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This book examines systematically, for the first time, poems by three protagonists of the 1890s: Oscar Wilde, Arthur Symons and Ernest Dowson. It sees their poems as sites where the self sensually collides with or is immersed in their artifice. This study examines Wilde's neglected early poetry and its role in triggering this shift. It shows how the idea of an erotic encounter with artifice reaches its apex in Symons's poetry, and how in Dowson it ripens into vexing non-collisions.

Decadence (Literary movement) --- English poetry --- Decadence (Literary movement). --- English poetry. --- History and criticism. --- Wilde, Oscar, --- Symons, Arthur, --- Dowson, Ernest Christopher, --- Dowson, Ernest, --- Criticism and interpretation. --- 1800-1899. --- England. --- History and criticism --- Wilde, Oscar --- Dowson, Ernest --- Languages & Literatures --- Literature - General --- English literature --- Literary movements --- Literature, Modern --- Symons, Arthur William, --- Melmoth, Sebastian, --- Uaĭlʹd, Oskar, --- C. 3. 3, --- C. Three Three, --- Ṿild, Osḳar, --- Wilde, Oscar Fingall O'Flahertie Wills, --- Ṿaild, Osḳar, --- Vaildas, Oskaras, --- Author of Lady Windermere's fan, --- Lady Windermere's fan, Author of, --- Vailds, Oskars, --- Ouailnt, Oskar, --- Uaylt, Ōskʻar, --- Уайльд, Оскар, --- Уальд, Оскар, --- וויילד, אוסקר, --- וויילד, אסקאר --- וויילד, אסקאר, --- ווילד, אסקאר --- ויילד, אוסקר --- ויילד, אוסקר, --- וילד, אוסקר --- וילד, אוסקר, --- וילד, אסקר, --- װײלד, אסקאר --- װײלד, אסקאר, --- وايلد، أوسكار --- وايلد، اسكار --- オスカー・ワイルド