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From the refined homes of Tokyo to the nightclubs of Kyoto; from gangster chic to Harajuku street style; from ateliers and catwalks to city sidewalks and religious festivals--this book shows how the kimono has continued to be one of Japan's most exciting wardrobe elements. Across Japan, women and men are rediscovering the kimono. Comfortable, versatile, and easily adapted to reflect one's personal style, the kimono is the perfect canvas from which to create a head-turning ensemble for any occasion. In Kimono Now, while exploring the origins and evolution of this traditional garment, Manami Okazaki explains how the once ubiquitous kimono disappeared from everyday life only to reappear as a fashion statement. From street style to important labels in contemporary fashion, young designers are creating their own exquisite creations with progressive, funky, and often outlandish twists. In addition, the book ventures inside the studios of kimono designers to learn how the fabrics are dyed, woven and embroidered; travels to matsuri festivals where townspeople pull out all the stops to celebrate Shinto deities; and looks at the way artists such as Kubota Itchiku, Miya Ando, and John Cederquist incorporate kimonos in their work. Interviews with important industry figures, including clothing manufacturers and fashion designers, reveal how this traditional dress, with its simple and elegant form and timeless textile production methods, is as relevant today as ever.
Clothing and dress --- Clothing and dress --- Clothing and dress. --- Kimono. --- Kimonos --- Kimonos --- Kimonos --- Kimonos --- Kimonos --- Kimonos --- Kimonos. --- Kimonos. --- Kimonos. --- kimonos. --- Influence. --- Influence. --- Influence. --- Japan. --- Japan.
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In the early twentieth century, from the Taisho era to the early Showa era in Japan, Japanese culture was very much influenced by Western art and design movement. Consequently, large numbers of kimono were produced in loud colors and patterns, aimed at the fashionable 'modern girl' consumer. Changes in silk production at this time created a plethora of a new silk called "Meisen", a reeled silk made from damaged cocoons. Meisen kimonos were relatively cheap, tough and attractive -- millions of them were produced in the Taisho and Showa eras. This book introduces colorful and dynamic patterns of Meisen kimonos -- categorized in patterns and motifs that are very different from the authentic kimono patterns produced in former periods. Some paintings or illustrations depicting beautiful kimono girls are also shown in this book.
Kimonos --- Clothing and dress --- Japan --- History
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Meisen silk was produced in Japan from the late nineteenth century and became particularly popular between 1910 and 1940. Meisen was an innovative, quick and cost-effective dye and weaving method with the effect of labor-intensive and multicolored traditional kasuri ikat fabric. The meisen kimonos that were produced en masse were the first affordable ready-to-wear kimonos. Designed by a young generation of Japanese textile designers who synthesized classic Japanese design with the influence of Western design movements, the patterns still look fresh and original today and represent a little-known study in textile design of the early twentieth century. As eminent fashion garments, meisen kimonos would be replaced with the next new fashion after just a season or two. Thus many of them were stored in excellent condition and were even passed down as heirlooms. In recent years they have resurfaced and are now enjoying the high esteem bestowed on them by collectors.
Kimonos --- Ikat --- Costume --- Clothing and dress --- Textile design --- Private collections --- History --- Thakar, Karun --- Art collections
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