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Modernisme --- Cobra (kunstcollectief) --- Avant-garde --- Alechinsky, Pierre --- Appel, Karel

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Surrealism --- Art, Modern --- Belgian literature --- Surrealism (Literature) --- Surréalisme --- Art --- Littérature belge --- Surréalisme (Littérature) --- History and criticism --- Histoire et critique --- Noiret, Joseph, --- Exhibitions --- Cobra (Association) --- Cobra (Art movement) --- Cobra (Kunstbeweging) --- Cobra (Mouvement artistique) --- Surréalisme --- Littérature belge --- Surréalisme (Littérature) --- Noiret, Joseph --- History and criticism.

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ceramic engineering --- installations [visual works] --- ceramics [object genre] --- Funk --- vases --- books --- mascarons --- Art Informel --- Applied arts. Arts and crafts --- eroticism --- anno 2000-2099 --- anno 1900-1999 --- 738.038 --- 738.039 --- Kunst en keramiek ; 20ste en 21ste eeuw --- Tentoonstellingscatalogi ; Maastricht ; Bonnefantenmuseum --- Beeldhouwkunst ; materialen ; keramiek --- kunst --- Schütte Thomas --- Sahal Elsa --- Ontani Luigi --- Kristalova Klara --- Ikemura Leiko --- Creten Johan --- Tàpies Antoni --- Chillida Eduardo --- Bock Katinka --- Funk art --- Sodeisha --- 738 --- 73.036/039 --- Teatrini --- maskers --- Verenigde Staten --- Japan --- Italië --- Frankrijk --- beeldhouwkunst --- negentiende eeuw --- eenentwintigste eeuw --- twintigste eeuw --- kunst en keramiek --- keramiek --- Keramiek ; 1950 - 2000 --- Keramiek ; 2000 - 2050 --- Exhibitions --- MAD-faculty 16 --- keramiek: kunstenaars --- tentoonstellingscatalogus --- studio ceramics --- cobra --- CoBra

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Le Corbusier (1887-1965) is one the most influential architects of the 20th century. In the Scandinavian countries, his influence is arguably most pronounced in the writings and art of the Danish experimentalist Asger Jorn (1914-1973). Their collaboration on Le Corbusier's pavilion for the 1937 Paris World Exhibition sparked Jorn's lifelong fascination with the great architect and with architecture more broadly as an inherently public form of art. At the same time, Le Corbusier began revealing his work in visual art and started to move from a rational, technological approach to architecture, towards a more poetic, materialist one. Published in collaboration with the Museum Jorn, Silkeborg, this book focuses specifically on the reception of Le Corbusier in Scandinavia, with the relationship between Jorn and Le Corbusier as a thematic thread. The book first highlights the architect's change of direction and subsequently takes readers through his influence on the young artist. The book's distinguished contributors explore the relationships that emerged among their artistic theories and practices, including Jorn's later critique of Le Corbusier. Essays also explore the wider influence of Le Corbusier on Scandinavian architecture and urbanisation and consider Le Corbusier alongside the Danish architect Jorn Oberg Utzon and the Aarhus Brutalism movement. Exhibition: Museum Jorn, Silkeborg, Denmark (12.09.15 - 13.12.2015).

Jorn, Asger, --- Architecture --- Le Corbusier, --- Jorn, Asger, 1914-1973 --- Schilderkunst ; 20ste eeuw ; Le Corbusier --- Beeldende kunst ; 2de helft 20e eeuw ; Cobra en nalatenschap --- Jorn, Asger 1914-1973 (°Vejrum, Denemarken) --- Wereldtentoonstellingen ; Parijs ; 1937 --- Le Corbusier (pseudoniem van Charles-Edouard Jeanneret 1887-1965 (°La Chaux-de-Fonds, Neuchâtel, Zwitserland) --- Kunst en architectuur ; geïntegreerde kunst in/om gebouwen --- 7.038 --- 7.037 --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 1900 - 1950