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Poetry --- Coleridge, Samuel Taylor --- England
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Poetry --- Coleridge, Samuel Taylor --- England
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Based on a comparison of early editions, manuscripts, and copies annotated by the poet himself, this edition provides a reliable text of Coleridge's last prose work, first published in 1830. Originally intended to influence public opinion on the Catholic Emancipation Bill of 1829, the work became a brief but brilliant synthesis of Coleridge's political and theological thought, whose influence extended well beyond the nineteenth century. John Colmer's introduction and notes place the work in its literary and historical context and they illuminate Coleridge's process of composition and the development of his ideas on Church and State.John Comer's introduction and notes place the work in its literary and historical context and they illuminate Coleridge's process of composition and the development of his ideas on Church and State.Originally published in 1976.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Church and state --- Poets, English --- Coleridge, Samuel Taylor,
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In an original and provocative demonstration that Coleridge's later poetry took on a powerful metaphysical conception, Edward Kessler emphasizes Coleridge's struggle with language as a means of both expressing and creating Being. While many of Coleridge's late poems are generally viewed as fragments that constitute an aesthetic failure, Professor Kessler contends that what at first may appear to reflect Coleridge's inability to finish a poem can otherwise be seen as a deliberate rejection of what the poet came to see as a confining form.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Studying the nature of symbol in Coleridge's work, Father Barth shows that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. He finds symbol to be an essentially religious reality for Coleridge, one that partakes of the nature of a sacrament, especially sacrament as an encounter between material and spiritual reality. Father Barth notes that eighteenth-century poetry was by and large a poetry of metaphor rather than of symbol, a poetry of reference rather than of encounter. In close readings of the poetry of Wordsworth and Coleridge, he shows how they practiced and developed the poetry of symbol. Finally, analyzing the symbolic imagination, the author concludes that it is a phenomenon profoundly linked with the experience of Romanticism itself and with a fundamental change in religious sensibility.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Symbolism in literature. --- Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- -Symbolism in literature --- Symbolisme dans la littérature --- Romanticism --- Signs and symbols in literature --- Symbolism in folk literature --- Pseudo-romanticism --- Romanticism in literature --- Coleridge, Samuel Taylor --- -Symbolism --- Symbolism. --- Symbolism in literature --- Symbolism --- Romantisme --- Romanticism - England --- Coleridge, Samuel Taylor, - 1772-1834 - Symbolism --- Coleridge, Samuel Taylor, - 1772-1834
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Published in 1847 by Joseph Cottle (1770-1853), this work recounts his relationship with Coleridge and Southey, whom he first met in 1794 as a successful bookseller in Bristol. Cottle went on to finance a number of the Romantic poets' publications, including Wordsworth and Coleridge's Lyrical Ballads (1798), which is seen as marking the start of Romanticism. A reworking of Cottle's controversial Early Recollections (1837), Reminiscences was criticised upon publication for being exaggerated and misleading, coloured by the breakdown of the author's friendship with the poets, as well as revealing information about disputes, moneylending and Coleridge's opium addiction. In spite of its shortcomings, the work gives a uniquely valuable insight into the lives and characters of the Romantic poets by a member of their inner circle. Cottle's memoir has much to reveal about the poets' private lives and artistic influences during a key moment in the Romantic period.
Authors, English --- Coleridge, Samuel Taylor, --- Southey, Robert, --- Southey, Roberto, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,
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The reminiscences of Bristol bookseller Joseph Cottle (1770-1853) have been described as 'unreliable but essential'. The son of a tailor, Cottle was an avid reader, opening a bookshop in 1791. Three years later he was introduced to Samuel Taylor Coleridge and Robert Southey, and became the earliest publisher of their works: through them, he also knew Wordsworth, and published the Lyrical Ballads in 1798. He later fell out with all three men, and in 1837 published (despite Southey and Coleridge's family attempting to prevent it) this quickly notorious two-volume work, through which Cottle lost an expensive libel case in which he was sued by Hannah More's coachman. Ten years later, he recast the book as Reminiscences of Samuel Taylor Coleridge and Robert Southey (also reissued in this series). Both works contain evasions and distortions, but are valuable for their account of some vital years in the lives of the great Romantic poets.
Poets, English --- Coleridge, Samuel Taylor, --- English poets --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,
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The reminiscences of Bristol bookseller Joseph Cottle (1770-1853) have been described as 'unreliable but essential'. The son of a tailor, Cottle was an avid reader, opening a bookshop in 1791. Three years later he was introduced to Samuel Taylor Coleridge and Robert Southey, and became the earliest publisher of their works: through them, he also knew Wordsworth, and published the Lyrical Ballads in 1798. He later fell out with all three men, and in 1837 published (despite Southey and Coleridge's family attempting to prevent it) this quickly notorious two-volume work, through which Cottle lost an expensive libel case in which he was sued by Hannah More's coachman. Ten years later, he recast the book as Reminiscences of Samuel Taylor Coleridge and Robert Southey (also reissued in this series). Both works contain evasions and distortions, but are valuable for their account of some vital years in the lives of the great Romantic poets.
Poets, English --- Coleridge, Samuel Taylor, --- English poets --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,
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Coleridge began in 1795 a series of public lectures. This volume includes all the printed and manuscript versions of the Bristol lectures in chronological sequence. Among the contents are "Lectures on Revealed Religion, Its Corruption, and Its Political Views" and "Lecture on the Slave-Trade."Originally published in 1971.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
English literature --- English literature. --- Literature, Victorian --- Victorian literature --- Poets, English --- Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers)
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