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The volume comprises 16 papers given at the conference Re-Inventing Traditions held in Berlin in 2012. It negotiates the question of the transmission of artistic patterns in late medieval manuscript illumination. The model as such is often regarded as a mere working tool but recently the conditions of its creation and transformation have been discovered as a field of research. Among the central themes of these essays are textual tradition, workshop methods and the development and changeability of artistic models throughout different media and in various European regions.

Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts --- Pictures --- Example --- Enluminure médiévale --- Enluminure --- Illustrations, images, etc. --- Exemple --- Themes, motives --- Technique --- Copying --- History --- Thèmes, motifs --- Reproduction --- Histoire --- 091.31 --- 091 "13/14" --- Verluchte handschriften --- Handschriftenkunde. Handschriftencatalogi--14e-15e eeuw. Periode 1300-1499 --- 091 "13/14" Handschriftenkunde. Handschriftencatalogi--14e/15e eeuw. Periode 1300-1499 --- Handschriftenkunde. Handschriftencatalogi--14e/15e eeuw. Periode 1300-1499 --- 091.31 Verluchte handschriften --- Enluminure médiévale --- Thèmes, motifs --- History.

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This is a study of a scripture translated into Old Turkic from the apocryphal Chinese Bayangjing and preserved in the Berlin Turfan Collection. 0This study of a scripture translated into Old Turkic from the apocryphal Chinese Bayangjing contains the reconstruction of the Old Turkic text and a comparison of the reconstructed text with the extant original Chinese text, as well as the Tibetan and Mongolian translations. Judging from the quantitative and linguistic abundance of extant Turkic fragments and their rich content, there can be little doubt that this scripture circulated widely and over a long period of time among Uighur Buddhists from the 10th century onwards. 0In a collection of Buddhist essays (in China dating from 1155), “there are some three thousand copies of the fabricated Bayangjing”. This was probably a reference to the popularity of scriptures such as the “fabricated (i.e. apocryphal) Bayangjing” which was not included in the official canon because it did not go back to an Indian original but was composed in China. Despite its apocryphal nature, it should also be noted that the Bayangjing includes scathing criticism of the yin-yang theory and undue concern for good and bad fortune. Furthermore, according to a review, it may be a Buddhist gospel of liberation from taboos and divination.

Apocriefe boeken (Tripitaka) --- Apocryphal books (Tripitaka) --- Apocryphes (Tripitaka) --- Apocryphes (Trois corbeilles) --- Apocryphes du Tripitaka --- Art et symbolisme bouddhiques --- Boeddhistische kunst en symboliek --- Buddhist art and symbolism --- Buddhist cave temples --- Caityagrha --- Cave temples [Buddhist ] --- Cetiyaghara --- Enluminure -- Moyen âge --- Enluminure des livres et des manuscrits médiévale --- Enluminure du Moyen âge --- Enluminure médiévale --- Handschriften [Oudturkse ] --- Illumination of books and manuscripts [Medieval ] --- Livres apocryphes (Tripitaka) --- Manuscripts [Old Turkic ] --- Manuscrits vieux-turcs --- Manuscrits à peintures -- Moyen âge --- Manuscrits à peintures du Moyen âge --- Manuscrits à peintures médiévaux --- Medieval illumination of books and manuscripts --- Middeleeuwse verluchting van boeken en handschriften --- Miniature médiévale --- Old Turkic manuscripts --- Oudturkse handschriften --- Rotstempels [Boeddhistische ] --- Temples rupestres bouddhiques --- Tripitaka -- Apocriefe boeken --- Tripitaka -- Apocryphal books --- Tripitaka -- Apocryphes --- Tripitaka. Apocryphes --- Trois corbeilles -- Apocryphes --- Trois corbeilles. Apocryphes --- Verluchting van boeken en handschriften [Middeleeuwse ] --- Buddhist literature [Uighur ] --- China --- Early works to 1800 --- Asia [Central ] --- Criticism and interpretation --- Buddhism --- Sacred books --- Asia [Central]

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Book history --- Burgundian [Migration period] --- illuminated manuscripts --- History of civilization --- Art --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- France --- Arts [French ] --- Arts français --- Enluminure des livres et des manuscrits française --- Illumination of books and manuscripts [French ] --- Kunsten [Franse ] --- Verluchting van boeken en handschriften [Franse ] --- Art and literature --- Arts, French --- Illumination of books and manuscripts, Medieval --- Manuscripts, Medieval --- Art et littérature --- Enluminure médiévale --- Manuscrits médiévaux --- History --- Histoire --- Illumination of books and manuscripts --- Illustration of books --- Illumination of books and manuscripts, French. --- Early printed books --- 949.3.015 --- 091.31:7.04 --- 091 <44> --- 091 <493> --- 091 "13/15" --- Geschiedenis van België: Bourgondische periode (1384-1482) --- Verluchte handschriften: iconografie --- Handschriftenkunde. Handschriftencatalogi--Frankrijk --- Handschriftenkunde. Handschriftencatalogi--België --- Handschriftenkunde. Handschriftencatalogi--?"13/15" --- 091 <493> Handschriftenkunde. Handschriftencatalogi--België --- 091 <44> Handschriftenkunde. Handschriftencatalogi--Frankrijk --- 091.31:7.04 Verluchte handschriften: iconografie --- 949.3.015 Geschiedenis van België: Bourgondische periode (1384-1482) --- Burgundian [Migration culture or style] --- Art et littérature --- Arts français --- Enluminure médiévale --- Manuscrits médiévaux --- Illumination of books and manuscripts [Medieval ] --- Manuscripts [Medieval ] --- Burgundy (France) --- 16th century --- History. --- Illumination of books and manuscripts, Medieval - Flanders. --- Illumination of books and manuscripts, Medieval - France. --- Illumination of books and manuscripts - Flanders. --- Illumination of books and manuscripts - France --- Illustration of books - France - 15th century --- Illustration of books - France - 16th century --- Arts, French - 14th century --- Arts, French - 15th century --- Arts, French - 16th century