Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- artists-in-residence --- museums [buildings] --- gardens [open spaces] --- Wallinger, Mark --- Oudolf, Piet --- Roth, Björn --- Guthrie, Karen --- Roth, Oddur --- Rist, Pipilotti --- Kuitca, Guillermo --- Hauser & Wirth Somerset [Bruton]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

kunst --- eenentwintigste eeuw --- Ephameron --- Holvoet-Hanssen Peter --- 7.039 --- 741.5 --- Vranckx Francis --- Vermeren Karen --- Van Gestel Fik --- Timmermans Ante --- Sarah & Charles --- Meuris Wesley --- Karakatsanis Nicolas --- Delrue Ronny --- Claerbout David --- Borremans Michaël --- Benhelima Charif --- Augustijnen Sven --- Vercnocke Wide --- Wortel Maartje --- Verschaffel Martha --- Vranken Stijn --- Ilah --- Temmerman Max --- Vandenabeele Isabelle --- Six Roderik --- Van den Stock Frederik --- Grunberg Arnon --- dementie --- strips --- beeldverhaal --- Cardon Eva --- Exhibitions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Most people today celebrate vaccination as a great achievement, yet many nineteenth-century Americans opposed it, so much in fact that states had to make vaccination compulsory. In response, antivaccination societies formed all over the United States, lobbying state legislatures and bringing lawsuits to abolish these laws. One such lawsuit ultimately arrived at the United States Supreme Court, which upheld the laws in a landmark decision, Jacobson v. Massachusetts (1905). In this study, Karen Walloch examines the history of vaccine development in the United States, the laws put in place enjoining the practice, and the popular reaction against them. Walloch finds that at the end of the nineteenth century Americans had good reason to fear vaccination. Vaccines simply did not live upto claims made for their safety and effectiveness. They induced pain, disability, and grim or even fatal infections. In this critical history of the antivaccine movement and of Jacobson v. Massachusetts in particular, Walloch locates the beginnings of a legacy of doubt about vaccination -- one that affected legislation in all fifty states and is still very much alive today.

Karen Walloch is a historian who teaches at the University of Wisconsin-Madison.

Vaccination --- Immunization of children --- Vaccination of children --- Enfants --- History --- Complications --- Histoire --- Immunisation --- Complications. --- Children --- Communicable diseases in children --- Communicable diseases --- Inoculation --- Preventive inoculation --- Immunization --- Anti-vaccination movement --- Diseases --- Prevention --- Antivaccine. --- Jacobson v. Massachusetts. --- Karen Walloch. --- United States Supreme Court. --- University of Wisconsin-Madison. --- antivaccination societies. --- compulsory vaccination. --- doubts. --- history. --- legislation. --- nineteenth-century America. --- vaccine development.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Jananne al Ani; Francis Alys; Uri Ancarani; Oreet Ashery; Ed Atkins; Judith Barry; Gretchen Bender; Dara Birnbaum; Black Audio Film Collective; Brad Butler; Olga Chernysheva; James coleman; Minerva; Cuevas; Stan Douglas; Olafur Eliasson; VALIE EXPORT; Harun Farocki; Omer Fast; Morgan Fisher; Hollis Frampton; Melanie Gilligan; Joana Hadjithomas; Gary Hill; Susan Hiller; William Kentridge; Anja Kirchner; Steve McQueen; Jumana Manna; Karen Mirza; Rabih Mroué; Otolith Group; Nam June Paik; Luther Price; Yvonne Rainer; R.V.Ramani; Pipilotti Rist; Ben Rivers; Tyan Trecartin; Trinh T. Minh-Ha; Bill Viola

Motion in art --- Technology and the arts --- Arts and globalization --- Space (Art) --- Motion in art. --- Technology and the arts. --- Arts and globalization. --- 778.5.01 --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Beeldende kunst en bewegend beeld --- Videokunst ; video-installaties --- Beeldende kunst en nieuwe media --- Kunst en technologie --- Kunst en beweging --- Kunst en globalisering --- Experimentele film --- Body Art --- Site specific art --- Space (Art). --- Mouvement --- Technologie et arts --- Art et mondialisation --- Art vidéo --- Dans l'art --- performance art --- installations [visual works] --- art theory --- new media art --- site-specific works --- body arts [discipline] --- moving images --- video art --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Black Audio Film Collective --- Viola Bill --- Trinh T. Minh-ha --- Trecartin Ryan --- Rivers Ben --- Rist Pipilotti --- Ramani R.V --- Rainer Yvonne --- Price Luther --- Paik Nam June --- Otolith group --- Mroué Rabih --- Mirza Karen --- Manna Jumana --- McQueen Steve --- Kirschner Anja --- Kentridge William --- Hiller Susan --- Hill Gary --- Hadjithomas Joana --- Gilligan Melanie --- Frampton Hollis --- Fisher Morgan --- Fast Omer --- Farocki Harun --- VALIE EXPORT --- Eliasson Olafur --- Douglas Stan --- Cuevas Minerva --- Coleman James --- Chernysheva Olga --- Butler Brad --- 791.43 --- 7.038/039 --- 791.41 --- 7.01 --- kunsttheorie --- filmtheorie --- Birnbaum Dara --- Bender Gretchen --- Barry judith --- Atkins Ed --- Ashery Oreet --- Ancarani Yuri --- Alÿs Francis --- al-Ani Jananne --- performances --- lichamelijkheid --- body art --- video-installaties --- installaties --- kunst en film --- kunst --- film --- Kunst --- installaties [kunstwerken] --- videokunst [kunstwerken] --- performances [live] --- plaatsspecifieke werken --- bewegende beelden --- lichaamskunst --- nieuwe mediakunst --- Technologie et arts. --- Art et mondialisation. --- Art vidéo. --- Dans l'art.