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Jonas Mekas, Scrapbook of the sixties : Writings 1954-2010.
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ISBN: 9783959050333 395905033X Year: 2015 Publisher: Spector Books : Leipzig,

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Abstract

Scrapbook of the Sixties is a collection of 37 published and unpublished texts by Jonas Mekas, filmmaker and writer.


Periodical
Vivomatografías : revista de estudios sobre precine y cine silente en Latinoamérica
Authors: ---
ISSN: 24690767 Year: 2015 Publisher: Ciudad Autónoma de Buenos Aires, Argentina : Ciudad Autónoma de Buenos Aires, Argentina : Núcleo de Estudios sobre Precine y Cine Silente Latinoamericano (PRECILA), Asociación de Estudios sobre Precine y Cine Silente Latinoamericano (PRECILA)


Book
Amateur cinema : the rise of North American movie making, 1923-1960
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ISBN: 0520959558 0520279867 9780520279858 0520279859 9780520279865 9780520959552 Year: 2015 Publisher: Oakland, California : University of California Press,

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From the very beginning of cinema, there have been amateur filmmakers at work. It wasn't until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the "amateur" in film history and modern visual culture. In the middle decades of the twentieth century-the period that saw Hollywood's rise to dominance in the global film industry-a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that gave rise to dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of "advanced" amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films.


Book
L.A. Rebellion : creating a new black cinema
Authors: --- ---
ISBN: 0520960432 9780520960435 0520284674 0520284682 9780520284678 9780520284685 Year: 2015 Publisher: Oakland, California : University of California Press,

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"L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group--including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis--shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles"--Provided by publisher.


Book
A hidden history of film style : cinematographers, directors, and the collaborative process
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ISBN: 9780520284357 9780520284340 9780520959927 0520284348 0520284356 0520959922 Year: 2015 Publisher: Oakland, California : University of California Press,

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"The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth century--such as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert Burks--this pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film"--Provided by publisher.

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