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2015 (4)

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Book
Truth of a moment, the impressionism of Chekhov
Authors: ---
ISBN: 9789061433910 9061433916 Year: 2015 Volume: 25 Publisher: Amsterdam Uitgeverij Pegasus

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Abstract

The Impressionist quality of Chekhov’s writing, recognized from the beginning, is in this work tested against the specific features of Impressionist art. The work’s historical perspective elucidates the decisive impact of the era on the Impressionists and on Chekhov: both focused on the modern, constantly changing world. Extensive analysis of Chekhov’s text and Impressionist paintings is the basis for defining specific parallels in their thematic, stylistic, and ideological aspects.


Book
The Routledge companion to Michael Chekhov
Authors: ---
ISBN: 9780415710183 9781315716398 9781317506843 9781317506850 9781317506867 9781138224810 1315716399 0415710189 Year: 2015 Publisher: London ;New York Routledge

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pt. 1. Michael Chekhov in context : theory, practice, pedagogy -- pt. 2. Michael Chekhov on stage : collaborations and encounters -- pt. 3. Michael Chekhov's heritage and interdisciplinary performative practices -- pt. 4. Michael Chekhov's theatre system and acting pedagogy today.


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Antosha and Levitasha
Author:
ISBN: 9781501756764 1501756761 9781609091903 1609091906 9780875807317 0875807313 Year: 2015 Publisher: DeKalb

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"Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements. Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies"--


Book
Antosha and Levitasha
Author:
ISBN: 1501756761 1609091906 9781609091903 9781501756764 9780875807317 0875807313 Year: 2015 Publisher: DeKalb

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Abstract

"Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements. Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies"--

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