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2015ICOM is in fields of photoelectron and microelectronics, include laser technology and applications, optical communication technology and applications,precision opto mechatronics systems and applications, microelectronic devices and MOEMS, advanced optical system design, testing, manufacturing and implementation, semiconductor materials, devices and applications, optoelectronic materials and devices.
Digital video --- Image analysis. --- Microelectronics. --- Multimedia systems.
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"Une analyse de la structuration croissante du cinéma et de l'audiovisuel par les formats, et du développement d'un cinéma ou d'une télévision en ligne comme nouvel espace de contraintes et d'innovation. Les auteurs envisagent les nouvelles formes audiovisuelles comme le webdocumentaire, ainsi que l'évolution du cinéma et de la télévision (et aussi des clips et jeux vidéo)."--Résumé de la notice dérivée
Digital media --- Digital television --- Digital video --- Digital cinematography --- Intermediality
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Vreemdetalenonderwijs --- Engelse taal ; didactiek --- Audiovisuele media ; onderwijs --- Digital Video
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Digital video --- Internet television --- Internet videos --- Streaming technology (Telecommunications) --- Competition --- Monopolies --- Government policy --- United States.
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Performing arts --- Digital video --- Technology and the arts --- Research --- Methodology --- Technological innovations --- Performing arts - Research - Methodology --- Performing arts - Research - Technological innovations --- Digital video - Research - Methodology --- Performing arts - Technological innovations
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Digital video --- Digital cinematography --- Visual communication --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Cinematography --- Digital filmmaking --- Digital moviemaking --- Digital techniques
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Television is the last mass medium to be disrupted by the Internet. Given the intricacies of the industry, it's also going to be the most resistant to change. Alan Wolk, an industry veteran and longtime analyst and observer, lays out how the television industry is adapting to the digital era, explaining what's really happening in a tone that will appeal to laypeople and insiders alike. In the first section, Wolk takes us through how the industry works today, focusing on how the various players actually make money and who pays who for what. The next section deals with the changes that are taking place in the industry today everything from time shifting to binge viewing to cord cutting and how those changes are starting to create some seismic shifts. In the final section, Wolk reveals his predictions for the future and what the industry will look like in ten years time.--Amazon.com.
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Sound --- Multimedia systems --- Digital video --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Recording and reproducing --- Digital techniques
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Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the twenty-first century? Selling the Splat Pack unravels the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack', a group of filmmakers who were heralded in the press as subversive outsiders. Taking a different tack, Mark Bernard proposes that the films of the Splat Pack were products of, rather than reactions against, film industry policy. This book includes an overview of the history of the American horror film from an industry studies perspective, an analysis of how the DVD market influenced the production of American horror films, and an examination of films from Splat Pack members such as Eli Roth, Rob Zombie, James Wan, and Alexandre Aja. By re-examining the history of the American horror film from a business perspective and exploring how DVD influenced the production of American horror films in the early twenty-first century, this thought-provoking book provides students and scholars in Film Studies with an alternative perspective on the Splat Pack."
Film --- United States --- Horror films --- Motion picture industry --- DVD-Video discs --- Spookfests (Motion pictures) --- Motion pictures --- Haunted house films --- Monster films --- Digital video discs --- Digital videodiscs --- DVD videodiscs --- DVDs --- Videodiscs --- History and criticism. --- Economic aspects --- Production and direction --- Splatter films --- DVDs. --- History. --- Digital versatile discs --- DVD technology --- Optical disks --- Gore films --- Spatter films --- Splatter horror films --- Splatter movies --- Torture porn films --- United States of America
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The video coding standard High Efficiency Video Coding (HEVC) targets at improved compression performance for video resolutions of HD and beyond, providing Ultra HD video at similar compressed bit rates as for HD video encoded with the well-established video coding standard H.264 | AVC. Based on known concepts, new coding structures and improved coding tools have been developed and specified in HEVC. The standard is expected to be taken up easily by established industry as well as new endeavors, answering the needs of todays connected and ever-evolving online world. This book presents the High Efficiency Video Coding standard and explains it in a clear and coherent language. It provides a comprehensive and consistently written description, all of a piece. The book targets at both, newbies to video coding as well as experts in the field. While providing sections with introductory text for the beginner, it suits as a well-arranged reference book for the expert. The book provides a comprehensive reference for the technical details of the employed coding tools; it further outlines the algorithmic advances compared to H.264 | AVC. In addition to the technical aspects, the book provides insight to the general concepts of standardization, how specification text is written, and how these concepts apply to the HEVC specification.
Coding and Information Theory. --- Engineering. --- Coding theory. --- Electrical engineering. --- Signal, Image and Speech Processing. --- Communications Engineering, Networks. --- Electric engineering --- Engineering --- Data compression (Telecommunication) --- Digital electronics --- Information theory --- Machine theory --- Signal theory (Telecommunication) --- Computer programming --- Construction --- Industrial arts --- Technology --- Telecommunication. --- Electric communication --- Mass communication --- Telecom --- Telecommunication industry --- Telecommunications --- Communication --- Telecommuting --- Digital video --- Video compression --- Standards. --- Signal processing. --- Image processing. --- Speech processing systems. --- Information theory. --- Communication theory --- Cybernetics --- Computational linguistics --- Electronic systems --- Modulation theory --- Oral communication --- Speech --- Telecommunication --- Singing voice synthesizers --- Pictorial data processing --- Picture processing --- Processing, Image --- Imaging systems --- Optical data processing --- Processing, Signal --- Information measurement
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