classical Roman comedies of Plautus. With only minimal changes in language and none in meter, each transforms Plautus's pagan plays into comedies based on biblical themes. Fascinating in their own right, they also bring back to attention forgotten genres of Renaissance literature. This volume offers the first critical edition of the newly discovered Aulularia (1629), which exists in a sole copy, and the fragments of Mater-Virgo (1621), which adapts Plautus's Amphitryo to show the Nativity of Jesus. The introduction offers reconstructions of Susanna (based on Casina) and Asinaria (1625), Burmeister's two lost or unpublished inversions of Plautus. Fontaine also provides the only biography of Burmeister based on archival sources, along with discussions of his inimitable Latinity and the perilous context of war and witch-burning in which Burmeister wrote. Burmeister's inversions bear witness to the special talent of his age for the creative reworking of Classical literature, such as Monteverdi's Poppea or Purcell's Dido and Aeneas, as well as to his tumultuous times, with his views on military abuses in the Thirty Years' War prefiguring those of Grimmelshausen's Simplicius Simplicissimus.

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