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Poetry expressing criticism of social, political and cultural life is a vital integral part of Persian literary history. Its principal genres - invective, satire and burlesque - have been very popular with authors in every age. Despite the rich uninterrupted tradition, such texts have been little studied and rarely translated. Their irreverent tones range from subtle irony to crude direct insults, at times involving the use of outrageous and obscene terms. This anthology includes both major and minor poets from the origins of Persian poetry (10th century) up to the age of Jami (15th century), traditionally considered the last great classical Persian poet
Persian literature --- Middle Eastern literature --- Literature and history --- History and criticism. --- History and literature --- History and poetry --- Poetry and history --- Persian poetry --- History --- Literature --- Anvari --- Ghazal --- Panegyric --- Persians --- Poetry --- Satire
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To what extent can imaginative events be situated in time and history? From the medieval to the early modern period, this question is intriguingly explored in the expansive literary genre of romance. This collective study, edited by Jon Whitman, is the first systematic investigation of that formative process during more than four hundred years. While concentrating on changing configurations of romance itself, the volume examines a number of important related reference points, from epic to chronicle to critical theory. Recalling but qualifying conventional approaches to the three 'matters' of Rome, Britain, and France, the far-reaching inquiry engages major works in a variety of idioms, including Latin, French, English, German, Italian, and Spanish. With contributions from a range of internationally distinguished scholars, this unique volume offers a carefully coordinated framework for enriching not only the reading of romance, but also the understanding of changing attitudes toward the temporal process at large.
European literature --- European literature. --- History in literature. --- Literature and history --- Literature and history. --- Romanticism. --- Time in literature. --- History and criticism. --- Europe. --- History and literature --- History and poetry --- Poetry and history --- History --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements
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Australian Fiction as Archival Salvage examines key developments in the field of the Australian postcolonial historical novel from 1989 to the present. In parallel with this analysis, A. Frances Johnson undertakes a unique study of in-kind creativity, reflecting on how her own nascent historical fiction has been critically and imaginatively shaped and inspired by seminal experiments in the genre - by writers as diverse as Kate Grenville, Mudrooroo, Kim Scott, Peter Carey, Richard Flanagan, and Rohan Wilson. Mapping the postcolonial novel against the impact of postcolonial cultural theory and Australian writers' intermittent embrace of literary postmodernism, this survey is also read against the post-millenial 'history' and 'culture wars' which saw politicizations of national debates around history and fierce contestation over the ways stories of Australian pasts have been written.
Australian fiction --- Postcolonialism in literature --- Historical fiction --- History and criticism --- History and criticism. --- Historical fiction, Australian --- Literature and history --- Postcolonialism in literature. --- History and literature --- History and poetry --- Poetry and history --- History --- Australian historical fiction --- Australian literature
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Thomas Chatterton's fabrications-or "forgeries"-of historical poems ostensibly written from the thirteenth through the fifteenth centuries have attracted a great deal of attention and discussion of their authenticity since the eighteenth century. Nevertheless, his works have never before been the subject of a sustained serious and critical investigation that focused on his artistic achievement rather than on the legend and myth surrounding his melodramatic life. Donald Taylor's study provides a thorough analysis of Chatterton's poems and to place them in the context of the poetic and literary traditions that influenced him. Setting his analyses within the contexts of "historic," heroic, satiric, pastoral, and descriptive modes, the author considers each of Chatterton's major works as solutions to the literary problems the poet set for himself, thus tracing the literary history of Chatterton's artistic development as a sequence of subjects and literary modes explored. As Professor Taylor amply demonstrates, Thomas Chatterton's brief career embodies important features of the literary transition from the Augustans to the Romantics and, contrary to traditional assumptions, shows that the historical worlds Chatterton imagined have close ties to the century and sensibility against which he is assumed to have rebelled.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Imaginary histories. --- Middle Ages in literature. --- Medievalism --- Literature and history --- Literary forgeries and mystifications --- Alternate histories (History) --- Alternative histories (History) --- History --- History and literature --- History and poetry --- Poetry and history --- Errors, inventions, etc. --- Chatterton, Thomas, 1752-1770 --- Criticism and interpretation.
