Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Ernie Gehr (né le 20 juillet 1941 à Milwaukee, Wisconsin) est un cinéaste expérimental américain étroitement lié avec le mouvement structuraliste des années 1970. Artiste autodidacte, sa passion pour le cinéma expérimental provient des films de Stan Brakhage. Son film Serene Velocity (1970) fut sélectionné pour la National Film Registry en 2001. Gehr fut également membre du personnel du San Francisco Art Institute.

Art vidéo --- Installations (art) --- Installations (Art) -- Exhibitions --- Gehr, Ernie, --- Installation-art --- Cinéma --- Gehr, Ernie --- Installations (Art) --- Art vidéo.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Regine Petersen uses the stories of meteorite falls as a background for her multifaceted narratives; a rock crashing through the roof of an Alabama home in the 1950s and hitting a woman, a group of children recovering a meteorite in their village in post-war Germany, and a more recent event in India involving two Rajasthani nomads. Petersen visited the places and the eyewitnesses and delved into their stories, expanding her photographic observations with found documents and interviews. -- publisher's statement.

fotografie --- documentaire fotografie --- eenentwintigste eeuw --- Petersen Regine --- Verenigde Staten --- Duitsland --- India --- landschapsfotografie --- portretfotografie --- 77.071 PETERSEN --- Exhibitions --- Meteorites --- Meteors in art --- Photobooks --- Photography, Artistic --- Photographie --- Petersen, Regine, --- Meteorites - In art - Exhibitions --- Meteorites - Pictorial works --- Meteors in art - Exhibitions --- Photobooks - Exhibitions --- Photography, Artistic - 21st century - Exhibitions --- Petersen, Regine, 1976 --- -fotografie --- -Photographie --- Petersen, Regine, 1976-

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

eggs [biological bodies] --- installations [visual works] --- molding [forming] --- sculpture [visual work] --- Art --- sexuality --- Lucas, Sarah --- Nude in art --- Exhibitions --- Lucas, Sarah, --- sculpture [visual works] --- Nude in art - Exhibitions --- Lucas, Sarah, - 1962- - Exhibitions --- Lucas, Sarah, - 1962 --- -Art --- -Lucas, Sarah, - 1962 --- -Nude in art --- -Lucas, Sarah, - 1962-

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Edited by Paola Antonelli and Jamer Hunt, with Michelle Millar Fisher. Design has a history of violence, yet professional discourse around design has been dominated by voices that only trumpet its commercial and aesthetic successes. Violence, defined here as the manifestation of the power to alter circumstances against the will of others and to their detriment, has always been ubiquitous, and in recent years technology has introduced dramatic new threats. Design and Violence sheds light on the complex impact of design on the built environment and on everyday life, as well as on the forms of violence in contemporary society. Published to accompany an online experiment launched by The Museum of Modern Art in 2013, this book brings together controversial, provocative, and compelling design projects with leading voices from the fields of art and design, science, law, criminal justice, ethics, finance, journalism, and social justice. Each author responds to one object--ranging from an AK-47 to a Euthanasia Rollercoaster, from plastic handcuffs to the Stuxnet digital virus--sparking dialogue, reflection, and debate. These experimental and wide-ranging conversations make Design and Violence an invaluable resource for lively discussions and classroom curricula.

Violence in art --- Violence --- Design --- 7.049 --- Creation (Literary, artistic, etc.) --- Violent behavior --- Social psychology --- Social aspects --- Iconografie ; verschillende onderwerpen --- Exhibitions --- 7.039 --- Thema's in de kunst ; 21ste eeuw ; geweld --- Kunst en maatschappijkritiek --- Tentoonstellingscatalogi ; New York ; MOMA --- Kunstgeschiedenis ; 2000 - 2050 --- designs [artistic concepts] --- Product strategy --- violence --- Violence (thème) --- Violence in art - Exhibitions --- Violence - Social aspects - Exhibitions --- Design - Social aspects - Exhibitions.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Le jour où Kazimir Malevitch présenta au public, sous la bannière du suprématisme, ses tableaux non figuratifs tandis que Vladimir Tatline exposait ses contre-reliefs révolutionnaires est à marquer d’une pierre blanche dans l’histoire de l’art moderne. Ces rivaux acharnés s’opposaient diamétralement sur le plan artistique. La tribune où ils montrèrent leurs plus récents travaux – 0,10 – La dernière exposition futuriste de tableaux, organisée par leur collègue artiste Ivan Puni (Jean Pougny) en 1915 à Petrograd (l’actuelle Saint-Pétersbourg) – , incita les 12 autres artistes exposés à cette occasion à se ranger dans le camp de l’un ou de l’autre. Il en résulta une exposition stylistiquement très diverse, dans laquelle on pouvait même voir des travaux inspirés du cubisme. La Fondation Beyeler permet de redécouvrir pour la première fois un grand nombre de ces œuvres dans le cadre d’une exposition. Le catalogue propose des textes de Matthew Drutt et d’autres auteurs spécialisés, ainsi que des documents historiques dont certains n’ont encore jamais été publiés en traduction.

Painting --- Suprematist --- Art styles --- Constructivist --- anno 1900-1999 --- Russian Federation --- futurisme --- suprematisme --- kunstkritiek --- constructivisme --- modernisme --- verzameling Costakis (Thessaloniki) --- Costakis, George --- Tatlin, Vladimir Yevgrafovitch --- Malevich, Kasimir --- Puni, Iwan Albertowitsch --- Rusland --- Art museums --- Futurism (Art) --- Suprematism in art --- Constructivism (Art) --- Art, Abstract --- Painting, Modern --- Fondation Beyeler --- Art collections --- Suprematism. --- Abstrakt konst. --- Konstruktivism (konst) --- Modern konst. --- Art collections. --- 1900-talet. --- Konstruktivism (konst). --- Russia --- Art museums - Switzerland - Basel - Exhibitions --- Art museums - Switzerland - Riehen - Exhibitions --- Futurism (Art) - Russia - 20th century - Exhibitions --- Suprematism in art - Exhibitions --- Constructivism (Art) - Russia (Federation) - Exhibitions --- Art, Abstract - Exhibitions --- Painting, Modern - 20th century - Exhibitions --- Futurism (Art) - 20th century --- futurisme. --- suprematisme. --- kunstkritiek. --- constructivisme. --- modernisme. --- verzameling Costakis (Thessaloniki). --- Costakis, George. --- Tatlin, Vladimir Yevgrafovitch. --- Malevich, Kasimir. --- Puni, Iwan Albertowitsch. --- Rusland. --- verzameling Gustav Rau. --- Fragonard, Jean-Honoré. --- Rau, Gustav. --- François-Henri (duc d'Harcourt).