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Maude Schuyler-Clay started her color portrait series "Mississippi History" in 1975 when she came upon her first Rolleiflex 2ơ camera. At the time, she was living and working in New York and paid frequent visits to her native Mississippi Delta whose landscape and people continued to inspire her. Over the next twenty-five years, the project, which began as "The Mississippians" evolved into an homage to Julia Margaret Cameron. A definitive pioneer of the art of photography, Cameron lived in Victorian England and began her photographic experiments in 1863, after receiving the gift of a camera. The expressive, allegorical portraits of her friends and family as well as her artful approach to capturing the essence of light are the driving forces behind Schuyler-Clay's nostalgic recollection of carefree moments of family life and play in Mississippi in the 1980s and 90s.
Schuyler-Clay, Maude. --- Portrait photography --- fotografie --- portretfotografie --- landschapsfotografie --- Verenigde Staten --- twintigste eeuw --- Schuyler Clay Maude --- 77.071 SCHUYLER CLAY --- Photography --- Portraiture --- Portraits --- Clay, Maude Schuyler. --- Mississippi --- State of Mississippi --- Missisipi --- Місісіпі --- Misisipi --- Штат Місісіпі --- Shtat Misisipi --- Мисисипи --- Щат Мисисипи --- Mísísípii Hahoodzo --- Mississippi osariik --- Μισισιπι --- Πολιτεία του Μισισίπι --- Politeia tou Misisipi --- Estado de Misisipi --- Misisipio --- État du Mississippi --- Mississippy --- 미시시피 주 --- Misisipʻi-ju --- 미시시피 --- Mikikipi --- מיסיסיפי --- מדינת מיסיסיפי --- Medinat Misisipi --- US-MS --- MS (State : Mississippi) --- MI (State : Mississippi) --- Miss.
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The South's system of Jim Crow racial oppression is usually understood in terms of legal segregation that mandated the separation of white and black Americans. Yet, as this work shows, it was also a high-stakes drama that played out in the routines of everyday life, where blacks and whites regularly interacted on sidewalks and buses and in businesses and homes. Every day, individuals made, unmade, and remade Jim Crow in how they played their racial roles-how they moved, talked, even gestured. The highly visible but often subtle nature of these interactions constituted the Jim Crow routine.
African Americans --- Racism --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Critical race theory --- Race relations --- Social life and customs --- History --- Mississippi --- State of Mississippi --- Missisipi --- Місісіпі --- Misisipi --- Штат Місісіпі --- Shtat Misisipi --- Мисисипи --- Щат Мисисипи --- Mísísípii Hahoodzo --- Mississippi osariik --- Μισισιπι --- Πολιτεία του Μισισίπι --- Politeia tou Misisipi --- Estado de Misisipi --- Misisipio --- État du Mississippi --- Mississippy --- 미시시피 주 --- Misisipʻi-ju --- 미시시피 --- Mikikipi --- מיסיסיפי --- מדינת מיסיסיפי --- Medinat Misisipi --- US-MS --- MS (State : Mississippi) --- MI (State : Mississippi) --- Miss. --- Black people
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