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"In Ethics and the Dynamic Observer Narrator: Reckoning with Past and Present in German Literature, Katra A. Byram proposes a new category-the dynamic observer form-to describe a narrative situation that emerges when stories about others become an avenue to negotiate a narrator's own identity across past and present. Focusing on German-language fiction from the nineteenth and twentieth centuries, Byram demonstrates how the dynamic observer form highlights historical tensions and explores the nexus of history, identity, narrative, and ethics in the modern moment. Ethics and the Dynamic Observer Narrator contributes to scholarship on both narrative theory and the historical and cultural context of German and Austrian literary studies. Narrative theory, according to Byram, should understand this form to register complex interactions between history and narrative form. Byram also juxtaposes new readings of works by Textor, Storm, and Raabe from the nineteenth century with analyses of twentieth-century works by Grass, Handke, and Sebald, ultimately reframing our understanding of literary Vergangenheitsbewa;ltigung, or the struggle to come to terms with the past. Overall, Byram shows that neither the problem of reckoning with the past nor the dynamic observer form is unique to Germany's post-WWII era. Both are products of the dynamics of modern identity, surfacing whenever critical change separates what was from what is. "--
LITERARY CRITICISM / European / German. --- Literature and history --- Narration (Rhetoric) --- German fiction --- History and criticism --- Theory, etc. --- German literature --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and literature --- History and poetry --- Poetry and history --- History
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"In this truly comparative study of 19th and 20th-century literature, Jobst Welge argues that there is a "deep structure" to certain novels of this period that centers on the idea of genealogy and family history. Welge examines British, Italian, Spanish, Portuguese, and Brazilian novels that share a "genealogical narrative" featuring stories of familial decline. Stories of families in crisis, Welge argues, reflect the experience of historical and social change among groups at the periphery of society. Though geographically and temporally diverse, the novels Welge considers all demonstrate a relation among family and national history, genealogical succession, generational experience, as well as social change and modernization. Welge links private and public histories, and also integrates detailed accounts of various literary fields across the globe. In combining theories of the novel, recent discussions of cultural geography, and new approaches to genealogical narratives, this study addresses a significant part of European (and, partly, Latin American) literary history in which texts from different "national" cultures illuminate each other in unsuspected ways and reveal the repetition, as well as the variation, among them"-- "Taking its cue from recent theories of literary geography and fiction, Genealogical Fictions argues that narratives of familial decline shape the history of the modern novel, as well as the novel's relationship to history. Stories of families in crisis, Jobst Welge argues, reflect the experience of historical and social change in regions or nations perceived as "peripheral." Though geographically and temporally diverse, the novels Welge considers all demonstrate a relation among family and national history, genealogical succession, and generational experience, along with social change and modernization. Welge's wide-ranging comparative study focuses on the novels of the late nineteenth century, but it also includes detailed analyses of the pre-Victorian origin of the genealogical-historical novel and the evolution of similar themes in twentieth-century literature. Moving through time, he uncovers often-unsuspected novelistic continuities and international transformations and echoes, from Maria Edgeworth's Castle Rackrent, published in 1800, to G. Tomasi di Lampedusa's 1958 book Il Gattopardo.By revealing the "family resemblance" of novels from Great Britain, Italy, Spain, Portugal, and Brazil, this volume shows how genealogical narratives take on special significance in contexts of cultural periphery. Welge links private and public histories, while simultaneously integrating detailed accounts of various literary fields across the globe. In combining theories of the novel, recent discussions of cultural geography, and new approaches to genealogical narratives, Genealogical Fictions addresses a significant part of European and Latin American literary history in which texts from different national cultures illuminate each other in unsuspected ways and reveal the repetition, as well as the variation, among them. This book should be of interest to students and scholars of comparative literature, world literature, and the history and theory of the modern novel"--
LITERARY CRITICISM / Semiotics & Theory. --- LITERARY CRITICISM / European / General. --- Literature and history. --- Genealogy --- Social change --- Social change in literature. --- Families in literature. --- Brazilian fiction --- European fiction --- History and literature --- History and poetry --- Poetry and history --- History --- Ancestry --- Descent --- Family history (Genealogy) --- Family trees --- Genealogical research --- Pedigrees --- Auxiliary sciences of history --- Biography --- Heraldry --- Precedence --- Change, Social --- Cultural change --- Cultural transformation --- Societal change --- Socio-cultural change --- Social history --- Social evolution --- Family in literature --- Social aspects. --- History and criticism. --- Methodology --- Research
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Black on Black provides the first comprehensive analysis of the modern African American literary response to Africa, from W.E.B. Du Bois's The Souls of Black Folk to Alice Walker's The Color Purple. Combining cutting-edge theory, extensive historical and archival research, and close readings of individual texts, Gruesser reveals the diversity of the African American response to Countee Cullen's question, ""What is Africa to Me?""John Gruesser uses the concept of Ethiopianism--the biblically inspired belief that black Americans would someday lead Africans and people of the diaspora to a brig.
American literature --- African Americans --- Public opinion --- Literature and history --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- African influences. --- Intellectual life --- Attitudes --- History --- History and criticism. --- African American authors --- Africa --- Eastern Hemisphere --- Foreign public opinion, American --- In literature. --- LITERARY CRITICISM --- American literature. --- Literature. --- Literature and history. --- Public opinion. --- Public opinion, American. --- Opinion, Public --- Perception, Public --- Popular opinion --- Public perception --- Public perceptions --- Judgment --- Social psychology --- Attitude (Psychology) --- Focus groups --- Reputation --- History and literature --- History and poetry --- Poetry and history --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- African American literature (English) --- Black literature (American) --- Agrarians (Group of writers) --- American --- General. --- African American. --- Attitudes. --- African American authors. --- Afro-American authors --- Negro authors --- 1900-1999 --- Africa. --- United States. --- AB --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi͡avks Shtattn --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērik --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- Spojené staty americk --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheirice --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi͡ednani Derz͡havy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- ZSA --- Black people
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