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Für Studenten, professionelle Designer und interessierte Laien gleichermaßen unverzichtbar: die umfassend überarbeitete und aktualisierte Auflage dieses Standardwerks zur Produktgestaltung. Es zeichnet die Geschichte und die heutige Ausrichtung des Designs nach und vermittelt die wichtigsten Grundlagen der Designtheorie und -methodologie. Aus dem Inhalt: • Design und Geschichte: Bauhaus; Hochschule für Gestaltung Ulm; Braun; Von der Guten Form zur Designkunst • Design und Globalisierung • Design und Methodologie: Erkenntnismethoden im Design • Design und Theorie: Auf dem Weg zu einer disziplinären Designtheorie• Design und Kontext: Vom Corporate Design zum Strategischen Design • Produktsprache und Produktsemantik• Architektur und Design• Design und Gesellschaft• Design und Technik

Design --- Creation (Literary, artistic, etc.) --- Data processing.

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Aujourd'hui, plusieurs courants scientifiques prennent l'art comme objet de recherche et établissent des correspondances entre le travail du chercheur et celui de l'artiste. Dans cet ouvrage, des universitaires qui inscrivent leurs approches dans les sciences humaines cliniques questionnent les connexions entre processus de création et processus cliniques. Ils analysent la façon dont le recours à des dispositifs d'enseignement, qui font entrer l'art dans la formation, rend possible des déplacements et des remaniements chez celles et ceux qui se forment. Que ce soit par le théâtre, la vidéo, la danse ou la poésie, l'expérience montre en effet la portée transformatrice de ces médiations. Se découvre alors une humanité reliée à d'autres, incluant sensibilité, émotion et surprise, favorisant les processus de dégagement d'une impuissance parfois éprouvée.

Arts. --- Clinical psychology. --- Creation (Literary, artistic, etc.)

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It is a tenet of postmodern writing that the subject—the self—is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the premodern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in From Text to Hypertext, analyzing the issue of subject construction and deconstruction in selected examples of visual art, literature, film, and electronic media. Gaggi concentrates on a few paradigmatic works in each chapter; he contrasts van Eyck's Wedding of Arnolfini with the photography of Cindy Sherman and Barbara Kruger; examines fiction that centers on an elusive subject in works by Conrad, Faulkner, and Calvino; and explores the ability of such films as Coppola's One from the Heart and Altman's The Player to emancipate the subject through cinematography and editing.In considering electronic media, Gaggi takes his argument to an entirely new level. He focuses on computer-controlled media, specifically examples of hypertextual fiction by Michael Joyce and Stuart Moulthrop. Besides recognizing how the computer has enabled artists to create works of fiction in which readers themselves become decentered, Gaggi also observes the impact of literature created on computer networks, where even the limitations of CD-ROM are lifted and the notion of individual authorship may for all practical purposes be lost.

Arts --- Creation (Literary, artistic, etc.) --- Themes, motives. --- Cultural Studies. --- Literature.

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The Genius of Scotland: The Cultural Production of Robert Burns, 1785-1834 explores the wide-ranging reception history of Robert Burns by examining the sources of his reputation as the ‘Genius of Scotland’ in the Scottish Enlightenment and beyond. Evaluating his changing stature in the eighteenth and nineteenth centuries, the book investigates the figure of Burns as a ‘cultural production’ that was constructed by warring cultural forces in the literary marketplace. The critical promotion of Burns as the ‘Heaven-taught ploughman’ greatly influenced his legacy as a labouring-class ‘genius’ and national icon, both of which relied on blatant censorship and distortion of his biography and works. The Genius of Scotland debunks both the hagiographic and vituperative representations of the poet from this period, revealing not only how (and why) he was culturally produced as a national ‘genius’ but also how the process continues to influence our understanding of Burns into the present day.

Literature and society --- Literature and society --- Creation (Literary, artistic, etc.) --- Creation (Literary, artistic, etc.) --- History --- History --- History --- History --- Burns, Robert, --- Burns, Robert, --- Criticism and interpretation. --- Appreciation.

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Durante o VII Encontro de Geografia Física e Ambiente, subordinado ao tema grandes incêndios florestais e erosão e degradação dos solos, que decorreu em Guimarães, nos dias 10 e 11 de outubro de 2013, no debate com que finalizou uma das sessões, abordou-se a questão da terminologia, tendo-se gerado alguma discussão em torno do conceito de perigosidade, discussão que se prolongou pelo intervalo que se seguiu à sessão, tendo-se concluído do interesse em organizar um debate com vista a refletir sobre alguns dos pontos de discussão. Ora, a organização de um "Diálogo ente Ciência e Utilizadores" foi a resposta encontrada para esse desafio assumido no Encontro de Guimarães e que se traduziu numa reunião técnicocientífica levada a efeito no dia 16 de maio de 2014, na Faculdade de Letras da Universidade de Coimbra, para a qual foram convidados representantes das Universidades de Lisboa (Nova, Clássica e Instituto Superior Técnico), do Porto, do Minho e, naturalmente, de Coimbra, bem como das três entidades que constituem os pilares institucionais de defesa da floresta contra incêndios, a Autoridade Nacional de Proteção Civil (ANPC), o Instituto de Conservação da Natureza e das Florestas (ICNF) e a Guarda Nacional Republicana (GNR), que esteve representada pelo Serviço de Proteção da Natureza (SEPNA) e pelo Grupo de Intervenção, Proteção e Socorro (GIPS) da Unidade de Intervenção (UI). Nesta reunião técnico-científica participaram também representantes do Serviço Regional de Proteção Civil da Madeira, de Autarquias Locais, Corpos de Bombeiros (sapadores, municipais e voluntários), bem como profissionais e estudantes de Geografia.

Risk management. --- Planning. --- Creation (Literary, artistic, etc.) --- Executive ability --- Management --- Organization --- Insurance